তৃতীয় অভিষেক

Rajib: Namaskar, shrota bondhura golpo kothar asorer aajker onusthane jog daner jonnye apnader oshesh dhanyobad. Ami Rajib Ghosh. Subho noborborsho.

Rudra: Aar aami Rudra Dutta. Subho noboborsho apnader shobaike |

Rajib: Amader dwitio porber sheshe apnader kachh theke kichhu diner chhuti niyechhilam. Aaj ker ei episode diye amra abar phirchhi amader boithok khanay.

Rudra: Aar shei sathe shuru korchhi amader tritio porbo othoba season 3. Aaj tar prothom episode. Thik je bhabe amra amader dwitio porber suchona korechhilam temoni bhabe amader kichhu kothopokothon diye aamra aaj tritio porber suchona korbo|

Rajib: Amader ei tritio porbe amra besh kichhu notun sahitya kona tule dhorbo apnader kachhe I Thik bollam to, Rudra?

Rudra: ekdom thik | Sudhu tai na, ei porbe, amra jemon notun sahitya sombhar ke tule dhorbo thik temni bhabei amader alokbortika felbo emon kichhu sahityik der opore jader joralo lekha khanik opirichito thekechhe notun juger pathok der theke. Nana karone, tader sristi sombhar jothesto haoyto pouchhay ni sarbik bhabe jon sadharoner kachhe. Hayto tader samasamoyik kale pouchhe chhilo kintu porobortikale kicchuta jeno chhayacchhanna hoyechhe.

Rajib: Amader ei golpo kothar asor er golpo bachhte giye ba sajate giye amra upolobdhi korechhi je besh kichhu fank roye jacche amader ei sombhare. Ei phank gulo bojanor dorkar anubhab korechhi.

Rudra: aar tai amra orthat kothok ra dwitio aar tritio porber majhkhane je tuku phank peyechhi take kaje lagiye koyek jon sahhityik ke apnader kachhe notun bhabe porichay koriye debar ekta porikolpona korechhi. Jader kotha amra bishesh kore bolbo tara kintu swamohimay ebong swa kirti te ujjwal. Kal joyi hoye thakar sompurno odhikar tader chhilo, ebong ekhono aachhe. Kintu prokashoni byabosthar marketing i hok kimba boi porar subidha, ba boi porar proti tan kome jabar jonnyei hok - kaler chaka tader jeno alpa ektu pichhane phele egiye gechhe.

Rajib: aachha Rudra, ta hole ebare amader baki kothok der deke ani amader boithokkhanay jate tarao amader ei kothopokothon e jog dite pare. Eta kintu nishondehe ekta obhinobo byapar hobe - karon amader panch jon eksathe eki episode e age kokhono hajir hote pari ni.

Rudra: Jotharto bolechhish, Rajib. Amader baki tin jon kothok ke ta hole deke ni aajker onusthane. Mahasweta Mukhopadhay.

Mahasweta: Nomoshkar shrota bondhura. Subho noboborsho. Ami Mahasweta Mukhopadhay.

Rudra: Parama Ghosh.

Parama: Nomoshkar shrota bondhura. Noboborsher subhechha shobar jonnye. Ami Parama Ghosh.

Rudra: aar amader nobotom songjojon - Amrita Sircar

Amrita: Nomoskar shrota bondhura. Ami Amrita Sircar. Apanader shobaike janai noboborsher preeti o shubhechha.

Rajib: Darun byapar. Mahasweta, Parama aar Amrita, amader sathe ei onusthane jogdaner jonnye onek dhonyobad. Amader aajker ei onusthane amra shrota bondhuder kachhe janiyechhi je amader ei tritio porbe koyekjon sahityik ke notun kore porichoy korabo aar tader rochonar kichhu monikona tule dhorbo amader ei porber episode gulir madhyame. Srotabandhura, amra panchjan kathak, ek ek jan aaj ek ek sahityiker kotha niye apnader kachhe esechhi.  er mane obshoyi ei noy je amra tader chhara aar kono sahityik der lekha porbo na, nischoy porbo. 

Rudra: Ar erokom balao amader uddeshyo noi je jnader katha ajke balchhi tnarai ekmatra lekhak ba lekhika jnader sahityakirti punorbibechanar jogyo, ba proyojon.

Rajib: Ekebarei noi.

Rudra: Barang eitukui balchhi, je bangla sahityer je manikanaguli chokher samne aloy jhakmak korchhe na, ar jar kayektike amra sadhyamoto tule ene ektu aloy dharte amader seemito chesta korchhi, ei panchjan tnader dristantaswarup.

