It's not always so different. There are just a set of rules in hollywood, there isn't really in bollywood. So in bollywood you write as you please and so sometimes it looks more like the hollywood-style, one minute per page format, and other times like a stage-play-script. Sometimes in bollywood there is no dialogue but just a treatment and then someone else is brought in to write the dialogue, sometimes on the spot. But if you for example read the script of "ek main aur ekk tu" you'll see it's quite alike. In bollywood there is also a tradition of narrating the script to producers and actors so as long as the writer/director understands it it's often enough. While in hollywood sometimes a lot of writers work on the same script, due to the studio-system, so there is a greater need for every script to be formated the same. In hollywood it is also more common to have a writer and a separate director, who don't work together at all.Hope it answered your question :)
I am doing research into the technology of Bollywood filmaking for an upcoming exhibition. I'm trying to establish what types of film cameras were used in the industry prior to digitisation. I'm particularly interested in the period 1950s-1970s but any information would be helpful.
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So I'm not trying to write a thesis - I just want enough (hopefully accurate) information for a theme panel and a label to display with a camera or 2 and to give the posters a broader technology context.
Sholay is often regarded as one of the greatest and most influential Indian film of all time. It was ranked first in the British Film Institute's 2002 poll of "Top 10 Indian Films" of all time. In 2005, the judges of the 50th Filmfare Awards named it the Best Film of 50 Years. The film is a Dacoit Western (sometimes called a "Curry Western"), combining the conventions of Indian dacoit films with that of Spaghetti Westerns along with elements of Samurai cinema. Sholay is also a defining example of the masala film, which mixes several genres in one work. Scholars have noted several themes in the film, such as glorification of violence, conformation to feudal ethos, debate between social order and mobilised usurpers, homosocial bonding, and the film's role as a national allegory. The combined sales of the original soundtrack, scored by R. D. Burman, and the dialogues (released separately), set new sales records. The film's dialogues and certain characters became extremely popular, contributing to numerous cultural memes and becoming part of India's daily vernacular. In January 2014, Sholay was re-released to theatres in the 3D format.
Scholars have noted several themes in the film, such as glorification of violence, conformation to feudal ethos, debate between social order and mobilised usurpers, homosocial bonding, and the film's role as a national allegory.[58]
Under the leadership of computer animator Frank Foster, 350 people worked to convert the film into the digital 3D format, for which every scene had to be individually restored, colour-corrected and re-composited in 3D to match the depth.[g][162] New set-pieces, particularly those suited to the new format were also included, such as digital logs which scatter in the direction of the camera during the first half of the film when the train collides with them, the gunshot scene which frees Jai and Veeru from their handcuffs, and panoramic views of Gabbar's hideout in the caves.[162]
To engage and entertain Bollywood fanatics, Shemaroo Entertainment has aesthetically converted iconic movies into delightful comic format. Iconic Bollywood movies will now be available as comic books for Bollywood fans to read and experience the fun through words. These comics will be available for the readers in both English and Hindi.
This innovative concept driven by Shemaroo will surely create excitement amongst all the readers. The dialogues and illustrations of actors are something to look forward to in these comics. As the readers dive deeper, they will be transformed to experience these timeless movies. These exciting collections of books will be rolled out to Bollywood fans soon and the readers will have a collection of movie comics to cherish and flaunt as their collectibles.
This collection has been built using automation and AI that Comicflix uses to convert movies to Graphics and Comic Books. These books look like real-life characters and give a very larger than life to the usual idea of comics. Comicflix has been a leader in the AI and automation space and this union with Shemaroo is a classic use case study of the same.
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Dev Anand is fashion photographer and can bee seen using multiple cameras- Nikon , Nikomat, Pentax and Hasselblad medium format one where he changes the film roll(120 format) also.I think in one scene he uses a macro lens where he takes an extreme close up of face of Zeenat Aman. His assistant climbs up the tree to see his boss enjoying photographing the beautiful model.
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"And because there's such a big population of Indians out in South Africa, I got to watch more Bollywood movies than I did American movies. When I was around 10, we got this kind of a streamer on our television and the predominant movies that were on it were Bollywood movies.
Lost from movies actor Imran was seen with Kareena Kapoor not once but twice, Imran and Kareena did 2 movies, Gori Tere Pyaar Mein and Ek Main Aur Ekk Tu, well both these movies were opened for mixed reactions from the fans all over and here to we see the actress was elder than co-actor.
Sir i m willing to shoot a class room scene bt its alredy been shooted in many movies if i do so with different script then it can be a copyright case or plz tel me about copyright so that i can get idea to step forward..plz reply
The formula (or masala) film, refers to the key ingredients that go into the making of a Bollywood film. Music, archetypal characters and star actors were all essential components from the 1940s, and by the 1980s they had become much more exaggerated. Posters reflected this film format by constructing a montage of images depicting these various components.
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