Yes, there is some support for custom fonts in Office Online but it does have limitations. While editing a document for example in Word Online, in the font box type the exact name of the custom font that's installed locally (preview the font in control panel and that shows the proper name) and then that font is available.
I tried this by installing a free font and with a bit of trial and error, I got it to appear and used it in my document. If other users on different computers have this font installed, they will see the font in the document as it's intended, otherwise, it will fall back to a default font. Limitations include in the preview when opening the document, it doesn't appear to show the custom font and also not sure about printing, you'd have to try and see if it works properly.
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@Cian Allner It does not work for me. I have installed a custom font, and I know for sure its name is Jinxed. It is an .otf file, does that matter? The file name is Jinxed-Regular.otf, what name do I have to type in because it doesn't work.
@Cian Allner can confirm that this works on Linux (Ubuntu MINT 20.04.1) using Microsoft Edge (Dev channel) browser. I think the trick is to check in another Wordprocessing application as to how does the font name show up, and then use it as-is). Many fonts have suffixes like -regular, -italic, -bold, in their file-name (.TTF or .OTF) but those are not the font names by default. Often the font name if the part before the hyphen, but many times not. Best is to use a font-viewer tool to extract to font-name and use that in the font search bar of office 365 web/online.
Hello, I had just found a solution, I know its a few years late but may also help others that come across this. If you add the font to your font settings locally then it should appear online on Microsoft 365.
I did try the new label author in the map viewer beta, but it does not support using HTML tags like CLR, FNT, BOL, etc that are supported in Pro. You can probably come close, but for each change in font and color you need to create a label class. See also my comments here: -online-map-viewer-beta/blog/2020/02/08/check-out-label-a...
When I wrote my own watch face app, I need to pack a few PNG icons into a custom font. Instead of manually packing them with photoshop, I wrote a few scripts to automatically add them into existing bitmap font files, generated from BMFont.
With that portable tool you can change single characters of a font easily - no matter if you just want to change the preferences or edit the bitmap directly. The negative point is the documentation: there is none ,,, so you need to play around a little bit with an existing font (please make a copy of the font before that) and take a look into the help pages by pressing F1.
Is there a way to adjust or control the font sizes and styles used by the bing Map (Geolocation Online Map) as viewed from within AutoCAD Civil 3d 2015? I realize this will be part of the Bing server/mapside functions, but it seems there should be a way to modify the fonts similar to how you can with Google Earth through the underlying map delivery engine.
Overall the map is very useful now that it can be part of the drawing, but the font quality can be too small, too blocky, etc. depending on the scale of the drawing which often can not be adjusted to fit the needs of the map to improve quality...
With a notebook open, I try to change, just for that notebook, the Input and Output styles by doing Format | Edit Stylesheet, then selecting from the scroll down Input and then go to Format | Font, and then choose the font. I do the same for Local definition for style "Output" as well.
Yes, it is unfortunate that the default input font (or maybe the default StandardForm) Courier New is extraordinarily COUPLED, apparently very deeply, into Mathematica code base. Not what I would call object oriented way of going about it.Enough with the dissing.As I wrote in my last reply to Bruce, I will just have to suck it up and change Input font to whatever looks better for presentation purposes by selecting the cell after it has been created and then Format.
Thanks Bruce, however doing both of what you suggested still results in Font remaining the same.I will just have to live with selecting an input cell, after it's input, and then choose to format the font to whatever I want.
1. A number of freely licensed fonts can no longer be converted to webfonts due to false positives on some kind of generalised blacklist. It seems that the vendor of the font is checked on upload and if that vendor also sells retail fonts then the uploaded font cannot be converted. Even some fonts downloaded from Font Squirrel itself can no longer be converted.
2. Fonts that I have made customisations to in FontLab are now declared "corrupt" despite working normally in desktop applications, being convertable by other (inferior) online converters and previously working fine in the Font Squirrel generator.
