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The library of Famous Studios cartoons is currently divided between three separate film studios (via various subsidiaries): Paramount Pictures via Melange Pictures (which owns the pre-October 1950 cartoons) and Paramount Animation (which owns the post-March 1962 cartoons), Universal Pictures via DreamWorks Animation and DreamWorks Classics (which owns both the post-October 1950 and pre-March 1962 cartoons under Harvey Films) and Warner Bros. via Turner Entertainment Co. (which owns the Popeye the Sailor cartoons, with King Features Entertainment under license for the original comics and characters) and DC Entertainment (which owns the Superman cartoons).

Continuing series from the Fleischer period included Popeye the Sailor and Superman, both licensed from popular comics characters. The expensive Superman cartoons, having lost their novelty value with exhibitors, ended production in 1943, a year after Famous' inception. They were replaced by a series starring Saturday Evening Post comic strip character Little Lulu. Also in 1943, Famous began producing the formerly black-and-white Popeye cartoons in Technicolor, and began a new series of one-shot cartoons under the umbrella title Noveltoons (similar in respects to the Color Classics series from Fleischer Studios, and also the Looney Tunes and Merrie Melodies series from Warner Bros.).[7]

In 1947, Paramount decided to stop paying Little Lulu creator Marge licensing royalties, and created another "mischievous girl" character, Little Audrey, as a replacement.[7] That same year Famous resurrected an old Fleischer series, Screen Songs, introducing a new series of musical cartoons featuring a "bouncing ball" sing-along.[6] In 1951, the Screen Songs became "Kartune Musical Shorts," which ended in 1953 after Max Fleischer claimed ownership of the "bouncing ball" trademark. Only two more musical cartoons were released (as one-shot Noveltoons): 1954's Candy Cabaret and 1963's Hobo's Holiday.

Paramount sold its remaining cartoon film library and the rights to its established characters to Harvey Comics in 1959; however, the final theatrical cartoon to have any of their established characters already acquired by Harvey Comics since was Turtle Scoop featuring Tommy Tortoise and Moe Hare (both uncredited and redrawn) in 1961.[8] Paramount's attempts at creating replacement characters, among them Jeepers and Creepers and The Cat, proved unsuccessful. Nonetheless, television animation production outsourced from King Features and Harvey Films brought the company additional income. Ironically, these arrangements had Paramount working on new television cartoons starring Casper, whom they had originally created, and Popeye and Little Lulu, characters they had previously licensed for theatrical cartoons.[8] In the case of King Features' Popeye and King Features Trilogy TV cartoons, Paramount was one of several animation studios, among them Jack Kinney Productions and Rembrandt Films, to which King Features subcontracted production.[8] The first of only two all-new Little Lulu cartoons after the character's 13-year hiatus off-screen, Alvin's Solo Flight, was released as part of the Noveltoons series in 1961, while twelve of the King Features Trilogy cartoons, starring characters such as Krazy Kat, Little Lulu, Beetle Bailey, and Snuffy Smith, were released theatrically by Paramount in 1962 under the title Comic Kings.[8]

Seymour Kneitel died of a heart attack in 1964, and Paramount brought in comic book veteran Howard Post to run the cartoon studio.[17] Under Post's supervision, Paramount began new cartoon series and characters such as Swifty and Shorty and Honey Halfwitch (the latter having originated from the Modern Madcaps series in the 1965 short Poor Little Witch Girl), and allowed comic strip artist Jack Mendelsohn to direct two well-received cartoons based upon children's imaginations and drawing styles: The Story of George Washington and A Leak in the Dike (both 1965).[17]

However, Post left the studio due to internal conflicts with the Paramount staff. His replacement was Shamus Culhane, a veteran of the Fleischer Studios.[17] Culhane completed a few films that Post started and then ignored the rule book and made films that were very different from the previous regime.[18] In 1966, the studio subcontracted The Mighty Thor cartoons from Grantray-Lawrence Animation, producers of the animated television series The Marvel Super Heroes.[19] In 1967, Culhane directed another short based upon children's art, My Daddy, the Astronaut,[16] which became Paramount's first film to be shown at an animation festival.[19] However, when Paramount's board of directors rejected a proposal to produce episodes for a second Grantray-Lawrence series, Spider-Man, Culhane quit the studio, and was succeeded by former Terrytoons animator Ralph Bakshi in mid-1967.[19] Although Bakshi quickly put several experimental shorts into production, by the winter of 1968, Paramount's new owners, Gulf+Western, had begun the process of shutting down the animation studio, a task completed in December. The last cartoon from Paramount Cartoon Studios, Mouse Trek, the finale of the Fractured Fables series, premiered on December 31, 1967.[20]