Rajib: Aachha, besh, ta hole tomader pochhonder kon sahhityik der golpo shrota bondhura shunte parben shei ta ebar shona jak. Mahasweta - tui shuru kor ta hole?

Mahasweta: besh….  tobe ei bole Bismillah kori je,  Golpo kothar asor er ei tritio porbe ami jar opore alok bortika felte chai tini holen Leela Majumdar. 

Rudra: Aachha, Leela Majumdar er kichhu golpo to tui dwitio porbe porechhish, tai na?

Mahasweta: Hya. Gonshar ChiThi ebong Notoon Chhele NoTobor poRechhi. PoRte giye je kee moja peyechhi sey aar kee bolbo! Chhelebelay sei poRar boier aRale lukiye lukiye golper boi porar smritir sob mone pore jachchhilo!. Leela Majumdar amar otyonto priyo lekhika. Upendra-Sukumar ghoranar lekhon shoilite je saboleel probaaho, je sotota aar sarolyo, je ogadh anonder protisrooti, Leela Majumdar taar sarthok dharok -bahok-poribeshok chhilen bole amar mone hoy. Leela Majumdar firey porte giye aar shrota bondhuder kachh theke pawa motamot shune bujhechhi je onr aro besh kichhu lekha khnuRe baar korey amader podcast e songrokkhon koraTa ekTa oboshyo kortobyo. Leela Majumdar bolte jnara shudhu “Kheror Khata” baa “PaakdonDi” baa “Podipishor Bormi Baksho” bojhen, tnara please stay tuned! Fire aschhi break er porei… tritiyo porber Leela khela niye! Songe thakte bhulben na srota bondhura, aar songey thakle Thokben na!  

Rudra: Bah, darun prostab. Ami sorbanto korone somorthon korchhi.

Rajib: Amio. Leela Majumadar er rochona shoili asadharon.

Rudra: Ebare Parama, tumi kon sahityik er upor spotlight felte chaichho?

Parama: Golpo kothar asor ei porbe amar alok bortika porbe Bibhuti Bhusan Mukhopadhaya er opore.

Rajib: Bibhuti Bhusan Mukhopadhay? Bandyopadhay orthat Chander Pahar er Bibhuti Bhusan noy?

Parama: Na, Bibhuti Bhusan Bandyapadhay ke to cholochitre-r madhyame amar kore gechhen Satyajit Ray. Kintu Bibhuti Bhusan Mukhopadhay nijeo protibhate somujjwal sahityik. Prothom bar Bibhutibhusan Mukhopadhyay ke anubhob korechi “Ranur prothom bhag” galper madhyam-ey amar chatro jiboney. Ei galper sarol koutuk amar money daag ketechilo ebang parobortikal-e, amakey tene niye gechilo onar aaro kichu galpo malai. Uni chilen bingsho shatabdir sarbadhik pathito hassyorosik-der ekjon. Onar opore alokpaat chara bangla sahityer ek kalanukramik itihash sampurno hoi na. Kintu kothai giye ei prajanmer pathok-der kachey tar galpo hariye geche. Jadio tini uponyash ebong natok likhechen, tobuo tar choto galpey tar trademark soumyo hasyarash sob cheye besi alorwito korey. Je shomoye tini sahityer darbarey pa rekhechilen, se shomoyer besir bhag lekhak-i tader poribesh-ke ghirey andhokar ebong glanir katha likhechen, kintu uni chilen byatikrom. Tini bidyman sahitya anusaron na korey srishti korechilen bidyesh chara hasyorash. 

Srota bondhu-ra janen kina janina, kintu onar besh kichu galper sathey amra chalachitr-er madhyame porichito - jemon 1972 sal-e mukti pawa Nabyendu chatterjee’s Ranu’r prothom bhag, oi ek-i saal-e mukti pawa Tarun Majumder-er Sriman Prithwiraaj ebong natok Borjatri. Uni kintu besh kichu anabadyo bromon kahinir-o sroshta jekhaney tini tar sukkhyo shoileer chhaap rekhe gechen. Tar lekhonir madhur hasyorosh ebong pathos-er ekti sundor sangmisran pathokder tar lekhar proti akrishto korey. 

Tai Galpo Kathar Ashorer ei tritiyo adhyay-e onar kichu srishti thakbe amar galpo chayan-er madhye.

