A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist,[1] and in the second sense they are usually called an animator.

Such cartoons often have pinpricks along the outlines of the design so that a bag of soot patted or "pounced" over a cartoon, held against the wall, would leave black dots on the plaster ("pouncing"). Cartoons by painters, such as the Raphael Cartoons in London, Francisco Goya's tapestry cartoons, and examples by Leonardo da Vinci, are highly prized in their own right. Tapestry cartoons, usually colored, could be placed behind the loom, where the weaver would replicate the design. As tapestries are worked from behind, a mirror could be placed behind the loom to allow the weaver to see their work; in such cases the cartoon was placed behind the weaver.[2][4]

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In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,[5] particularly sketches by John Leech.[6] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.[7]

Modern single-panel gag cartoons, found in magazines, generally consist of a single drawing with a typeset caption positioned beneath, or, less often, a speech balloon.[9] Newspaper syndicates have also distributed single-panel gag cartoons by Mel Calman, Bill Holman, Gary Larson, George Lichty, Fred Neher and others. Many consider New Yorker cartoonist Peter Arno the father of the modern gag cartoon (as did Arno himself).[10] The roster of magazine gag cartoonists includes Charles Addams, Charles Barsotti, and Chon Day.

Bill Hoest, Jerry Marcus, and Virgil Partch began as magazine gag cartoonists and moved to syndicated comic strips. Richard Thompson illustrated numerous feature articles in The Washington Post before creating his Cul de Sac comic strip. The sports section of newspapers usually featured cartoons, sometimes including syndicated features such as Chester "Chet" Brown's All in Sport.

Editorial cartoons are found almost exclusively in news publications and news websites. Although they also employ humor, they are more serious in tone, commonly using irony or satire. The art usually acts as a visual metaphor to illustrate a point of view on current social or political topics. Editorial cartoons often include speech balloons and sometimes use multiple panels. Editorial cartoonists of note include Herblock, David Low, Jeff MacNelly, Mike Peters, and Gerald Scarfe.[2]

Political cartoons are like illustrated editorials that serve visual commentaries on political events. They offer subtle criticism which are cleverly quoted with humour and satire to the extent that the criticized does not get embittered.

The pictorial satire of William Hogarth is regarded as a precursor to the development of political cartoons in 18th century England.[11] George Townshend produced some of the first overtly political cartoons and caricatures in the 1750s.[11][12] The medium began to develop in the latter part of the 18th century under the direction of its great exponents, James Gillray and Thomas Rowlandson, both from London. Gillray explored the use of the medium for lampooning and caricature, and has been referred to as the father of the political cartoon.[13] By calling the king, prime ministers and generals to account for their behaviour, many of Gillray's satires were directed against George III, depicting him as a pretentious buffoon, while the bulk of his work was dedicated to ridiculing the ambitions of revolutionary France and Napoleon.[13] George Cruikshank became the leading cartoonist in the period following Gillray, from 1815 until the 1840s. His career was renowned for his social caricatures of English life for popular publications.

By the mid 19th century, major political newspapers in many other countries featured cartoons commenting on the politics of the day. Thomas Nast, in New York City, showed how realistic German drawing techniques could redefine American cartooning.[14] His 160 cartoons relentlessly pursued the criminal characteristic of the Tweed machine in New York City, and helped bring it down. Indeed, Tweed was arrested in Spain when police identified him from Nast's cartoons.[15] In Britain, Sir John Tenniel was the toast of London.[16] In France under the July Monarchy, Honor Daumier took up the new genre of political and social caricature, most famously lampooning the rotund King Louis Philippe.

