Q. Why the wait?

A. We want to make the perfect community-orientated gangster game across a wide variety ofdevices. It's a fairly large game and takes time considering the range of technologies andsystems involved.

During Prohibition, which lasted from 1920 to 1933, Americans were more than happy to patronize illegal bars. And gangsters like Dillinger were folk heroes during the Great Depression, when millions of Americans were unemployed and banks were often despised.


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Arguably the best place to get a feel (and taste) of Northwoods gangster lore is Little Bohemia outside Manitowish Waters. It was there, 80 years ago, that FBI agents bungled a raid aimed at catching Dillinger, Nelson and several of their associates.

And while all the gangsters escaped, two locals who happened to be in the wrong place at the wrong time were gunned down by the Feds. Later, an FBI agent was killed by the fast-balling Nelson. But Nelson got his just rewards when the G-men caught up with him in Barrington in November 1934.

In order to express these new types of men, I have created a fictive paradise where people are not bound by socially constructed norms. Therefore they dress more daring, more sensual and more explicit - with elements recognized from a strong masculine identity mixed with the softness of a feminine identity. Welcome to Gangster's Paradise!

The collection draws inspiration from different sources in order to create the perfect combination of masculine and feminine. The gangster represents the classic male wardrobe, as well as the strong masculine figure from the beginning of the 20th century. The flapper represents the soft feminine figure with all of their feathers, pearls and laces. The flapper also represents the important rebellion, where girls liberated themselves from the norms of their time. They started wearing clothes for dancing, short skirts and loose dresses instead of the tight corset. The same rebellion that Gangster's Paradise represents for men, trying to liberated them from the tight suit, that has dominated the fashion scene way too long. To give the collection the last touch, I draw inspiration from Muay Thai kickboxing for an exotic feeling as well as representing the power of sportswear, that will help my collection to get a more relaxed feeling.

Ralph Ziman: Scarface, funny enough? I am always surprised by that reference. I hadn't seen that film in twenty years, and I don't remember liking it much when I saw it. Goodfellas, on the other hand? I do really like that film. I wasn't aware of what was true and what wasn't in Goodfellas. The problems we'd run into here were that the person we based this on? His story kept changing all of the time. I really wound up taking the character from him, and plotting as best I could from what I knew to be real events. We wrapped the story around him in a way that made sense. I wanted to show what he had become, and the dream of this new paradise. 006ab0faaa

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