Rudra: Bah, onar borjatri lekha ti amaro khubi priyo. Amra nischit amader shrota bondhura tomar pora Bibhuti Bhusan Mukhopadhay er golpo shune onar sahitya kirti ke notun bhabe abishkar korben.

Rajib: ebare ta hole, Amrita r pala. Tui bol, kon sahityik er opore tor alok bortika porbe ei porbe.

Amrita: Golpo kothar asorer ei porbe ami alok bortika felte chai emon ekjon golpokar sahithiyk er opore jini hoyto oneker kachhe Kobi hishebei odhik porichito. Achintya Kumar Sengupta.

Rajib: Aachha! Kobi Achintya Kumar Sengupta ke ke na chene! Onar Kutir, Rabindranath, Pub-Poschim kobita guchha je koto bar porechhi ba shunechhi!

Amrita: hya, bachik shilpi hishebe amar kachhe tai uni bishesh pochonder kobi. Kintu onar sahityo kirtir asankhya moni konar madhye royechhe onek sundor sundar golpo-o, jegulo amar aage sebhabe pora hoyni, ba amar mone hoy amar moto anekei sei sab rachona theke bonchito hoyechen. E charao amra jodi ektu kallol juger lekhakder dike phire chai, sekhane Buddhadeb Basu, Jibanananda Das, Premendra Mitra  erakom ujwal jyotiskoder samagam dekhte pabo.

Achintya kumar Senguptar moto erao kintu kobitar pashapashi galpo rachonateo nijeder dakhhotar proman rekhechilen. Kintu galper tulonay tader kobita  anek beshi alorito ebong grihito hoyechilo pathak kule. Tai amar mone holo kollol jug theke Achintyakumar Senguptar ei sab ajana galper kichu antoto srota bondhuder sange bhag kore ni. Jodio kobi ebong galpokar charao, tini ekjon ouponyashik, jebboneekar, ebong prabandhik-o bote. 

   Tobe amader galpo kathar asharer tritio porber jonyo golpokar Achintya Kumar Sengupta r nana swader kichhu golpoi thakbe amar sangjojoner modhye. 

Rudra: Bah, amader ei tritio porber boichitra ta hole gabhiratara hochhe re Rajib! 

Rajib: Aachha, ebar tahale aste aste bidya nebar somay elo.

Rudra: Kintu Rajib, amader onyo kothok der pochhondo talika to shunlam, ebare to amader pochhonder kothao bolte hoi.

Rajib: Dekhechhish! Golpo korte korte shei asol kotha tai bhule gechhi bemalum! Shrota Bondhura, amar torokf theke alok bortika je sahityik er opore porbe - tar nam Bimal Kar.

Rudra: Bah !  Kikira-r golpo?

Rajib (heshe): Kikira orthat Kinkar Kishor Roy er golpo thakbe tabe Bimal Kar er Sahitya kirtir aro bohu udaharon chhoriye aachhe onar rochona sombhare. Chhoto der golpo uponyash jemon tini likhechhen sabolil bhabe, thik temni kore prapto boyeshko der jonnyeo tini rochona korechhen bohu golpo uponyash. Tar golpo niye kora duti cholochitrer naam korte pari jegulo hoyto amader shrota bondhu der onekei dekhechhen - Basanta Bilap aar Balika Bodhu.

Mahasweta: o hya, Dutoi dekhechhi!

Parama: Amader ager projonmer chhobi dekhte darun lagey!

Amrita: Balika Bodhu to pore hindi teo hoyechhe.

Rajib: thik, Bimal Kar er sahitya moni kona r opore ei porbe alok bortika fela hobe amar torof theke.

