As I mentioned, I do now have a floor loom. Testing myself on a table loom taught me many things. One thing was that my body could handle it if I was careful and that greatly influenced my final decision to buy a floor loom. It was also the perfect learning ground for weaving with multiple shafts, so that moving up to a floor loom was a short, rather than steep learning curve. I had to sell my table loom in order to finance and make space for my floor loom, but many times I still wish I had the table loom as well.
Hi Kelly, I have loved your weaving videos on Rigid Heddle and love my that loom. I am looking at the Ashford 80cm table loom for the 8 shaft capability. Can that loom also do tabby weaving, four shaft, and ultimately make my RHL not needed? What is the benefit of a second warp beam for the 8shaft table loom? Does the table loom come with all 8 shafts?
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I am currently weaving 4 shaft patterns on my rigid heddle and am really excited to weave eight shaft drafts on an affordable loom. I have ordered 80cm 8 shaft that will not be delivered until August! Thank you for all your help!
To my husband's credit, his family regularly kept all the holidays, he went to Jewish summer camps, and he was active in Jewish youth groups. Perhaps his lived education counterbalanced and complemented his formal education. There isn't just one type of Jewish education, but many forms that weave together to shape one's unique tapestry of Jewish practice. I might connect more with an in-depth Torah discussion, while my husband might connect more when organizing community Maccabiah Games (a Jewish multi-sport event).
I knew weaving would be the answer to help in our joint grief because it links us to our background and identity as Arab women from Syria. Our country has always been famous for its woven fabrics, looms, damask and other textiles. It formed an important centre on the Silk Road route going as far back as the Middle Ages with its celebrated bazaars, crafts and artisans.
A software-first approach was key to bringing hardware and software elements together, which meant designing architectures that enabled software and hardware components to be developed independently.
Woven City had expanded rapidly, with members joining from Toyota and across the globe, including from Silicon Valley in California. While this brought together the brightest and the best talent, they came with diverse styles of working, expectations, ambitions, and aspirations.
The philosophy led to long-term thinking, the embedding of a waste-elimination process, development of a culture in which people are regarded as partners who respect and challenge each other and grow together. Problem-solving is also a process of continuous improvement and learning.
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth.[1]Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.[2]
In general, weaving involves using a loom to interlace two sets of threads at right angles to each other: the warp which runs longitudinally and the weft (older woof) that crosses it. (Weft is an Old English word meaning "that which is woven"; compare leave and left.[a]) One warp thread is called an end and one weft thread is called a pick. The warp threads are held taut and in parallel to each other, typically in a loom. There are many types of looms.[3]
The rapier-type weaving machines do not have shuttles, they propel cut lengths of weft by means of small grippers or rapiers that pick up the filling thread and carry it halfway across the loom where another rapier picks it up and pulls it the rest of the way.[6] Some carry the filling yarns across the loom at rates in excess of 2,000 metres per minute. Manufacturers such as Picanol have reduced the mechanical adjustments to a minimum, and control all the functions through a computer with a graphical user interface. Other types use compressed air to insert the pick. They are all fast, versatile and quiet.[7]
Both warp and weft can be visible in the final product. By spacing the warp more closely, it can completely cover the weft that binds it, giving a warp faced textile such as rep weave.[8] Conversely, if the warp is spread out, the weft can slide down and completely cover the warp, giving a weft faced textile, such as a tapestry or a Kilim rug. There are a variety of loom styles for hand weaving and tapestry.[8]
There are some indications that weaving was already known in the Paleolithic Era, as early as 27,000 years ago. An indistinct textile impression has been found at the Doln Vstonice site.[15] According to the find, the weavers of the Upper Palaeolithic were manufacturing a variety of cordage types, produced plaited basketry and sophisticated twined and plain woven cloth. The artifacts include imprints in clay and burned remnants of cloth.[16]
The oldest known textiles found in the Americas are remnants of six finely woven textiles and cordage found in Guitarrero Cave, Peru. The weavings, made from plant fibres, are dated between 10,100 and 9080 BCE.[17][18]