Political cartoons can be humorous or satirical, sometimes with piercing effect. The target of the humor may complain, but can seldom fight back. Lawsuits have been very rare; the first successful lawsuit against a cartoonist in over a century in Britain came in 1921, when J. H. Thomas, the leader of the National Union of Railwaymen (NUR), initiated libel proceedings against the magazine of the British Communist Party. Thomas claimed defamation in the form of cartoons and words depicting the events of "Black Friday", when he allegedly betrayed the locked-out Miners' Federation. To Thomas, the framing of his image by the far left threatened to grievously degrade his character in the popular imagination. Soviet-inspired communism was a new element in European politics, and cartoonists unrestrained by tradition tested the boundaries of libel law. Thomas won the lawsuit and restored his reputation.[17]

Cartoons such as xkcd have also found their place in the world of science, mathematics, and technology. For example, the cartoon Wonderlab looked at daily life in the chemistry lab. In the U.S., one well-known cartoonist for these fields is Sidney Harris. Many of Gary Larson's cartoons have a scientific flavor.

The first comic-strip cartoons were of a humorous tone.[18] Notable early humor comics include the Swiss comic-strip book Mr. Vieux Bois (1837), the British strip Ally Sloper (first appearing in 1867) and the American strip Yellow Kid (first appearing in 1895).

Because of the stylistic similarities between comic strips and early animated films, cartoon came to refer to animation, and the word cartoon is currently used in reference to both animated cartoons and gag cartoons.[22] While animation designates any style of illustrated images seen in rapid succession to give the impression of movement, the word "cartoon" is most often used as a descriptor for television programs and short films aimed at children, possibly featuring anthropomorphized animals,[23] superheroes, the adventures of child protagonists or related themes.

Cartoons are an ingrained part of our culture. We grew up on cartoons, and the lessons found therein. Cartoons have exponentially changed over the past 30 years in that they have morphed into basic insanity. There are still cartoons that present certain lessons to take away, but nothing compared to the cartoons of our youth in the 1980s. Clearly I represent a particular generation, and those older than me might not share the same sentiment, while those younger have probably already lost interest and are chasing the sunlight coming in through the window.

The rise of the European merchant class was accompanied by a questioning of traditional power structures and leadership roles that no longer belonged exclusively to royalty and the church. At the same time, the arrival of the Enlightenment fostered novel ideas about the role of the press, free speech, religious liberty, and self-government. These shifting power dynamics, combined with rising literacy rates and new printing and engraving technologies yielded a climate ripe for the creation of political cartoons, and the events of the eighteenth century were the first to be lampooned.

After the preschool years, kids still like cartoons, but they want something more complex than straightforward messages about friendship and sharing. They like a bit of conflict, some bad guys (who aren't too scary), and otherworldly characters such as superheroes, aliens, and dragons. These top-rated picks feature all this plus positive messages and hidden learning that parents will appreciate. If you're looking for popular cartoons your kids can watch instantly, check out our favorite shows currently streaming on all the major platforms. If you're looking for a classic, older pick, check out Classic Cartoons Parents Love to Share with Kids.

"Squaring up", a simple technique which allows the easy and accurate transfer of an image from one surface to another, was most often used to transfer cartoons onto murals or to transfer preparatory drawings onto canvas paintings. Lord Leighton used this technique for his preparatory sketch for Flaming June (pictured). You can see the pencil-drawn grids which would be used to transfer the sketch onto a larger surface as accurately as possible.

Political cartoons drawn for the New York newspaper PM by author and illustrator Theodor Seuss Geisel. From 1941-1943, Geisel, also known as Dr. Seuss, worked as the chief editorial cartoonist for the New York magazine PM, creating over 400 editorial cartoons. These images have been digitized from the published versions of the cartoons, held by the UC San Diego Library.

The cartoons comment on Washington politics, congressional issues, presidential elections, and both World Wars. The collection also includes approximately 230 cartoons by Jim Berryman, Clifford's son. This collection of Clifford and Jim Berryman cartoons are in the public domain.

Berryman's cartoons on Congress often featured Joseph Cannon. Joseph Cannon served in the U.S. House of Representatives as a Republican from Illinois for 23 terms over the course of nearly 50 years (1873-1890; 1893-1912; 1915-1922). He is best remembered for the four terms he served as Speaker of the House (1903-1911). First elected Speaker on November 9, 1903, Cannon is regarded as one of the most powerful Speakers in U.S. history. 0852c4b9a8

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