Rudra: Besh, ebare amar kotha boli. আমি ঠিক করেছি নরেন্দ্রনাথ মিত্রের কিছু গল্প পড়বো এই পর্বে ।  নরেন্দ্রনাথ মিত্রের নামের সঙ্গে অধিকাংশ সংস্কৃতিমনস্ক বাঙালীই পরিচিত, আর কিছু না হোক সত্যজিৎ রায়ের "মহানগর" চলচ্চিত্র যে গল্পের ভিত্তিতে তৈরী, সেই গল্পের লেখক হিসেবে ।  জীবৎকালে নরেন্দ্রনাথ পাঠকদের কাছে অতিপরিচিত ছিলেন ।  প্রায় পাঁচশো গল্পের রচয়িতা নরেন্দ্রনাথের অন্য অনেক গল্পও প্রচুর পরিচিত ছিলো - তার অনেকগুলি থেকেই সার্থক চলচ্চিত্র তৈরী হয়েছে যা দর্শকদের এখনো মনে গেঁথে রয়েছ, যেমন রাজেন তরফদারের "পালঙ্ক", বা সুধেন্দু রায়ের হিন্দী ছবি "সওদাগর" যাতে অভিনয় করেছিলেন অমিতাভ বচ্চন এবং নূতন ।  কিন্তু নরেন্দ্রনাথের গল্পের সঙ্গে পরিচিতি যেন ইদানীং কালে পাঠকদের মধ্যে কমে এসেছে - কখন তিনি অতিপরিচিত থেকে স্বল্পপরিচিত, এমনকি অপরিচিত হয়ে উঠেছেন ।  অথচ তাঁর রচিত সাহিত্য যে সময়ের অগ্রগতির পিছনে পড়ে গেছে, তা তো কোনোভাবেই বলা চলে না ।  তাঁর লেখার মূল বিষয়বস্তু আর প্রেরণা আজকে আগের মতোই যুগোপযোগী রয়ে গেছে - এমনকি এ কথা বললেও ভুল হয় না, যে সমাজ তাকে পেছনে ফেলা দূরে থাক, সবে আস্তে আস্তে তার নাগাল পাচ্ছে ।  নারী ও পুরুষের সম্পর্কই নরেন্দ্রনাথের বেশিরভাগ গল্পের কেন্দ্র - কিন্তু বারবার দেখি, সেই সম্পর্কের সমাজগত বিবর্তনই গল্পের সবথেকে তাৎপর্যপূর্ণ অংশ ।  এককথায় নরেন্দ্রনাথকে নারীবাদী বা ফেমিনিস্ট বলে অভিহিত করলে একেবারেই যেন ভুল হয় না - অন্তত আমার তো তাই মনে হয় - কিন্তু তাতে যেন পুরোটা বলা হয় না ।  নিজে পুরুষ হিসেবে নরেন্দ্রনাথের অন্তর্চিত্তে যেন এই প্রশ্নটাও ছিলো যে সমাজের বিবর্তনের পথে, নারীজাগরণ আর নারীমুক্তির পথে, পুরুষের ভূমিকা কি হতে পারে, কি হওয়া উচিত ।  তার বিভিন্ন উত্তর, এবং উত্তরকে ছাপিয়ে প্রশ্ন, যেন তাঁর গল্পের মধ্যে বারবার ফিরে এসেছে ।  নরেন্দ্রনাথের গল্পের সম্বন্ধে আরো বিশদভাবে কোনো সময়ে আলোচনার সুযোগ হয়তো পাওয়া যাবে, কিন্তু আজ এইটুকুই বলতে চাই যে সেই গল্পের পুনর্মূল্যায়নের সময় হয়তো এমনিতেই এসেছে, তাই আমাদের এই আসরের এই তৃতীয় পর্বে আমার সীমিত সাধ্যে তাঁর লেখায় একটু মনোযোগ করতে চাই ।

Rajib: Besh, amader tritio porber porikolpona besh jome uthechhe bojhai jachhe. Shrota Bondhura, ei panch sahityik der rochonar phanke phanke amra ager porbe jader lekha porechhi tader aro besh kichhu golpo kintu path korbo. 

Rudra: E chharao aro kichhu sahityik er choyon kora golpo o thakbe amader poribeshonay. Amader asha je ei tritio porbe amader golpo kothar asor er byapti aar gobhirota dui briddhi pabe. Amader chesta thakbe nana doirgher aar nana rosher golpo apnader kachhe tule dhorar.  Ei prasange ekta katha boli, nana rosher golpo bolte amra kintu bishesh kore chhotoder jonyo lekha golper ekta bishesh sthan achhe mone kori.  Amader path kora beshir bhag golpoi chhoto-boro sakaleri priyo habar moto; ar kayekti galpo ekmatra praptabayaska-der janyai upojukto.  Abar kayekti galpo amra path karechhi ja lekha hoyechhilo shudhui chhotoder katha bhebe, tader dike takiye.  Asarer gorar diker episode-ei Sukumar Ray-r kichhu galpo path karechhilam ja ei shrenite pare.  Mahasweta, tui-o to emon path korechhis, ja ekanta bhabe shishusahitya.