Does anyone know of a Mac or PC desktop application that can generate webfonts with anything approaching the level of control possible in the Font Squirrel generator? Or a good online alternative? I need features like:
Just a small note: Be aware that the fact that a desktop font is free, doesn't mean that it can be used as a webfont. You should read the license carefully, and if it doesn't mention webfonts, you should contact the vendor/creator and ask. This also applies to fonts served by FontSquirrel.
I licensed FontPrep years ago when it was a closed-source app, and even bought an old Macbook especially to run it on (I'm a PC user normally). The downsides to FontPrep are bugs, no WOFF2 support, and the fact that subsetting has to be manually specified for each individual font. But is seems like it's just about the only show in town for desktop webfont conversion with a GUI (the only other alternative I can see is TransType which doesn't even do subsetting). To be honest I think the main reason I don't use it routinely is the hassle of booting up another computer for a single task. And that's just laziness so I'll give it another look now that I'm running into problems with Font Squirrel.
Thanks, I've used both of these in the past. While neither has anything like the feature set of the Font Squirrel generator and Fontie has no WOFF2 support they do at least work for the wrongly-blacklisted fonts. Transfonter is my pick of the two because it generates WOFF2 and allows the conversion of multiple fonts simultaneously.
It does surprise me that there aren't more offerings for quality webfont conversion. It's something I'd happily pay for. I'd love to know how much market share the Font Squirrel generator has. Seems like a lot of eggs in one basket - if they shut up shop for one reason or another it would be a minor catastrophe.
Because Glyphs is a font creator/editor first-and-foremost I think the workflow for webfont conversion might be a bit slow. I figure you would have to open and export each font individually. Or maybe some sort of batch script is possible.
I heard back from Font Squirrel this morning and they have de-blacklisted the fonts I noted above. I'm pleased about that, and it sounds like I can contact them whenever I find a font that is wrongly blacklisted and they will correct that. So I think I'll persevere with Font Squirrel wherever possible and fall back to Transfonter if needed.
This difference in reading behavior between web users and study participants does raise the question whether findings would be different under more realistic web-usage conditions. Even so, I still think the findings about the relationship between fonts and reading speed are of interest.
With this big difference in reading speeds within users, you would expect that the study would have identified a font with the highest overall score. Well, it did: Garamond had the highest average reading speed at 312 WPM; it was 6% better than #2 (Oswald, at 295 WPM) and 23% better than the worst font of the 16 tested (Open Sans, at 254 WPM).
Many users were faster readers with another font than Garamond, which means that they would be penalized by a design that used Garamond. The authors also computed a speed-rank score that shows how often a font was the fastest of those 5 fonts that a given user saw. Garamond only achieved a speed rank of 48%, which means that (slightly) more than half of the time another font would be better for a specific user. (And an even bigger percentage would likely have been better off with a different font than Garamond if all 16 fonts had been available as alternatives.)
Whatever the true cause, the distinction between Franklin Gothic and Garamond is simply more proof of the overall finding that different fonts are best for different people, with reading skills being a possible differentiator impacting font choice.
A second interesting age-related finding from the new study is that different fonts performed differently for young and old readers. The authors set their dividing line between young and old at 35 years, which is a lower number than I usually employ, but possibly quite realistic given the age-related performance deterioration they measured.
3 fonts were actually better for older users than for younger users: Garamond, Montserrat, and Poynter Gothic. The remaining 13 fonts were better for younger users than for older users, which is to be expected, given that younger users generally performed better in the study.
Since we know that there are age-related changes in font performance, we should repeat the font-optimization process every few years, to identify a new font that would be better for the now-older user.
Clearly, as scientists like to say, more research is needed. Given the findings in the new study, the answer will not be simple, but we can still hold out a little hope that it might prove possible to derive a formula that could predict the best font for a given user, given multiple criteria (not just one criterion, sadly). We also need an experimental protocol that more closely mirrors the typical scanning behavior of web users. 0852c4b9a8
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