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Sometimes, another way to enjoy a movie has nothing to do with sitting in a theater. Instead, it might have you sitting in traffic, singing along with the radio on full blast. But which songs written for movies are truly the greatest of all time?

There is this problem with JBL Flip 4, I think that playing via AUX sound is more controlled, clearer bass and less distortion. But it cuts out the sound on quiet passages in the songs, or in the movie, it soo annoying. Does anyone have a solution? It works fine with BlueTooth, but let's say, movies, the sound has a delay via BlueTooth so it's weird.

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Adams wrote (again with Gretchen Peters and Eliot Kennedy who contributed to one of the songs in Spirit) and performed five songs for the film. The soundtrack CD has since been deleted and has become something of a holy grail for Bryan Adams fans.

We did Grease in 2016 - so I was able to grab my file to see what we did to use these songs - here's some info:

Samuel French only holds the stage rights to GREASE - so to license the additional songs, you need to contact Warner/Chapell - and that contact information was in the licensing contract. Warner/Chapell, however, does not send you the sheet music. Samuel French can send copies of You're The One That I Want, and Hopelessly Devoted - for us it was an extra $200.

I received a questionnaire prior to our licensing application being fully accepted -and I had to submit a seating chart of our space (because they charge by the seat, not average sales history). One of the questions was: Will you be requesting permission to perform the movie songs - They are "Grease", "Sandy", "Hopelessly Devoted to You", and "You're the One That I Want"

One of the other documents in th efolder isa "Theatrical License Request Form" for the movie songs - and it says to allow 3-4 weeks for clearance of requests.

Hope this helps a bit! I will say that Grease was the most expensive show we ever produced for licensing costs and rental materials, etc (not production costs like costumes, lumber). Contract costs were over $9000 - we did 5 performances, and we have an 1100 seat house, tickets were $6-9. But we had to rent additional chorus books for $10 per person. Buy the script books for dialogue from SF. License additional songs through Warner/Chapell. It felt like a lot of nickel-and-diming because there are so many factors to take into consideration.

For years, I said that we'd never to do Grease - and that if we ever did, it would be because we either needed more community support for our program, or more money. At the time, we needed both. When everyone asks WHY? - I bring up the themes of the storyline - smoking, drinking, Rizzo's situation, Sandy changing to please a guy... it has toe-tapping music, but the messages are mixed at best. We did cover our costs - but we didn't sell out the place.

But if your audience members are like mine - they will want what they see on stage to closely resemble the movie - so we felt we needed to add those songs.

We did Grease in 2016 - so I was able to grab my file to see what we did to use these songs - here's some info:

One of the other documents in th efolder isa "Theatrical License Request Form" for the movie songs - and it says to allow 3-4 weeks for clearance of requests.

But if your audience members are like mine - they will want what they see on stage to closely resemble the movie - so we felt we needed to add those songs.

I've never used Magic Movie. However, I was thinking that maybe you could create an iPhone iMovie project, populate it with just the songs that you want to use in your Magic Movie, and then export the movie project as an audio-only sound track. That would merge all of the songs into one long soundtrack, that maybe you could import into your Magic Movie. Not sure it can be done, but might be worth a try if you haven't already got an answer elsewhere.

Smile: Songs from the Movies is a 2003 compilation of songs performed by Lyle Lovett for various movie soundtracks between 1992 and 2002. Smile was the fifth project by Lovett that did not introduce a new collection of his own songs during the expanse of time between his 1996 Grammy winning The Road to Ensenada and My Baby Don't Tolerate (released later in 2003). Other projects included a 1998 cover album, a 1999 live album, a 2000 movie soundtrack, and a 2001 anthology. The release of Smile led some reviewers to speculate the Lovett might be experiencing some sort of writer's block.[1] Another possibility is that Lovett was taking it easy following a 2002 injury from an accident involving a bull on a family farm in Texas. During the incident Lovett's leg was broken in 20 places. A fracture to his thumb also left him unable to play guitar for an extended period.[3]

Prince released a soundtrack album titled Batman for Tim Burton's film, starring Michael Keaton as the Caped Crusader. It featured original songs "The Future," "Vicki Waiting," "Electric Chair," "Partyman," "Trust," and "Scandalous" and stayed at the No. 1 spot on the Billboard chart for six consecutive weeks upon release.

If Cohen's music sounded increasingly sophisticated throughout the Seventies and Eighties, it was largely due to his refusal to be pinned down. Many of his best songs unfurl like authoritatively declaimed Zen koans (pun intended), and the title track of his great 1988 album was a one-size-fits-all come-on any Buddhist Casanova might envy. Which made it ideal for the slightly surreal parking-garage dance number performed by genderqueer Ivan Aycock (Kelly Lynch) for Kit Porter (Pam Grier) in the final episode of this groundbreaking series' first season. The steam builds as Ivan vamps around his car, lip-syncing Cohen's lyrics ("I sweated over that one," he said of the song) and making the receptive Kit an offer she can't refuse: "If you want a driver, climb inside/ Or if you want to take me for a ride/ You know you can/ I'm your man."

In 2001, a brand new generation of Cohen listeners was born, thanks to the most unlikely of sources: a ginat, flatulent green ogre. The DreamWorks animation hit became an unlikely vessel of Baby's First Leonard Cohen discovery when the film used John Cale's cover of "Hallelujah" to highlight a heartbreaking sense of melancholy within a mostly humorous, off-kilter kid's film. This is the sound that greats Shrek when returns to his swamp after suffering what he thought was a rejection from the princess he had fallen in love with. The film's official soundtrack features Rufus Wainwright's cover instead of Cale's version, but either way, you can't go wrong; if you have to listen to different versions of this most covered of Cohen's songs, these are two of the best.

? The 40 best musical movies of all time

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? The 100 best movies of all-time

Dirty Dancing has several big moments featuring songs we've come to love. Obviously though, the biggest moment (the one that gets Baby out from her corner) comes when this song plays and they have their final dance together.

Growing up in suburban Chicago, Patsavas was a music fan and movie lover who was particularly inspired by the 1980s teen angst films of fellow Chicago suburbanite John Hughes, whose alternative soundtracks were integral to his movies.

The piano songs from movies category features classical music, pop and rock music from popular movies. These are some of the most well-loved movie songs to play on the piano. Composers include Hans Zimmer, Justin Hurwitz, John Williams, Carter Burwell, Klaus Badelt, Ennio Morricone, Nino Rota and Ludovico Einaudi. Popular piano songs from movies include The Godfather Theme, Chi Mai, City Of Stars, The Raiders March, Interstellar Main Theme, He's A Pirate and Hedwig's Theme.

Producer Sam Phillips at Sun Records, a local blues label, was the first to record Elvis Presley. He responded to Presley's audition tape with a phone call, and several week's of recording sessions ensued with a band consisting of Presley, guitarist Scotty Moore, and bassist Bill Black. Their repertoire consisted of blues and country songs and gospel hymns. 0852c4b9a8

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