Mahasweta: Nischoi.  Amar nijer chhelebela shishoo sahityer ronge roshe amon bornomoy, ujjol chhilo je aajo ami moner modhye taar madhurjyer sompod niye poth choli. Amar pokkhe amar poroborti projonmer kachhe sey jinish chiching phnaak kore khule na dewaTaii ekTa awsombhob kaaj. Jani ajker sob chhoToder moner dorjay hoyto amar kkoRa naRa pouchhobey na… tobu ei ashaTao chhaRte pari na je karor na karor moner sindooker hodish peyeii jabo!! 

Rajib: Bangla sahitye shishusahityer ekta bishesh sthan achhe.  Chhotoder janyo galpo rachana abashya samasta samskriti-r samasta bhashatei royechhe.  Kintu shudhu chhelebhulano galpo periye,  prakrita arthe shishu-sahitya, shishu-der manastatwa ebong manasikata-ke mathay rekhe sargarbha, arthapurna, jathartho bhaabe sahitya rochona - eta kintu bangla sahityer ek oikik boishisto. Ar eta korte jato baro sahityikera bahu dasak ba shatak dhore egiye esechhen, ta onyo kono bhashay ghotechhe ki amar jana nei.

Parama: Ar etao kintu besh ashcharjer byapar je bangla sahitye bahu galpo achhe, ja porle chhotoder janye lekha na boroder janya lekha ta bojhai jai na.  Jemon Teni-da-r galpo - se to abashyai chhotoder galpo.  Kintu baro-rao pare prochur maja paan, aar hoytu kichhu kichhu jinish paan ja nitanta barader uddeshyo korei lekha - tatkalin samajer prati ektu koutukpurna muchki hasi.

Rajib: Ekdam thik.  Satyi, bangla sahitye emon anek lekha, ja abashyai praptabayaska ebong praptamanaskader jonyo, kintu tao jeno tnader bhitarer apaapbiddha shishumonke uddeshyo kore.  Tar phale seguli shishu ba kishor-der apathya hoyni ekebarei, jodio baro hoye bar bar porle taate aro notun notun ras hoyto paoya jaay.

Rudra: Ekta ektu adbhut katha bolte lobh hochhe.  Nritatwabid-der gabeshana-r madhye ekta dharana ati samprati janmate arambha karechhe je maanush-er kromobibartan-e, ebong jeebjagate manusher shirsha sthan paoyar ekti pradhan karon holo, manusher shishuprakriti - jate parashparer sange sahajogita ebong pariparshiker bipader biruddhe ekjot mile kaj korar subidha hoy.  Tar theke amra erokom bhabte pari, je joto beshi manush joto beshi bayas abdhi shishusulabh saaralya aar antarikata rakhte paarbe, tatai manabjaatir mangal.  Ta sei arthe, shishusahitya ebong shishu-upojogi sahityer sambhar niye,  bangla sahitya aar sankriti besh egiye ache balte habe.

Rajib:  Bah, bah.  Ami bangali hisebe garbito bodh korchhi.  Kintu je sab nritatwabid-der matomot theke tui katha-ta parli, tnara tor ei jukti-takker mala kata-ta mene neben ta jani na.

Amrita: Shaishab kintu sakaleri priyo.  Swayang Rabindranath likhechhen na, 

ছোটো ছেলে হওয়ার সাহস

          আছে কি এক ফোঁটা,

                   তাই তো এমন বুড়ো হয়েই মরি।

Rudra: Thik !

Parama:  Acchha, chhotoder galpo porar samay ki ektu anyabhaabe parte habe?  Tomader kar ki mot.

Mahasweta: chhoToder golpo poRar somoy beshir bhag kaaj Ta kore diyechhen sahityik nijei. Kothok hisebey amar daay ei matro je sei shuddho rosh Ta jeno awbikrito bhabe kaner bhitor diya mawromey poshiye dite pari. Nijer chhoTobelaTa amar moner kachhakachhiii thakey. Take onek oonchoo taak theke dhulo jheRe namate hoy na… eTa amar ekTa subidha. 

Parama:  Amar-o tai mot.  Tomra ke ki bhabo jante chaichilam.

Amrita: Amio.  Amar to mone hoy je chhotoder janya parar somoy keu jodi ekta bishesh galar sur abalamban karen, tahale seta prakarontore chhotoder prati ektu tachhilya-i kora hoye dnaarai.  Borong galper “plot”, charitra-der katha mathay rekhe jato para jai antarik bhabe path korlei shrota ebong rachayita, dujonkei  sammaan kara hoy - ki chhoto ki boro.

