In 2001, Lagaan had a world premiere at the International Indian Film Academy Awards (IIFA) weekend in Sun City, South Africa.[43] The Locarno International Film Festival authorities published the rules of cricket before the film was screened to a crowd which reportedly danced to its soundtrack in the aisles.[44] Lagaan was shown 4 times due to public demand as against the usual norm of showcasing films once at the festival.[37] It subsequently won the Prix du Public Award at the festival.[45] After the film's publicity in Locarno, the director, Gowariker said that distributors from Switzerland, Italy, France, Netherlands, North Africa, Finland and Germany were wanting to purchase the distribution rights.[37] Special screenings were held in Russia, where people were keen to watch the film after its Oscar nomination.[46]

"Lagaan" somehow succeeds in being suspenseful at the same time it's frivolous and obvious. The final cricket match (which we can follow even if we don't understand the game) is in the time-honored tradition of all sports movies, and yet the underlying issues are serious. And there is the intriguing question of whether the hero will end up with his childhood sweetheart, or cross color lines with the Victorian woman (this is hard to predict, since both women are seen in entirely positive terms).


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Parents need to know that Lagaan: Once Upon a Time in India is an epic sports drama set during the British colonial rule of the country in 1893. The film follows Bhuvan (Aamir Khan), a simple Indian farmer, who prepares his team for a cricket match after accepting a challenge posed by the British commander, Captain Russell (Paul Blackthorne), where the stakes involve abolishing tax for the Indians if they win. Set during the British rule of India, the film shows the casteism and racism of the time, showing the injustices of both. What's handled less well is the portrayal of women who are generally reduced to love interests or female relatives. Violent threats are made and there is a mention of molestation. There are multiple scenes that involve animal hunting. Guns are pointed at individuals. Physical fights take place, people are kicked, slapped, and whipped. Mobs armed with sticks chase individuals. During the game of cricket, characters are hurt on numerous occasions and blood-covered wounds are visible. In Bollywood tradition, there are music and dance sequences that involve romance and flirting, while a character is left heartbroken. Language includes "moron," "lunatic," "hell," etc. The film is in Hindi-infused Awadhi with English subtitles. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.

Mohd Imran, 'Lagaan: Once Upon a Time in India: The Portrayal of British Colonialism in India Cinema' (Opinio Juris, 29 October, 2009) -once-upon-a-time-in-india-the-portrayal-of-british-colonialism-in-india-cinema/

Fairytales and folkloric storytelling can enchant and excite, following a formula that always begins: "Once upon a time". The outrageous, unbelievable, magical or ludicrous themes that follow are defended in a simple phrase, coercing the listener to suspend disbelief from the outset. Given that the first line an audience hear from a film is its title, the inclusion of 'Once Upon A Time' heralds fantastical things to come.

Examining the best films with 'Once Upon A Time' titles doesn't fail to surprise and delight. There's a wealth of genres covered in "Once Upon A Time" films - from a Western to a Bollywood musical; kung fu masters, mobsters, murderers and movie stars all make an appearance. Exploring films which have ranked highly for critics and audiences alike, the best films set 'once upon a time' elicit wonderment, presenting storytelling at its best.

The use of "once upon a time" in the title flags that a fictional version of events will follow - yet the notion of fairytale fare is subverted through a gruesome climax. The mix of fictional and historical characters in the film further blurs the lines of reality, making space for fact and fiction to live side-by-side. The film earned 85% on the Tomatometer, and a modest 70% audience score.

Co-winner of the 2011 Cannes Film Festival Grand Prix, Once Upon A Time in Anatolia follows a police chief, doctor, prosecutor, suspects and diggers searching for a body in the vast countryside. Championing the concept of storytelling that accompanies the 'once upon a time' title, the men tell stories along the way, playing into the fairytale theme despite dire circumstances and surroundings.

Cinema is not just a visual medium; it is also an emotional medium. This emotional dimension is what makes some films -- like Kismet, Aawara, Baiju Baawra, Pyaasa, Mother India, Mughal-e-Azam, Mere Mehboob, Sholay, Amar Akbar Anthony DDLJ -- our films. Each year a few films become mega-hits in India (and Pakistan) because we all choose to see them, and some of us more than once. M.F. Husain the painter was famously quoted as having seen Hum Aapke Hain Kaun 62 times in 1994-95, but a million other viewers (in Mumbai, Chennai, Calcutta, Lucknow, Lahore, London & New York) can be found each year who too have known this madness for the pictures at one time or another in their lives-especially in their teenage years. This book of essays explores the experience of Hindi movie-goers, especially that of small town teenagers in north-central India. The films uncovered here are those released in the period 1951-81. We fall in love with some films because they speak to us, in words and images that seem to come from deep down in the national psyche. We don't know that they reside in that underground zone, until they have been brought to life on screen, and then we fall in love with them, especially their songs. Cinema is a People's Art, in which both influence each other-making it a grand cultural conversation, in which filmmakers and viewers even come to blows sometimes. Love and Rejection, Life and Death are all part of this passionate relationship. Emotion Pictures reports on this great national dialogue-cum-pastime, which has now become an international one, with films like Gandhi, Salaam Bombay, Bend It Like Beckham, and Lagaan. be457b7860

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