The oldest-known weavings in North America come from the Windover Archaeological Site in Florida. Dating from 4900 to 6500 BCE and made from plant fibres, the Windover hunter-gatherers produced "finely crafted" twined and plain weave textiles.[25][26] Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric.[27] One kind of fabric had 26 strands per inch (10 strands per centimetre). There were also weaves using two-strand and three-strand wefts. A round bag made from twine was found, as well as matting. The yarn was probably made from palm leaves. Cabbage palm, saw palmetto and scrub palmetto are all common in the area, and would have been so 8,000 years ago.[28][29]
Evidence of weaving as a commercial household industry in the historical region of Macedonia has been found at the Olynthus site. When the city was destroyed by Philip II in 348 BCE, artifacts were preserved in the houses. Loomweights were found in many houses, enough to produce cloth to meet the needs of the household, but some of the houses contained more loomweights, enough for commercial production, and one of the houses was adjacent to the agora and contained three shops where many coins were found. It is probable that such homes were engaged in commercial textile manufacture.[30]
Around the 4th century BCE , the cultivation of cotton and the knowledge of its spinning and weaving in Mero reached a high level. Export of textiles was one of the main sources of wealth for Kush. Aksumite King Ezana boasted in his inscription that he destroyed large cotton plantations in Mero during his conquest of the region.[31]
In the Inca Empire of the Andes, both men and women produced textiles.[35] Women mostly did their weaving using backstrap looms to make small pieces of cloth and vertical frame and single-heddle looms for larger pieces.[36] Men used upright looms. The Inca elite valued cumbi, which was a fine tapestry-woven textile produced on upright looms. The elite often offered cumbi as gifts of reciprocity to lords (other elite) in the Empire. In regions under direct control of the Inca, special artisans produced cumbi for the elite. Women who created cumbi in these regions were called acllas or mamaconas and men were called cumbicamayos.[35] Andean textile weavings were of practical, symbolic, religious, and ceremonial importance and used as currency, tribute, and as a determinant of social class and rank. Sixteenth-century Spanish colonists were impressed by both the quality and quantity of textiles produced by the Inca Empire.[37] Some of the techniques and designs are still in use in the 21st century.[38]
The weaving of silk from silkworm cocoons has been known in China since about 3500 BCE. Silk that was intricately woven and dyed, showing a well developed craft, has been found in a Chinese tomb dating back to 2700 BCE.
Silk weaving in China was an intricate process that was very involved. Men and women, usually from the same family, had their own roles in the weaving process. The actual work of weaving was done by both men and women.[40] Women were often weavers since it was a way they could contribute to the household income while staying at home.[41] Women would usually weave simpler designs within the household while men would be in charge of the weaving of more intricate and complex pieces of clothing.[42] The process of sericulture and weaving emphasized the idea that men and women should work together instead of women being subordinate to men. Weaving became an integral part of Chinese women's social identity. Several rituals and myths were associated with the promotion of silk weaving, especially as a symbol of female power. Weaving contributed to the balance between men and women's economic contributions and had many economic benefits.[41][43]
There were many paths into the occupation of weaver. Women usually married into the occupation, belonged to a family of weavers and or lived in a location that had ample weather conditions that allowed for the process of silk weaving. Weavers usually belonged to the peasant class.[44] Silk weaving became a specialized job requiring specific technology and equipment that was completed domestically within households.[45] Although most of the silk weaving was done within the confines of the home and family, there were some specialized workshops that hired skilled silk weavers as well. These workshops took care of the weaving process, although the raising of the silkworms and reeling of the silk remained work for peasant families. The silk that was woven in workshops rather than homes were of higher quality, since the workshop could afford to hire the best weavers.[46] These weavers were usually men who operated more complicated looms, such as the wooden draw-loom.[47] This created a competitive market of silk weavers. 589ccfa754
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