However, some third-party products were purchased outright by Cakewalk (e.g. Sonitus Suite) and would therefore have been part of the intellectual property that BandLab purchased. Those plugins stand the best chance of revival. Z3ta+ falls into that category.

Just installed Cakewalk, as a long time Sonar X3 and Music Creator 6 Touch user, figured I'd see what Cakewalk offered now that its gone free. So far its nice, however, the plugin window for Z3ta 2(which coincidentally is a soft synth made by Cakewalk), is too big and I cant figure out how to resize it. It cuts the bottom off by quite a bit. I think I could still use it but I cant even move the window up to see whats at the bottom if I wanted to. Is there a way to resize it? Z3ta is one of my favorite plugins, really would like to get it worked out.

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That only allows the Cakewalk plugin window itself to be resized, not the actual plugin UI. If you do it that way to shrink the plugin window, the plugin UI will appear cropped and you will need to slide it around to see different parts of it in the window, but not all of it at the same time. Big difference from a re-sizeable plugin!

This is really strange, because the Z3TA+2 UI should be rather tiny at that 3200x1800 resolution. It is a legacy plugin that wasn't really designed for today's high resolution screens. So it should shrink as the resolution gets higher.

This setup allows you to use z3ta+ as an effects processor with MIDI control, as well as a synthesizer. Z3ta+ is inserted as a synth in track 1 and receives MIDI control from track 2; the audio on track 1 is processed by z3ta+.The choice of effects includes Distortion, Compressor, Modulation (nine variations on various flavours of chorus, flanging and phasing), three Delays (each with four modes and tempo sync), Reverb and an 'Equalizer/Simulator'. While most of the effects are fairly straightforward, the EQ/Simulator is something else altogether. You can select a Simulation Mode, which includes amp simulations, speaker response curves, comb filters and more, but the really interesting mode is EQ Mode, which changes the frequencies controlled by the seven graphic EQ sliders. For example, if you choose Wide, the lowest slider boosts or cuts at 80Hz and the highest at 15kHz. Choose Mid High instead and the sliders are set to 1, 2, 4, 6.3, 12.5 and 15 kHz. Select High and the spread is 5, 6.3, 8, 10, 12, 15 and 18 kHz.

The audio in the track will now go through z3ta+. However, it goes through only the effects section, not through the synth filters, or amps triggered by envelope generators (there's more on this later). Note that you can still play the synth when the effects are 'listening' to the audio input; z3ta+ mixes the audio input and the synth sound generators.

Z3ta+ inserted in Cubase 4, which can process audio through the filters and VCA, as well as the effects section. In Cubase, an accompanying MIDI track allows triggering of the z3ta+ envelope generators.As you turn your MIDI controller's hardware knob or slider, the parameter will vary only within the minimum and maximum levels you specified. However, there is a limitation: the new range you've set is not spread across the hardware knob's full range: restricting it doesn't provide 'fine-tuning', but merely ensures that the value won't go beyond the specified minimum and maximum values. (As you've probably figured out, Reverse changes the 'sense' of the parameter. In other words, turning up a control when you have it set to Reverse actually reduces the parameter value.)

In Cubase, insert z3ta+_fx2 into the insert of a VST audio channel (of course, you should also have audio on this track, so that there's something to process). Create a MIDI track and assign its output to z3ta+_fx2. Unless you want to play the synth section at the same time, go through each oscillator and turn each wave to 'Off'. Now your MIDI keyboard can trigger the envelopes; you can play with the filter parameters, drive parameters from LFOs, and so on. Fun stuff! 0852c4b9a8

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