Theatre and Society
Ballesteros González, Antonio. “Performing King Edward III in Madrid: The Representation of Royal Power and War Disasters.” Quarto [online], Apocrypha Redivivus, Publications, King Edward III, 2013.
Ballesteros González, Antonio. Editor de los números 32-33 de la revista Nerter (revista dedicada a la Literatura, el Arte y el Conocimiento). Monográfico "Siete calas en el teatro contemporáneo", (primavera-verano 2020).
Ballesteros González, Antonio, traductor. Asesinato en la catedral y El secretario particular. T. S. Eliot. Teatro completo, edited by Dídac Llorens-Cubedo y Teresa Gibert. Visor (Colección Visor de Poesía), 2023.
Díaz Morillo, Ester. “Of the Awefull Afterlife of Cats: From the Illustrated Book to the Stage.” ES Review 44, 2023, forthcoming.
Guerrero, Isabel. “Celebrating Global Shakespeare: the reinvention of Shakespeare Festival in the UK.” The Grove: Working Papers on English Studies, no. 24, 2017, pp. 25-37.
Guerrero, Isabel. “Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral.” SEDERI Yearbook, no. 27, 2017, pp. 27-46.
Guerrero, Isabel. “A Festival Blockbuster: Romeo and Juliet at the Edinburgh Fringe and the Avignon Off.” Romeo and Juliet in European Culture, edited by Juan F. Cerdá, Dirk Delabastita and Keith Gregor, John Benjamins Publishing Company, 2017, pp. 247-262.
Guerrero, Isabel. “Shakespeare for the Holidays: Shakespeare Festivals in North America.” Acotaciones, revista de investigación y creación teatral, no. 40, 2018, pp. 111-126.
Guerrero, Isabel; Saura, Alba (eds.). Escenas y escenarios: itinerarios de los Estudios Teatrales. Universidad de Murcia, 2019.
Guerrero, Isabel. “My native English now I must forgo’: Global Shakespeare at the Edinburgh International Festival.” Cahiers Élisabéthains: A Journal of Renaissance English Studies, no. 130, 2020, pp.57-74.
Guerrero, Isabel. “Shakespeare at the Almagro Festivals: Reinventing the Plays in Spain.” Shakespeare on European Festival Stages, edited by Paul Prescott, Florence March and Nicoleta Cinpoes. Arden/Bloomsbury, 2021, pp. 37-52.
Guerrero, Isabel. “Shakrep: Shakespearean Performance in Spain.” Early Modern Digital Review, no. 4., vol. 2, 2021, pp. 207-210. https://jps.library.utoronto.ca/index.php/emdr/article/view/37585
Guerrero, Isabel. “Historiografía teatral.” El análisis de la escenificación, edited by Jara Martínez Valderas and José Gabriel López Antuñano, Editorial Fundamentos, 2021, pp. 69-94.
Guerrero, Isabel y Verónica Rodríguez Morales. Editors of the Special Issue “Theatre and Performance Studies in English.” RAEI. Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses, no. 35, 2021. https://raei.ua.es/issue/view/2021-n35
Guerrero, Isabel. “Fringe Shakespeare: Shakespeare as You’ve Never Seen It Before.” ATLANTIS. Journal of the Spanish Association of Anglo-American Studies, vol. 44, n. 1, 2022, pp. 37-54. http://doi.org/10.28914/Atlantis-2022-44.1.03
Guerrero, Isabel. “William Shakespeare en Aviñón. Análisis de su recepción en el contexto de un festival de teatro.” Signa. Revista de la Asociación Española de Semiótica, no. 31, 2022, pp. 459-477. https://doi.org/10.5944/signa.vol31.2022.29473
Guerrero, Isabel. “Pulling the Strings: Othello, puppet and object theatre.” Othello in European Culture, edited by Francesca Rayner, Elena Bandín and Laura Campillo, John Benjamins Publishing Company, 2022, pp. 191-204.
Llorens-Cubedo, Dídac. "Man of the Theatre: Stage Performances of T. S. Eliot’s Work in Spain (1949–2016)." Neophilologus, no. 105, 2021, pp. 555-571.
Llorens-Cubedo, Dídac. “The Cocktail Party and It’s a Wonderful Life: Crisis, Guardianship, and Rebirth”. T. S. Eliot Studies Annual, vol. 4, no. 1, 2022, pp. 229-259.
Rodríguez, Verónica; Guerrero, Isabel y David Rodríguez-Solás. Editors of the Special Issue “Anglophone Theatre and Performance Practices on the Spanish Stage.” RAEI. Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses, no. 37, 2022. https://raei.ua.es/issue/view/2021-n37
Zamorano, Ana. “Virginia Wolf a escena: teatro y ficción (auto)biográfica.” Teatro, (auto)biografía y autoficción (2000-2018): En homenaje al profesor José Romera Castillo, edited by Guillermo Laín Corona and Rocío Santiago Nogales, Visor, 2019, pp. 771-787.