Friday the 13th Part VI: Jason Lives (stylized onscreen as Jason Lives: Friday the 13th Part VI) is a 1986 American slasher film written and directed by Tom McLoughlin, and starring Thom Mathews, Jennifer Cooke, David Kagen, and C.J. Graham. It is a sequel to Friday the 13th: A New Beginning (1985) and the sixth installment in the Friday the 13th franchise, being the last one to feature Tommy Jarvis (Mathews) as the protagonist. Continuing from the events of the previous film, the plot follows Tommy after he accidentally resurrects mass murderer Jason Voorhees (Graham) while attempting to destroy his body to ensure he will not return. While Jason returns to Crystal Lake for another killing spree, Tommy must overcome his fear of the masked killer that has haunted him for years and find a way to stop him once and for all.
Jason Lives was the first in the series to receive some positive reception from critics since the original. In the years since its release, its self-referential humor and numerous instances of breaking the fourth wall have been praised for prefiguring Kevin Williamson's Scream film series.[6][7] Jason Lives is considered a fan favorite of the series, in addition to receiving positive notice from horror film historians.[8] It grossed $19.5 million at the U.S. box office on a budget of $3 million. The film was followed by Friday the 13th Part VII: The New Blood in 1988.
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Although the previous film in the series, Friday the 13th: A New Beginning, had been a financial success, it had disappointed the series' fans and received some of the worst reviews of any film in the series. In order to prevent further alienating the fans (and thus potentially endangering the series), the producers decided to take the series in a new direction, moving it away from what producer Frank Mancuso Jr. called the "coarse" nature of A New Beginning.[11]
McLoughlin decided to take the film in the direction of an old Universal Monsters movie, specifically the 1931 version of Frankenstein, which portrayed the monster as a lumbering killer brought to life by electricity. McLoughlin also drew from vampire lore in order to give Jason a weakness, namely being returned to his "home soil"; to achieve this, McLoughlin disregarded the idea presented in Part 2 that Jason had survived his drowning, instead presenting the idea that Jason has always been some sort of supernatural force.[14] He also decided to retcon the ending of the fifth film, where Tommy Jarvis was a serial killer. In fact, Pam's truck from the fifth film can be seen indicating she is alive. In the "Tommy Tapes" for Friday the 13th: The Game (2017) written by Adam Green, it's explained that the ending of the fifth film was Tommy's dream.[15]
Jason Lives is the only film in the franchise to contain no nudity; the characters in the film's sole sex scene are both fully clothed, a conscious move on McLoughlin's part to distance the Friday the 13th films from their perception as morality tales in which premarital sex is punished by death. McLoughlin was pressured by the film's producers to have Darcy Demoss remove her shirt during the RV sex scene, but he only suggested the idea to Demoss, who refused.[citation needed]
McLoughlin's attempt to deliver a "different" kind of Friday the 13th film were met with skepticism from the producers. In contrast to the series' other entries, which had to be edited for violence in order to avoid an "X" rating, the film's producers requested that McLoughlin add more gore, violence, and murders to the film. The original cut of the film contained 13 killings as an in-joke; in order to appease the studio, McLoughlin had to add an additional three killings, bringing the total up to 16.[14] These were the killings of Martin the gravedigger, and the recently engaged couple on a nighttime picnic. McLoughlin later said he felt the shot in which the picnicking man realizes that he's been spotted by Jason to be the film's scariest moment.[14]
Friday the 13th Part VI: Jason Lives opened on August 1, 1986, in 1,610 theaters and grossed $6.7 million in its opening weekend, ranking number two at the US box office. Ultimately, it would go on to gross a total of $19.4 million, ranking at number 46 on the list of the year's top earners.[21][1]
On the review aggregator website Rotten Tomatoes, Friday the 13th Part VI: Jason Lives holds an approval rating of 50% based on 30 reviews, with an average rating of 5.10/10. The site's critics consensus reads: "Friday the 13th: Part VI - Jason Lives indeed brings back ol' Voorhees, along with a sense of serviceable braindead fun."[22] On Metacritic, it has a weighted average score of 30 out of 100, based on 10 critics, indicating "generally unfavorable reviews."[23] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[24]
A novelization of Friday the 13th Part VI: Jason Lives was written by Simon Hawke in 1986; notably, the novelization features an appearance by a Mr. Voorhees, Jason's father who was originally meant to appear in the film but was cut. The book also includes various flashbacks to Jason's childhood and the backstories of characters such as Tommy and Sheriff Garris are also expanded.
