Kancherla Gopanna (Goparaju), later known as Bhakta Ramadasu, was born in a moderately well to do Telugu speaking Niyogi Brahmin family to Linganna Mantri and Kamamba in Nelakondapalli village in the Khammam District of Telangana. He was orphaned in the teens, triggering an impoverished life, sustained by singing bhakti songs to Rama and collecting rice door to door.[3] His life story has been largely reconstructed from poems he composed or is assumed to have composed, where there is a mention of events of his life. For example, one bhakti song mentions Narayanadasulu, a term linked to the Narayana mantra, is believed to be linked to Sri Vaishnavism guru Raghunatha Bhattacharya, who initiated him as a boy into the Dasarathi tradition. These and other hagiographic accounts found in Yakshagana or Harikatha compilations present him as a boy-prodigy with an impulsively creative mind composing lyrics on the Hindu god Rama.[4]
The story continues that soon after the reconstruction, his miseries started. He was dismissed from his job by his enemies who spread a lot of fake news.[8] (near Hyderabad) Ramadas was cast into jail with orders that he be released only after the exchequer received all the taxes in full. Ramadas implores Rama through many emotional songs that were popularized from the stanzas of 'Dasaradhi Sathakam ' and 'Keertanas' of Bhakta Ramadasa. They praise the Lord for all his mysterious ways in popularizing his devotees and Ramadas regularly sings to the Lord. The songs end in a state of total and unconditional surrender to the will of the Almighty.
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In non-scholarly claims feeding the popular imagination, many more compositions are attributed to him. For example, according to the Indian newspaper The Hindu, Ramadasu composed nearly 300 songs and his works on Rama moved the Sultan.[13] The Navaratna krithis of Ramadasu are as follows:
Another reviewing website India glitz gave an extremely positive review and praised Nagarjuna's performance, in particular, stating, "Nagarjuna is a revelation in a role that calls for nuances and skill. It is no romp for him. He has put in hard labor both in terms of looks as well as body language. The triumph of this role lies in the fact that Nags got the subtleties right. An award is just round the corner for him. Keeravani in a sense is the other hero of the movie. There are 19 songs, each dipped in his own devotion to his art. Like in Annamaiya (Annamayya), he has delivered more than he has been asked for. His songs create the right mood and momentum for the film to proceed. The bhakti rasa is splendidly brought out."[4]
The Hindu praised Nagarjuna and M. M. Keeravani and wrote, "Nagarjuna steals the show as Ramadasu. After playing the role of his lifetime in Annamayya, Nagarjuna comes up with another winner in Sri Ramadasu. Nag (Nagarjuna) once again proves he is equally at ease portraying epic characters apart from playing mass, sentiment and glamor roles. The highlight of the film is the performance of Nagarjuna in the prison episode. Keeravani gives a musical chartbuster and both songs as well as background score and re-recording is excellent and takes the audience into a musical journey. Graphic works are superb."[5]
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