Cline Dion, who was no stranger to movie songs in the 1990s, since her contribution to "Beauty and the Beast" from Walt Disney's Beauty and the Beast, sang "My Heart Will Go On", the film's signature song written by James Horner and Will Jennings. At first, Cameron did not want a song sung over the film's ending credits, but Horner disagreed. Without telling Cameron, he went ahead and wrote the song anyway, and recorded Dion singing it. Cameron changed his mind when Horner presented the song to him. "My Heart Will Go On" became a worldwide smash hit, going to the top of the music charts around the world. "My Heart Will Go On" also ended up winning the 1997 Academy Award for Best Original Song as well as the Golden Globe Award for Best Original Song in 1998.

Other artists were invited to submit songs for the movie including contemporary Christian artist Michael W. Smith. He mentions in the liner notes to the song "In My Arms Again" from his 1998 album Live the Life;[9] "Inspired and written for the movie Titanic, grateful for the opportunity to send them a song; grateful it landed on this record."

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The soundtrack's success led to the release of a second volume, called Back to Titanic which contained a mixture of previously unreleased soundtrack recordings and newly recorded performances of some of the songs in the film, including one track recorded by Clannad singer, Mire Brennan. Back to Titanic was certified platinum by the RIAA.[21]

Perhaps because the legend of the Titanic disaster was so entwined with music from the beginning it has inspired an amazing number of compositions including the musicals The Unsinkable Molly Brown and Titanic; the avant-garde art piece The Sinking of the Titanic; and over a hundred songs in just about every style. Here is a round-up of some of the more memorable ones.

The African-Americans re-interpreted the white story in their own terminology, reshaped and revised the script and even its actors to give expression to the same concerns which underpinned the total black folk and blues repertory. Biel (1996: 213) notes that not only the content of the story was revised, but that also the tone changed, and that the disaster was in some expressions even made into a joke. Humor and irony, as prominent features of black consciousness echo also in the black Titanic narration. In short, I would like to present the black folk disaster songs about the Titanic as an illustration of the basic set of style and creative elements that has shaped black folk song, and for that matter, black consciousness in general. The rewriting by black folk music and blues of the plot pertained to some of the essential lines and images of the white story: gender, spiritual meaning, class and especially race.

Playing to the tragic end, the entire valiant band of Titanic was lost in the tragedy of April 15th 1912. But what were there songs that they played as their final soundtrack? In the best guesses I can, based on the period they died in, and survivor's accounts I will tell you the songs that they could have played that fateful night.

As every successful release, the soundtrack of the Titanic was ultimately treated as a franchise. A second album, Back to Titanic, was soon released. It contained additional songs with the same theme and new performances of the songs from the first album. Basically, it was an extended remix album of the first. These additional songs and more related to the Titanic are listed here.

All those packaging-only records do not create value, they exploit the value originating from the parent studio album of each of its tracks instead. Inevitably, when such compilations are issued, this downgrades catalog sales of the original LP. Thus, to perfectly gauge the worth of these releases, we need to re-assign sales proportionally to its contribution of all the compilations which feature its songs. The following table explains this method.

How to understand this table? If you check this example, these figures mean Back to Titanic sold 3,750,000 units worldwide. Then, the second statistics column means streams of all the songs included on this package add for 262,256 EAS.

The second part at the right of the table shows how many streams are coming from each original album as well as the share they represent. Thus, streaming figures tell us Titanic songs are responsible for 90% of the Back to Titanic tracklist attractiveness. In other words, it generated 3,381,000 of its 3,750,000 album sales.

Those survivors are all gone now. The songs, though, remain. The Titanic was the last great event of English-language folk song -- I've cataloged no fewer than fourteen traditional songs on the topic. The Battle of Waterloo and Robin Hood have more songs about them, but nothing since even comes close. And many of these songs have strong old-time roots. I thought, to celebrate the centenary, that I would provide three Titanic songs. To save space, I won't give you the music. I've added a few explanatory notes.

Unlike the rest of these songs, The Ship That Will Never Return was published in London. Featuring a photo of the Titanic on the cover, the song supported the relief fund, providing aid to those who lost family members. To make the song as accessible as possible, the publisher included solfege above each note (do, re mi, etc.) and made the piano part quite simple.

A ride in an automobile was a possibility, but going for a spin in an air-plane was nothing but fantasy. Back when cars and planes were new, songs about them offered opportunities for young lovers to be along - a combination of freedom, privacy, and independence for a combination of adventure, love, and sex.

What songs do you know that tell of the Titanic disaster? Music about a tragedy published right after the disaster may seem a little odd. After all, who wants to sing songs about a sinking that killed more than 1,500 people on 15 April 1912? But in reality, song writers have always used real-life events, including tragedies, as material for their songs.

Yes, families could buy sheet music that focused on the Titanic. These songs provided families that had pianos the opportunity to play and sing everything from marches to ballads. In a time before electronic media, playing the piano and singing were a form of early entertainment for families, and they had a range of sheet music to choose from.

Of course, the entire performance concluded with Ariana and James outstretching their arms toward one another and singing the movie's theme, Celine Dion's "My Heart Will Go On." Fans of Ariana will know that this is not the first time she's attempted one of Celine's hits... and in fact, she can do one heck of an impression of the singer. Back in 2015, Ariana visited Jimmy Fallon on The Tonight Show and did a pretty killer rendition of her songs, revealing to the world that impersonations are among her hidden talents.

Bob Dylan's 35th studio album, Tempest, was released this week, earning generally positive reviews for the 71-year-old music legend. But in one odd track, Dylan's famously inscrutable lyrical style has been applied to a surprising new subject: the Titanic. (Listen to the song below.) Tempest features 10 new songs, but critics have zeroed in on the title track, a 14-minute story-song about the ill-fated journey of the Titanic that even includes references to Leonardo DiCaprio: "Leo took his sketchbook/He was often so inclined/He closed his eyes and painted/The scenery in his mind." (Dylan on DiCaprio in an interview with Rolling Stone: "I don't think the song would be the same without him. Or the movie.") Here, four talking points on Dylan's polarizing new Titanic song: 0852c4b9a8

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