Friday the 13th Part VIII: Jason Takes Manhattan is a 1989 American slasher film written and directed by Rob Hedden, and starring Jensen Daggett, Scott Reeves, Peter Mark Richman, and Kane Hodder reprising his role as Jason Voorhees. It is a sequel to Friday the 13th Part VII: The New Blood (1988) and the eighth installment in the Friday the 13th franchise. Set one year after the events of The New Blood, the film follows Jason as he stalks a group of high school graduates on a ship en route to New York City. It was the final film in the series to be distributed by Paramount Pictures in the United States until 2009, with the subsequent Friday the 13th installments being distributed by New Line Cinema.
Released on July 28, 1989, Jason Takes Manhattan grossed $14.3 million at the domestic box office, making it the poorest-performing film in the Friday the 13th series to date. The film was panned by critics and fans, for an illogical plot, out-of-place humor and for failing to live up to the film's premise, as Jason doesn't make it to New York until the last 20 minutes of the feature film. The next installment in the series, Jason Goes to Hell: The Final Friday, was released in 1993.
After the disappointing box-office gross of Friday the 13th Part VII: The New Blood (1988),[6] director John Carl Buechler began developing a follow-up which reprised the character of Tina Shepard again facing off against Jason Voorhees after her release from an insane asylum.[6] Meanwhile, Lar Park Lincoln, who had portrayed Tina Shepard, co-wrote (with her husband) an alternative screenplay which had Tina working as a psychologist for troubled girls. Lincoln's co-star in The New Blood, Kevin Spirtas, also wrote a screenplay which recast the events of The New Blood into a long dream, with his character as the killer.[6] Paramount, however, opted to assign the project of a follow-up to writer-director Rob Hedden,[6] marking his debut feature.[3]
Ultimately, after receiving approval from Paramount Pictures of both concepts, Hedden decided to combine them, with the first act of the film occurring aboard a ship, and the second on the streets of Manhattan.[3][2] This decision was mainly due to budgetary restrictions from Paramount, as filming exclusively in New York City cost more than the studio was willing to spend.[6] In addition to the shift in setting, Hedden stated he wanted to examine the character of Jason Voorhees as a child, which appears in the film in the form of hallucinations experienced by Rennie Wickham, the heroine.[3] To conceal the fact that it was a Friday the 13th film, the initial working script circulated under the title Ashes to Ashes.[7]
The film was shot in April 1989 at seven locations in the United States, though the primary filming locations were in British Columbia, Canada,[2] particularly Vancouver.[7][11] The alleyway scenes were shot in Vancouver. After filming wrapped in Los Angeles, the rest of the film was shot on location in New York City, including Times Square.[3] The Times Square sequences were shot while pedestrian onlookers observed the scenes, and attracted numerous Friday the 13th fans.[3] Kane Hodder, who portrayed Jason, recalled pointing at one fan in-between takes, after which she fainted.[3] According to Hedden, the cost of production in New York City was not feasible given the film's budget, which is why large portions of it were shot elsewhere.[7] The budget for the film was estimated at around $5 million.[a] At the time, it was the most expensive film produced in the series.[2]
The film's musical score was composed by Fred Mollin, who worked with longtime Friday the 13th series composer Harry Manfredini on the previous installment.[12] Friday the 13th Part VIII: Jason Takes Manhattan was the first film in the series not to feature Manfredini credited on the score.[12] On September 27, 2005, BSX records released a limited edition CD of Fred Mollin's Friday the 13th Part VII and VIII scores.[13]
The song "Broken Dream" which J.J. jams along to on her electric guitar was written by Mollin and Stan Meissner and features Terri Crawford on vocals. The instrumental "J.J's Blues" was written by Meissner. The two songs remain popular among fans and when a fan inquired to Meissner about whether they can be released he responded that no complete versions of the songs were ever recorded as they were never intended for release outside the film.[15] Despite this, fans noted that a longer instrumental version of the track plays during the club scene in Forever Knight Season 1 Episode 1 (1992). Meissner's claim was ultimately proven false as in 2021, La-La Land Records included the full track on their release of the Friday the 13th Part VIII soundtrack which included a previously unheard chorus and lead guitar parts.[16] 9af72c28ce
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