The four Cirque du Soleil shows run year-round and each is an unforgettable experience with no two being alike. Their distinct style makes the shows at each of the MGM Resorts a part of a memorable Las Vegas vacation. There are performances for everyone - from family-friendly to adults-only programs.
While overall progress on gender and cultural representation has been slow, this is not consistent across all organizations. Our research clearly shows that there is a widening gap between I&D leaders and companies that have yet to embrace diversity. A third of the companies we analyzed have achieved real gains in top-team diversity over the five-year period. But most have made little or no progress, and some have even gone backward.
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A television show, TV program, or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via over-the-air, satellite, or cable. This includes content made by television broadcasters and content made for broadcasting by film production companies. It excludes breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled for broadcast well ahead of time and appear on electronic guides or other TV listings, but streaming services often make them available for viewing anytime. The content in a television show is produced by one of two production methodologies: live taped shows such as variety and news magazine shows shot on a television studio stage or sporting events (all considered linear productions.) The other production model includes animation and a variety of film productions ranging from movies to series. Shows not produced on a television studio stage are usually contracted or licensed to be made by appropriate production companies.
Television shows can be viewed live (in a linear/real time fashion), be recorded on home video, a digital video recorder for later viewing, be viewed on demand via a set-top box, or streamed over the internet. A television show is also called a television program (British English: programme), especially if it lacks a narrative structure. In the United States and Canada, a television series is usually released in episodes that follow a narrative and are usually divided into seasons. In the UK, a television series is a yearly or semiannual set of new episodes. In effect, a "series" in the United Kingdom, Ireland and Australia is the same as a "season" in the United States and Canada. A small or one-off collection of episodes may also be called a limited series, TV special or miniseries. A television film or telefilm is a feature film created for broadcasting on television.
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the United Kingdom, and David Sarnoff's famous introduction at the 1939 New York World's Fair in the United States spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name "Mr. Television", and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951, when President Harry Truman's speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T's transcontinental cable and microwave radio relay system to broadcast stations in local markets.[1][2][3]
The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. The color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters' lives during the episode, it was usually undone by the end. Due to this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first US prime time drama television series to have this kind of dramatic structure,[4][better source needed] while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed]
When a person or company decides to create new content for television broadcast, they develop the show's elements, consisting of the concept, the characters, the crew, and cast. Then they often "pitch" it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[7] Eric Coleman, an animation executive at Disney, told an interviewer, "One misconception is that it's very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they're looking for."[8]
To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season.[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review.[citation needed] Other times, they pass entirely, forcing the show's creator to "shop it around" to other networks. Many shows never make it past the pilot stage.[9]
Some shows have a small stable of directors, but also usually rely on outside directors. Given the time constraints of broadcasting, a single show might have two or three episodes in pre-production, one or two episodes in principal photography, and a few more in various stages of post-production. The task of directing is complex enough that a single director can usually not work on more than one episode or show at a time, hence the need for multiple directors.
Many scripted network television shows in the United States are financed through deficit financing: a studio finances the production cost of a show and a network pays a license fee to the studio for the right to air the show. This license fee does not cover the show's production costs, leading to the deficit. Although the studio does not make its money back in the original airing of the show, it retains ownership of the show. This allows the studio to make its money back and earn a profit through syndication and sales of DVDs and Blu-rays. This system places most of the financial risk on the studios; however, a hit show in the syndication and home video markets can more than make up for the misses. Although deficit financing places minimal financial risk on the networks, they lose out on the future profits of big hits since they are only licensing the shows.[14]
A full season is sometimes split into two separate units with a hiatus around the end of the calendar year, such as the first season of Jericho on CBS. When this split occurs, the last half of the episodes sometimes are referred to with the letter B as in "The last nine episodes (of The Sopranos) will be part of what is being called either 'Season 6, Part 2' or 'Season 6B'",[22] or in "Futurama is splitting its seasons similar to how South Park does, doing half a season at a time, so this is season 6B for them."[23] Since the 1990s, these shorter seasons also have been referred to as "split" or "half" seasons, which is done to increase profits, as seen with shows such as The Witcher.[24]
A standard television season in the United States runs predominantly during autumn.[26] During the summer months of June through roughly mid-September, network schedules typically feature reruns of their flagship programs, first-run series with lower rating expectations, and other specials. First-run scripted series are typically shorter and of a lower profile than those aired during the main season and can also include limited series events. Reality and game shows have also been a fixture of the schedule.[26]
In Canada, the commercial networks air most US programming in tandem with the US television season, but their original Canadian shows follow a model closer to British than US television production. Due to the smaller production budgets available in Canada, a Canadian show's season normally runs to a maximum of 13 episodes rather than 20 or more, although an exceptionally popular series such as Corner Gas or Murdoch Mysteries might receive 20-episode orders in later seasons. Canadian shows do not normally receive "back nine" extensions within the same season, however; even a popular series simply ends for the year when the original production order has finished airing, and an expanded order of more than 13 episodes is applied to the next season's renewal order rather than an extension of the current season. Only the public CBC Television normally schedules Canadian-produced programming throughout the year; the commercial networks typically now avoid scheduling Canadian productions to air in the fall, as such shows commonly get lost amid the publicity onslaught of the US fall season. Instead, Canadian-produced shows on the commercial networks typically air either in the winter as mid-season replacements for canceled US shows or in the summer (which may also improve their chances of being picked up by a US network for a summer run).[27] 0852c4b9a8
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