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The Hare, commonly transliterated into English as Zayats (Russian: ), is portrayed as a supposedly positive hero. He is less developed than the Wolf, and most of his actions are simply reactions to the Wolf's schemes. In later episodes, the role of the Hare becomes more active and developed, and he even manages to save the Wolf on several occasions. The Hare is portrayed as a percussionist in a number of episodes. The character was originally voiced by Klara Rumyanova.
The Hare is almost always seen wearing the same green T-shirt and dark green shorts, unlike the Wolf's ever-varying wardrobe. There are rare exceptions, however: in the prologue of Episode 8, he appears in an ice-skating outfit, and later on in the same episode, he is dressed with intentional absurdity as the grandfatherly Ded Moroz (Father Frost), the silliness of which is only heightened by the Wolf then appearing as his granddaughter, Snegurochka, also known as the Snow Maiden.
The Wolf, commonly transliterated into English as Volk (Russian: ), is initially portrayed as a hooligan who eagerly turns to vandalism, abuses minors, breaks laws, and is a smoker. His appearance was inspired by a person the director Vyacheslav Kotyonochkin saw on the street, specifically a man with long hair, a protruding belly, and a thick cigarette between his lips.[3] The character was originally voiced by Anatoli Papanov.
His most common line throughout the series when things are not going as he expected is "Nu, pogodi!" At the end of an episode (and at the end of the pre-title introduction), the Wolf usually exclaims the series' titular phrase, "Nu, Zayats... Nu, pogodi!" which translates as "Well, Hare... Well, just you wait!".
In spite of his rough appearance, many of the Wolf's attempts to catch the Hare are often characterized by unexpected abilities on his part (including figure skating, ballet, gymnastics, and waltzing) for humorous contrast. He can also play the guitar very well and rides a powerful rocker motorbike. In the first episode, while climbing a high building to catch the Hare, the Wolf whistles the popular mountaineer song, "A Song About a Friend" (a signature song of Vladimir Vysotsky). In spite of these talents, most of the Wolf's schemes eventually fail or turn against him.
The Wolf's most characteristic piece of clothing is his bell-bottoms which can ambiguously be either part of the naval uniform or the 1970s fashion. He is most often seen in a pink shirt with a yellow necktie, but occasionally (Episode 7) appears in a naval undershirt (telnyashka) and in Episode 8, he appears in drag, impersonating the Snegurochka. In Episode 11 he wears a jacket in the beginning, but soon removes it when chasing the Hare. Not infrequently, he loses most of his clothes during the chase, going on in his chintz underpants only (those are a realistic depiction of Soviet-style underwear), though in episode 6, he retains only his shirt and pulls it down to cover up his "naked" hindquarters. Humorously, all of his clothing below the waist has a special opening for his tail.
The story also features a supporting cast of animal characters, the most commonly appearing of whom is the physically strong and heavy Hippopotamus (Russian: Begemot), who participates in various roles (e.g., a museum caretaker, shop keeper, passer-by, doorkeeper, etc.) and whom the Wolf usually annoys and has to run away from. In Episode #5 (1972), the Hare finds the Wolf hidden among watermelons (the Wolf's cap camouflages him in the scene). The Hare recommends to the passing Hippopotamus, who's also looking to buy melons, one which actually winds up being the Wolf's head. The Hippopotamus squeezes Wolf's head to test the ripeness of the "watermelon", and inadvertently forces him out of hiding. The episode ends with Wolf (on a washbowl) sliding down into the Moscow Metro and slamming head-on into, and ending up under the Hippopotamus.
Another repeating character is the Cat (Russian: Kot), who is an illusionist and appears in several stage performances throughout the series. The Cat is shown to be a good magician, but very self-absorbed and highly sensitive to applause. In Episode #9 (1976), the Cat traps the Wolf in his levitation act (which saves the Hare from being caught). He drops the Wolf twice in his act to acknowledge and accept the applause from the Hare.
The original script for Nu, pogodi! was created for the animation studio Soyuzmultfilm in Moscow by the writers Felix Kandel, Arkady Khait, and Aleksandr Kurlyandsky, whose works included humourist and satirical writings.[4] Most directors of Soyuzmultfilm rejected the script, but Vyacheslav Kotyonochkin was convinced by the idea.[5] However, Gennady Sokolsky was the first person to direct the cartoon, more specifically a pilot of it, which was given the name Nu, pogodi! A two and a half-minute short film with character designs very different from the later series was created, but it already featured the Wolf's titular catchphrase. It was shown as part of the first episode of the animation magazine Happy Merry-Go-Round in 1969.[6][7]
Kotyonochkin wanted the Wolf to be voiced by the actor and singer Vladimir Vysotsky, but was not given permission by the officials. The actor Anatoli Papanov was approved instead. Actress Klara Rumyanova, who commonly voiced cute and small characters, received the role of the Hare.[8] Svetozar Rusakov was responsible for the visual design of the series, including its characters.[9][10] In case of the music, the majority of the soundtrack throughout the series during Soviet times was edited directly from existing international records, though there were also original compositions.[11]
The first episode aired in 1969.[12] Nu, pogodi! was not intended to become a long-running series, but the cartoon reached immense popularity and Soyuzmultfilm received many letters from viewers asking for more adventures of Wolf and Hare.[13][14] Therefore, production of new shorts continued into the 1980s. However, it was temporarily halted for political reasons after the seventh episode in 1973, as script writer Felix Kandel and his family wanted to emigrate to Israel, but were denied by the Soviet authorities.[4] Nonetheless, production soon resumed, though without Kandel, as Nu, pogodi! viewers were among the highest party leadership.[15]
It turned out that all outtakes of Papanov's work for the series had been archived. The voice samples were used for the creation of the 17th and 18th episodes in 1993.[12] They were produced by Soyuzmultfilm in collaboration with the Ukrainian Institute for Professional Advancement of Film, Television and Radio Workers (credited as Studio 13) and were co-directed by Vladimir Tarasov. The 17th episode in particular was dedicated to the 25th anniversary of Nu, pogodi![16] Both shorts are notable for their use of product placement for the sponsor of the films, AMT, as well as for Nokia. Kotyonochkin's son Aleksey Kotyonochkin, who had also become an animation artist, took part in their production, although he had unsuccessfully tried to convince his father to not to participate. The two episodes were met with negative reactions.[17] 152ee80cbc
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