Rajib: Amiyo tai mone kori.

Rudra: Nischoi.

Mahasweta: Ei kothai ar ekta kotha mathay elo, tomader mataamat jaante ichhe korchhe.  Galpa-path to abhinay noy.  Kintu galper madhye anek samay-i sanglaap thaake, ar sanglaap chhara baki angsha-o anek samay kono charitrer ba sahityiker nijer anubhuti ar chetana bahan kare.  Path karaar samoy sekhane koto-ta abhibyakti, koto-ta sangbedan lagale thik hoy?  Jate khub kom-o hoy na, abar khub beshi-o noy?

Rajib: Gabir prashna.  Tor nijer ki mone hoy?

Mahasweta: Seta khoob ekTa nischitt hoye thik kore uThte pari ni bolei to sabaike jigesh korchhi {laugh}   Ami ekhono parjanta ja bujhechhi ta hachhe ei :  Jodi golpoTa pratham purush orthat “first person”-e lekha hoy, arthat ekta “ami” choritro golpo-ta balchhe, tahale ektu beshi abhibyakti laagbe.  Aar jodi third person-e lekha hay, tahale amar jeno mone hoy ektu nairbyaktik bhabe parai bhalo.

Rudra: Ar jodi dwitiyo purush ba “second person”-e lekha hoy?

Rajib: Oma.  Serakam achhe naki?

Rudra: Hnu hnu baba, achhe, achhe.  Season three-te serakam golpo antata ekta porar ichheo achhe.

Amrita: Kintu oi katha-ta to shesh holo na.  Amar to mone hoy, Ami nije jakhon path kori, takhon nijer katha bolar samay jebhabe boli, mane dhoro ami nije ki korchi, ba ki bhabchi eta jebhabe boli, first person er lekha hole sebhabei pori. Ar jodi sei ek-i golpe third person thake, tahole aboshyoi onyo choritrer moner katha to amar purota bojhar katha noy, tai se khetre kichuta aspastota thakbe amar prokash bhongite. 

Parama: Hyan, amar path-eo first person-e lekha galpey amar anubhuti ebong abhibyakti’r prokash besi thakey tulonamulok bhabey. Mul katha holo ami bhebe ni ki bhabey porley srota bondhuder-r money galpo-ta pounchobey kintu kaan-er opore atyachar hobey na 

Rudra:  Amra kothok-ra sabai eki pathanbhangir ektu edik ektu odiker achhi bale mane hoy.  Ami nije bodh-hoi amader madhye sabtheke natakiyo dhang-e pare thaki.  Kintu setao paath; natok-korar parjaay pare na bolei to mone kori.  Asorer ekdam goraay amra to boleichhilam je sahityer natyaayan ei podcast-er uddeshyo noi.  সাহিত্যিকদের সৃষ্টির যথাযথ প্রতিফলন, ও সংরক্ষণই আমাদের  lokhyo.  Kintu bibhinna sanglaap paraar samay, ektu baachanbhangir taphaat, ektu hridayaabeger chnoa, shrotabandhuder kaache galper mul marma pouchhe dite ektu sahajya kore bole amar bishwas.

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Rajib: Achha, ebar to ajker episod-e dnaari taante hoy.

Rudra: Jodi sabai anumati karen, asar golpokotha-r holeo, du-koli gaan kare aajker modda katha-ta shrotabandhuder sabaike janiye diye shesh korte chai.  Maane gaan to na, gaaner parody.

Rajib: Se ki re!  Achha, dhor tahole.

Rudra:  Ek baithoke - dekha holo panchjanai…

Rajib:  Episode holo gutikoi…

Mahasweta:  Aaschhe Season Three, man tai bhabchhe…

All: Ki hoy, ki hoy .

Rudra: Ki jani ki hoy !

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Rajib: Besh, aar beshi kichhu na bole, amra shobai aajker moto biday ni. Amader porer episode thekei tritio porber golpo path shuru hoye jabe. Apnara shunte thakun amader podcast

Rudra: Golpo kothar asor ke apnader pochonder podcast er madhye antorbhukto kore felun jodi na ekhono kore thaken.  Aar, apnader matamot amader janate bhulben na kintu shrotabandhura.   Apnader aar amader joutho proyashe bangla bhasha sahitya-er chorcha cholte thakuk kromagoto. Nomoshkar.

Rajib: Nomoshkar.

Mahasweta: Nomoshkar

Parama: Namaskar

Amrita: Namaskar.