Episode of Chopper Plus: Bloom in Winter, Miracle Sakura is the 9th One Piece film. Released on March 1, 2008, it is a remake of the Drum Island Arc (essentially a "what if" story). It features Franky, Nico Robin, and the Thousand Sunny, who were not present in the original version.
In addition to Wapol, Chess and Kuromarimo, Wapol's older brother, Musshuru appears, with a new Devil Fruit power that allows him to produce poisonous spores. The film reveals that he too had been exiled from Drum Island and is seeking his revenge.
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The film begins with a brief flashback in the history of the Great Pirate Age, during which we see how Drum Island was attacked by the Blackbeard Pirates. Wapol, the king at the time, fled the land with the 20 best doctors, not even bothering to fight back. Afterward the film introduces Luffy and his crew.
With over 1,000 episodes to watch, not to mention the various films, specials, OVAs and shorts that are also available, it can be a pretty daunting task in working out how to watch One Piece in order.
In total, you could stay up for two weeks straight and still not have time to binge through this entire saga of over 1,000 episodes. And that doesn't even include Netflix's recent One Piece live-action adaptation.
As there are over 1,000 episodes to watch, you might be tempted to jump in at a later starting point, but to really enjoy the full experience properly, we do recommend starting at the very beginning and watching One Piece in chronological order.
All of the specials, films, and OVAs are included in this list for the complete experience. And if it helps, we've divided the franchise into each individual arc and saga, just in case you do decide to skip the start and jump ahead. Also note that everything has been divided into two separate blocks which take place before and after the time skip, right up to the latest movie, One Piece Film: Red.
Alternatively, you could just skip the following filler episodes, instead. While the arcs mentioned above don't add much to the One Piece storyline and canon, they are still entertaining. However, these episodes are slightly different. Anime often use episodes to recap past adventures and give the animators a chance to breathe, so you're not really missing out if these particular episodes don't make it onto your watchlist. Here's a look at the One Piece filler episodes:
If you really want to whizz through One Piece for a taste of what it's like, you could also focus solely on the 15 films that have been released to date. This isn't ideal, though, as a lot happens in the regular episodes between each movie. Still, if that's all you've got time for, here are all the One Piece movies in order of release, as well as how they relate to the main show.
After reading the comments, I finally decided to start watching the anime from episode 1. The story in the anime is significantly different from the live adaptation, with the introduction of more characters. As a new viewer, I only watched the first 30 episodes.
One Piece Movie: The Desert Princess and the Pirates: Adventures in Alabasta (Japanese: ONE PIECEĀ , Hepburn: Wan Psu: Episdo Obu Arabasuta: Sabaku no jo to Kaizokutachi, lit. One Piece: Episode of Alabasta: The Desert Princess and the Pirates) is a 2007 Japanese anime action adventure fantasy film directed by Takahiro Imamura and written by Hirohiko Kamisama. It is the eighth film in the One Piece media franchise, adapting a story arc from the original manga by Eiichiro Oda, wherein the Straw Hat Pirates travel to the Kingdom of Alabasta to save the war-and drought-plagued country from Sir Crocodile and his secret crime syndicate Baroque Works.
In Japan, the film was released on March 3, 2007, where it was shown alongside the Dr. Slump short Dr. Mashirito and Abale-chan. It peaked at second place of the weekend box office and grossed $7,075,924.[2][3] Worldwide, the film has grossed a total of $7,090,891.[1] The film was briefly shown at select theaters across the United States, before it was released on DVD in North America on February 19, 2008,[4] and the Blu-ray released on January 27, 2009.
The TV cut of the film, first aired in April of 2011 in Japan, adds a 15-minute prologue to the start of the film. The new section adapts the Whisky Peak arc in abridged form to explain how the crew met Vivi.
The score on the film's soundtrack was composed by Khei Tanaka, Shiro Hamaguchi, Yasunori Iwasaki, Minoru Maruo and Kazuhiko Sawaguchi. The ending theme "Compass" was written and performed by Ai Kawashima. For the English release, the score was used, and an English remake of "Compass" was created for use in the English dub, but a defect in the DVD caused the Japanese version to play instead. However, the English version was used in the theatrical release as well as the Blu-ray release.