Throughout the 1950s, most of the major Hollywood studios sold off their film libraries to various television companies. In the case of Paramount, throughout the decade, they sold off the Famous Studios library to various different TV syndication companies resulting in multiple studios owning different cartoons.

In January 1956, Paramount sold the pre-October 1950 Fleischer and Famous Studios cartoons (excluding Popeye and Superman) to U.M. & M. TV Corporation for $3 million, equal to $33,620,563 today.[23] In 1957, U.M & M was bought out by National Telefilm Associates (NTA). In the 1980s, NTA changed its name to Republic Pictures after the original studio of that name, the library of which NTA had also acquired. After a brief period of ownership by Spelling Entertainment in 1994, Republic Pictures was purchased by Paramount's parent company Viacom in 1996, placing the shorts back in Paramount's control (Republic Pictures was renamed Melange Pictures LLC. in 2006).

In June 1956, Paramount sold the entirety of the Fleischer/Famous Studios Popeye cartoons from 1933 to 1957 to Associated Artists Productions (which had also recently purchased much of the Warner Bros. back catalog) for $1.25 million.[24] The assets of A.A.P were in turn purchased by United Artists in 1958. In 1981, United Artists merged with Metro-Goldwyn-Mayer to form MGM/UA. In 1986, Ted Turner's Turner Broadcasting System attempted to acquire MGM/UA, but due to debt concerns, Turner was forced to sell the company back to its previous owner Kirk Kerkorian. However, Turner kept most of the pre-May 1986 MGM library as well as a few portions of the United Artists library, including the former A.A.P. library, and formed his own holding company Turner Entertainment Co. to manage the rights. In 1996, Turner Broadcasting merged with Time Warner (now Warner Bros. Discovery). Since then, Warner Bros. controls the rights to the theatrical Popeye cartoons via Turner Entertainment Co.

As per their original contract, the rights to the Superman cartoons reverted to National Comics after Paramount's deal expired in 1947. While the cartoons themselves are now in the public domain after their original copyrights were not renewed, the ancillary rights are still owned by DC Comics, and the cartoons are distributed by Warner Bros., which has owned DC since 1969.

In July 1958, Paramount sold off the Famous Studios cartoons made between October 1950 and March 1962, as well as the rights to all original characters created by Famous Studios (Casper, Baby Huey, Herman and Katnip, Little Audrey, etc.) to Harvey Comics for $1.7 million,[25] who in turn created Harvey Films to handle the rights and rebranded the cartoons as Harveytoons. The deal also gave ABC television distribution rights to the cartoons for the next 30 years (the rights reverted back to Harvey in 1989) while Paramount retained theatrical rights.[26]

In 2001, Harvey Comics was purchased by the holding company Classic Media. In 2012, Classic Media was purchased by DreamWorks Animation, which retains ownership of the cartoons. In 2016, DreamWorks Animation was purchased by Comcast's NBCUniversal, with Universal Pictures assuming the distribution of the cartoons on behalf of DreamWorks.

However, while NBCUniversal and DreamWorks Animation own the bulk of the rights to the Harveytoons catalog, as per their original 1958 contract, Paramount still retains theatrical rights to the cartoons and thus also controls the original camera negatives. However, the contract also stipulates that Harvey (and by extension, DreamWorks and NBCUniversal) are allowed to access the original film elements from Paramount whenever they feel like they need to update their prints.[27][28]

As of 2021, there has been no official release of the Paramount-owned Famous Studios library. Many of the cartoons are in the public domain and widely available (albeit usually in poor quality) in several low budget DVDs and Blu-Rays sold in supermarkets and department stores. In 2012, Thunderbean Animation restored and released a collection of public domain Noveltoons on DVD entitled Noveltoons Original Classics. 0852c4b9a8

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