The songs in entirety were used as montages (sequences that travel along with the storyline) in the film, with four of the tracks were picturised on the perspective of Dhanush's character and his romance with Taapsee's character. The album opened to critical acclaim praising G. V. Prakash for his work in the soundtrack and score; critics further praised Vetrimaaran for the use of songs as montages throughout the film. Subsequently, the album received multiple accolades at various nominations, with Prakash winning the awards for Best Music Director in all ceremonies.
In contrary to Polladhavan, where the film songs were used due to producer's demand of "commercial elements",[2] director Vetrimaaran planned for six tracks, without lip-sync but rather used as montages of visuals,[3] since Vetrimaaran believed that the songs were used to move the story forward and not treated as commercial elements, as a result to be "realistic" and "contemporary".[4][5] The use of all songs as montages in its entirety, is first-of-a-kind trend in Tamil cinema.[6] Vetrimaaran added that "due to the short duration of the film, the songs narrate a story within the main plot to move the story faster and also to give the same impact as a normal scene does".[5][7]
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Apart from the rap songs "Porkalam" and "Warriors", the rest of the tracks were picturised of the perspective of the character K. P. Karuppu (Dhanush), and his romance with Irene (Taapsee Pannu). The song "Yathe Yathe" is played when Karuppu sees Irene properly for the first time, and "En Vennilave" is about Karuppu's thoughts after Irene refuses to love him. The song "Ayyayo" is played when Irene has a change of heart, rekindles Karuppu's feelings towards her.[7] Although, all the songs were used as montages in the film, it featured a dance sequence for the song "Otha Sollala" crooned by Velmurugan. It was choreographed by Dinesh Kumar, featuring Dhanush as K. P. Karuppu, shaking his lungi, dances on the busy streets of Madurai as if nobody's watching, after Irene reciprocated his proposal.[13] It served as one of the signature dance moves and was praised by audiences and fans.[14]
The album opened to positive critical feedback with Karthik C of Behindwoods gave 3 out of 5 stars and wrote "GV Prakash Kumar has shown more promise with this album. It is quite evident that he has either tried to be on the same scale or be subdued and not go overboard, even if there are opportunities in this album. His experiments with contrasting sounds do pass to an extent. The songs would certainly make an impact if they are situational as there is no fantasy involved".[17] Karthik Srinivasan of Milliblog opined that "Vetrimaaran and Prakash's combination works far better than their previous film Polladhavan".[18] A critic from Sify highlighted the score and songs as "one of the major plus for the film",[19] whereas Pavithra Srinivasan of Rediff called that the music "adds depth to the proceedings".[20] The Hindu-based critic Karthik Subramanian, apart from reviewing Prakash's work in the background score, further praised Vetrimaaran's idea of using songs as montages, calling it as "excellent" and "blends with the narrative".[21] 0852c4b9a8
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