In its first week of showing, the film entered the Japanese weekend box office on place two.[2] In its second and third week, it placed fourth and ninth, respectively,[7][8] before falling out of the Top 10 the week after.[9] In its fifth week of showing, the film re-entered the Top 10 for a final ninth place.[10] In the Japanese market, the film's gross revenue summed up to $7,075,924.[3] Including non-North American, foreign markets, the film made at total of $7,084,304[11] and after Funimation Entertainment's limited showing in the US, the figure rose to a worldwide total of $7,090,891.[1]
Funimation Entertainment's DVD and Blu-ray releases of the film were also the subject of several reviews by a number of publications for films and anime. Carl Kimlinger of Anime News Network described the film as "a feature-length recap with slightly revised editing and a heavy layer of theatrical gloss" that is "Squeezing an enormous plot into a teeny little film like a man in mid-life crisis trying to squeeze into high-school jeans", but noted that "The soundtrack is a joy to listen to, rousing and fun".[12] Bamboo Dong, another reviewer of Anime News Network, said that the film's pace is "anything but smooth" and that the battles are "cobbled together". She commented that the film is "syrupy good fun" for those who are fans of the series, but noted that for non-fans it will hold only "limited appeal".[13] Although Todd Douglass Jr. of DVD talk said that "you really have to be affirmed in One Piece lore in order to full [sic] appreciate [it]" and commented that it felt "incomplete and unbalanced", he still recommended the film, stating that it is "short on story but ... a lot of fun." In regard to Funimation Entertainment's adaptation, he said that "[their] team does a great job of capturing the spirit and personalities of the show's characters."[14]
Bryce Coulter of Mania Entertainment said that the film "cannot be recommended for someone who is not familiar with the series" but otherwise recommends it, cautiously, while commenting that it gives "a neat perspective" on its source material, but ultimately does not do it "any justice". In reference to the English adaptation he said that "the ... voice actors ... did a great job of portraying the Japanese cast."[15] Davey C. Jones of Active Anime said that he liked the animation, in particular the backgrounds, and commented that the film "takes the character designs right out of the manga and TV show and ups them with theatrical quality shine."[16] N.S. Davidson of IGN rated the film with 7 out of 10, stating that the animation is only "Slightly more sophisticated ... than in the television series" and that the film itself is "most likely ... for One Piece fans only."[17] Dustin Somner of Blu-ray.com agreed on the film being primarily for fans, stating that the film's lack of context makes it "frustrating (with a capital 'F')" for those unfamiliar with the series.[18]
In January 2020, Oda revealed that Netflix had ordered a first season initially consisting of ten episodes.[22] In May 2020, producer Marty Adelstein revealed during an interview with Syfy Wire that the series was originally set to begin filming in Cape Town at Cape Town Film Studios sometime around August but had been delayed to around September due to the COVID-19 pandemic. He also revealed that, during the same interview, all ten scripts had been written for the series and they were set to begin casting sometime in June.[23] However, executive producer and writer Matt Owens stated in September 2020 that casting had not yet commenced.[24][25][26]
In March 2021, production started up again with showrunner Steven Maeda revealing that the series codename is Project Roger.[27] In September 2021, the series revealed its first look at the logo for the series.[28] That same month, it was reported that Marc Jobst will direct the pilot episode of the series;[29] he was approached to direct the pilot by Netflix executives due to their positive relationship after Jobst helmed episodes for Netflix series such as Daredevil, Luke Cage, and The Witcher. Jobst agreed to work on One Piece due to the script's optimistic tone.[30] In February 2022, it was announced that Arisu Kashiwagi will be the creative director and designer for the show's brand identity, where she will be creating and designing logo and title sequence etc.[31][32] In March 2022, alongside the release of additional casting announcements, it was said that head writer and executive producer Matt Owens would serve as co-showrunner alongside Maeda.[14] In June 2022, Emma Sullivan was revealed to have directed episodes of the series.[33]
In a July 2023 open letter, Oda stated that there were numerous scenes he felt "weren't good enough to put out into the world", so the film crew re-shot them.[37][38][39] Oda also felt some of Luffy's lines did not feel like the character on paper; however, he changed his opinion after seeing Godoy's performance of them.[37][38] In an interview with The New York Times, Oda highlighted that the live-action show has more dialogue than the manga as the latter needs more space for illustrations. When asked if he was worried about the One Piece adaptation given that other similar adaptations have been unsuccessful, Oda said, "thankfully, Netflix agreed that they wouldn't go out with the show until I agreed it was satisfactory. I read the scripts, gave notes and acted as a guard dog to ensure the material was being adapted in the correct way".[40] Costume designer Diana Cilliers was directly influenced by Oda's Color Walk compendiums when creating the show's designs. She made small changes to the original designs to either "spice up scenes with variation" or adjust due to safety concerns when filming the live action.[41] be457b7860
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