The bhakti saints invoked and inspired divine love among the common folks with the use of regional language and devotional music. In this blog, we will explore the realm of bhakti music and poetry and the influence it had on Carnatic classical music.
In Classical Carnatic music, most of the beautiful compositions are generally expressions of deep devotion to the deity. In order to reach a large number of people, bhakti saints used the most efficient way, that is, musical compositions.
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Some examples of the same are Narada Koravanji (dance-drama) by Vadiraja, Ustsava Sampradaya kritis (songs sung as accompanied to rituals) by Tyagaraja, Suvvi Patalu (songs sung while pounding grain) by Annamacarya.
Bhakti poems are often adapted into bhajans and kirtans, which are devotional songs commonly sung in Carnatic music concerts. These compositions are appreciated for their spiritual overtone and emotional pull, making them an integral part of Carnatic music repertoire.
The essence of bhakti poetry is devotion and love for divinity, and Carnatic music is popularly known for its emotive and soul-stirring expressions. Through their music, Carnatic musicians convey the sentiments of love, surrender, and longing prevalent in bhakti poetry.
In bhakti poetry-based compositions, the repetition of certain phrases or lines is common, reinforcing the devotional message. Carnatic musicians use variations in phrasing and repetition to emphasise specific emotional aspects of the composition.
Another aspect is that some Carnatic musicians present thematic concerts centred around specific deities or saints, where the entire repertoire comprises compositions expressing devotion to the chosen theme. Such concerts create a heightened atmosphere of spirituality and devotion. The expression of devotion through bhakti poetry in Carnatic music creates a profound and transformative musical experience for both the performers and the audience, which fosters spiritual connection.
The themes of bhakti poetry often reflect the inner journey of the devotee seeking union with the divine. Carnatic music becomes a medium for musicians to narrate and experience this inner journey, inviting the audience to embark on a similar spiritual exploration.
The spiritual element from bhakti poetry adds a devotional aspect to Carnatic music, transforming it to a mere art form to a spiritual and transcendental experience. The deep emotions, devotion, and philosophical contemplation present in the music offer a spiritual journey to both the performers and the audience.
From the early centuries, bhakti saints who have propagated the path of devotion and spirituality have profoundly influenced the evolution of Carnatic music. Their message of renunciation reached the masses through their compositions. This paved the way for creative experiments in Carnatic music, along with the introduction of new types of musical forms.
Bhakti Bringa Govinda Swami joined ISKCON in the summer of 1971, since then he has served the society throughout the world. Bhakti Bringa Govinda Swami is famous for his kirtan and bhajans (devotional songs) and has formed a group of devotee musicians who travel around the world, to share the practice of Kirtan or mantra meditation with audiences from all walks of life, and all age groups.
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Singer-actor Chaitanya Kanhai is on a mission to change the perception that people have about spiritual songs. He feels most listeners think of it as a slow genre. But Kanhai wants to see devotional music become a rage. It is the same thought that led to his latest single, Bhakti Bomb, which is about Lord Krishna.
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Bhajan refers to Religious and spiritual musical songs. Bhajans are sung for peace of mind, specifically among Indian religions. By Bhajan and Kirtan, the state of mind is improved very fast. These bhakti songs are sung to please all the gods and goddesses. 0852c4b9a8
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