This website has no "official" connection to the Pet Shop Boys. It merely presents my own personal commentary—often including attempted explanations and interpretations—on the songs of my favorite contemporary pop band. Of course, this commentary has often been influenced by what the Pet Shop Boys themselves, Chris Lowe and Neil Tennant, have said about their music and by what others have previously written. Nevertheless, many of the observations I make here are original with me.
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ALABAMA & Friends commemorates that summer at The Bowery and catalogues the lasting influence the group has had on generations of Country stars who draw inspiration from the sparkling harmonies, irresistible stage presence and world-class songwriting and song selection that made them superstars. It brings together some of Country's biggest stars, each bringing a unique musical approach to classic ALABAMA songs that have influenced them.
The songs here are, of course, among the most memorable in country history. Included are "My Home's In Alabama," the band's first major hit and the song that introduced them to the world; "Tennessee River," their very first #1; "Old Flame" and "Love in the First Degree," from their second RCA album; "Lady Down On Love," a harmony-laden example of Randy's songwriting prowess; "The Closer You Get," released halfway through their streak of 21 chart-toppers; "She And I," from the mid-'80s; and "Forever's As Far As I'll Go" and "I'm In A Hurry (And Don't Know Why)," which helped kick off the '90s, in which the boys earned 29 more chart hits, including 22 #1 or Top 5 singles.
Capping the project are two new tracks by ALABAMA, songs that find the band making music that sounds both classic and relevant. They worked with legendary producer Harold Shedd, who worked with them in those golden early days and went on to discover Shania Twain, Toby Keith and many others.
"We believed we had something pretty special from a vocal standpoint," says Teddy, "and we were looking for the opportunity to prove it. There were a lot of times when we wondered whether we might be better off going back home and getting jobs, but we just kept rehearsing and writing songs, trying to get better and believing we could do it."
"I was in Nashville," he says, "walking by this club full of young people--I'm talking 18 or 20. The band started playing 'Dixieland Delight' and everybody in the place started singing and sang all the way through. I had to smile at the longevity of the songs. Maybe some of those kids didn't even know who ALABAMA was, but they knew the music, and so I think that's a tribute to the fact that we spent a career putting out good songs that stand the test of time."
When it comes to music Teddy plays by ear and has written hundreds of songs. He has co-written many of the Alabama hits -- "How Do I Fall In Love," "Why Lady Why," "My Home's In Alabama," "Fallin' Again," "Give Me One More Shot," "Sad Lookin' Moon," to name a few. He's also the founder and president of Creative Cafe.
When not touring with Alabama, Randy says he enjoys being alone with immediate family and most importantly, away from the telephone. While on the job, he strums a smooth and steady rhythm guitar and sings most of the solo vocals on the group's hits. He has played music since the age of 6 and has been playing with Alabama for 28 years. Randy plays by ear and says that he doesn't know how many songs he has written but jokes that "some of them have been recorded on the albums."
Since Alabama left the road in 2004, Jeff did not miss a beat forming the Allstar Goodtime Band (AGB). Jeff and this eight piece band have several CD's out which include several number one songs on the Independent charts. "Having a horn section has enabled us to widen the scope of our music" Jeff says.
Despite the rise of streaming, millions of MP3s are still available for sale and the number of tracks is growing all of the time. All of the stores listed here enable you to either download songs legally to a computer or directly to your phone -- and most offer dedicated apps for Android. Be aware that due to Apple restrictions, iOS users may not be able to buy music from sources other than iTunes on their phones.
This section will compare and contrast the results of a number of experiments done to classify songs based on various audio features. The first will be that of a group of engineers at the BNM Institute of Technology in Bangalore, India. The group used an algorithm identifying amounts of intensity, timbre, pitch, and rhythm in a number of songs across moods. Once these audio features were extracted, they were compared against pre-determined threshold amounts found for each mood in order to make the classification decision (Bhar et al). The average amount of each audio feature found in specific moods from the experiment is displayed in Table 2, shown below.
ASCAP's customer licensees include: Airlines, Amusement Parks, Bars, Restaurants & Nightclubs, Colleges & Universities, Concert Presenters, Music Venues & Clubs, Convention & Trade Shows, Fitness Clubs, Hotels, Local Government Entities, Radio & Television Stations and Networks, Mobile Entertainment, Websites, Retail Stores and music users in a wide variety of other industries. See the complete list of ASCAP license types on this website. There are over 100 different ASCAP rate schedules covering almost all businesses that perform music.
ASCAP does not license "dramatic" or "grand" rights, or dramatic performances. ASCAP members who write musical plays, operas, or ballet scores deal directly with those who want to perform our members' works "dramatically." While ASCAP does not license "dramatic" or "grand" rights, or dramatic performances of its members' music, an ASCAP license does authorize nondramatic performances of songs from dramatic productions. For more information on "dramatic" or "grand" rights and the distinction between dramatic and nondramatic performances, click here.
The JLO is a joint venture of the United States performing rights organizations, ASCAP, BMI and SESAC. The JLO offers a license which provides total access to all songs in the ASCAP, BMI and SESAC repertories. The Jukebox License Agreement is a single, economical, annual license that provides the authorization required to publicly perform copyrighted songs on a jukebox. Jukeboxes that are licensed by the JLO, must display a certificate in the title strip holder of each jukebox. If you see a jukebox without a certificate, please complete and return the Tips card or email the name and address of the location and name of jukebox operator (if known) to licensingexecutive@jukeboxlicense.org.
Copyright law does not define the terms "dramatic" or "nondramatic." As a result, rightsholders, music users and occasionally the federal courts must attempt to draw the line between "dramatic" and "nondramatic" performances. That line is often unclear and depends on the facts pertaining to a particular performance. As a general rule a dramatic performance usually involves using the work to tell a story or as part of a story or plot. Thus, when songs are employed as part of a dramatic performance -- a Broadway musical such as Jersey Boys or in a ballet such as Twyla Tharp's Nine Sinatra Songs, for example -- the performances of the music are dramatic and are beyond the scope of an ASCAP license.
The "nondramatic" public performances of musical compositions that ASCAP licenses on behalf of its members include, for example, recordings of songs that are broadcast on radio (other than an entire -- or substantially complete -- recording of a dramatico-musical work), songs or background music performed as part of a movie or other television program, or live or recorded performances of musical compositions in a bar, restaurant, hotel, store or other place open to the public.
New songs, rants, blog posts, interviews, and/or concerts go out to my email list regularly, most of which can be found if you look for This Week with David Rovics on various platforms where podcasts can be found, or at davidrovics.com/thisweek. Essays and podcasts all also get posted on Patreon and Substack.
I have seen online that you can pull data from websites using the IMPORTHTML function in Google Sheets. However, you can only import tables and lists. I have tried both of these on the Billboard top 100 chart list but because they are separated into divs, not lists nor tables, I cannot seem to get it to work.
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