Hope to see it in the ATV app soon though, if it's not there currently.
Latest Media needs to be split out into it's constituent parts, other wise having Latest Media with Recently Released Movies duplicates the movies row and they look different.
Looks and feels better but missing stuff like audio passthrough.. making it pretty useless for most of us using the shield. Feels like the shield (android-tv) version has been neglected though. from development.
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I know I can watch Apple TV content on most browsers with any android tablet, but where to find my purchased movies? all I get when I sign in is Apple TV content, my bought movies are no where to be found - some help would be appreciated - cheers!
Is it possible to limit the Gallery app to simply search the DCIM folder rather than the Movies folder as well? I suspect not - but then, is it possible to isolate my movies so they can only be found by VLC and not Gallery?
Thank you for reporting your issue, It seems that Video for android has yet to be implemented into a build of UE4. Here is a post stating that: Startup movies on Android - Mobile - Unreal Engine Forums.
While I was watching Prometheus this weekend, I initially thought that Meredith Vickers was an android, like David. They never made it perfectly clear that she was or wasn't human. They did hint at both though.
Janek, the captain of the Prometheus, asked Vickers for sex like he was asking an android for a glass of water. After she agreed without emotion, he sang "if you can't be with the one you love, love the one you're with" before he had sex with her (although they didn't show it). This suggested to me that he wasn't going to be with a human, but was going to love the android he was with.
My own theory is that Vickers is a later model of android than David. David's (a male, mind you) a logical breakthrough who can imitate human emotions. Then for a later model, a female android is created who has actual emotions. This provides a sort of symbolical balance in Weyland's ultimate creation, artificial men and women. This also makes a nice biblical reference.
My biggest reason besides the cryosleep that indicates she is an android is the design. David has the yellow hair and wears shades of cool blue and cool gray that is also tied into the ship's design. Meredith likewise has the same color scheme. They are both hardware just like the ship. She walks like David. She is strong like David, and she doesn't display human compassion like when she burns up Charlie (Elizabeth tells David her compassion is the reason that she is human and he isn't). There will be those who say, what about the other scientists who had blonde hair? But those scientists were seen yacking after cryosleep or slumped over; and they weren't given the prominence Meredith was given. Meredith wasn't.
Furthermore, the subtext in the film is that David knows she is an android and she doesn't know it, just like Rachael in Blade Runner. David gets a kick out of her trying to establish her human superiority over his robotic inferiority (when she threatens to cut his cord) because he has intimate knowledge of her fabrication. The look on his face is that he wants to tell her but his orders prevent it. When we see David getting his orders from Weyland about "Try harder" -- it was evident by the skewn composition that we were seeing it from someone else's point-of-view. But the point of view was detached and withdrawn.
Also, it involved a level of stealth that clearly verged on predatory or suprahuman. Then the revelation was that Charlize Theron was the individual who had snuck up on him and was watching him. When is a human character in a Ridley Scott film ever able to sneak up on a non-human character in such a predatory way unless it was alien or android? In this scene, the power is clearly Charlize Theron's. Not just in her actions but in the way Scott codes her as a silent stealthy creature. It's clear that David and Meredith are related in ways the others are not related because their movement, their mannerisms, and their attitudes are synchronized. As actors, they are playing off each other, so Theron tries to humanize Meredith in a way that is far more advanced than David.
On an exegetical note -- whenever a magician says pay not attention over here, then there's something there that he really wants you to see, and it's a form of reverse psychology in the art of misdirection. Likewise, the text tried to dismiss the question of whether or not that she was an android in such an obvious way that it was like c'mon 97% of what I have seen codes her as an android, and you want me to place that 3% in the form of dialogue over what my eyes have seen? I'm sorry, people lie with their words all the time; I will trust my eyes.
I don't buy Lindelof's answer. Scott supercede's Lindelof as a director. The history of his work indicates that Meredith is an android. He codes her as such, frames her as such, has her walk and talk and posture as such. She moves silently as such. She could be the Terminatrix. If she were definitely human, than ambiguity would not be necessary. If she were android, ambiguity is understandable. I think Scott is smarter than that. So my answer is yes, she is an android. Until Scott himself says 'no.' If she is not an android, then I will be the first to admit that I was wrong. But I don't see why a smart director allows for that level of ambiguity. I think she is in such denial of her robotic nature that she needs to prove her humanity. Having sex does not mean she is not an android. Androids have simulated sex in Scott's films before. And David could be the android that does his physical (dark bidding), and Meredith could be the one that does his corporate bidding. He can use them as different aspects of his will seeing as how a man with secrets like himself can't trust anything he can't control.
Now an android may also call its creator "father," but an android does not feel anxiety for his creator and sob like Meredith did after the scene. On the other hand David, an android, never cries. To him an order is an order.
I'll add my 2 cents that the conversation with the ship's captain makes it clear that she is not an android. Androids are not mysterious at this point in time -- most people, certainly a technocrat like a star ship's captain, know about androids and Vickers implied that having sex (in ten minutes which is also significant -- why would an android need to prepare for sex) would prove that she was not.
On the other hand, they could make an android that could have sex -- that hardly seems difficult at all -- so I don't know why having sex would prove her humanity except that apparently it would or the captain would have responded differently.
I saw that android is a platform option bt how the hell do we use it.. I mean I have nox on my systems but it doesn't even install to a normal location so its impossible to locate the app exe... Can this be done with bluestacks?
I would actually love to add android games and apps to the PC, but I only want to do it officially (as in with my android email address entered and using that account etc.) and I don't trust any of the emulators enough. I wish they'd release something official.
When I watch the TV shows, the aspect ratio automatically matches the ratio it was filmed in and looks great but when I watch movies, the aspect ratio changes and stretches vertically making the picture look off.
"A robot may not injure a human being or, through inaction, allow a human being to come to harm." This is the first of three Laws of Robotics, as featured in hit films like I, Robot and Bicentennial Man. An android, for those not familiar, is "a mobile robot usually with a human form." Not to be confused with the popular cell phone model, of course. Ever since Fritz Lang's 1927 landmark sci-fi film Metropolis, androids have both terrified and fascinated moviegoers in equal measure.
Not surprisingly, some of the finest robot and android films are also considered among the best features of all time. As machines have advanced throughout human history, it was inevitable that we'd try to recreate ourselves. And with hit films touching on the topic being released each year, it's clear that the notion is still popular in the visual medium. Here's a closer look at the greatest films centered around robots that look like us.
Following a string of successful collaborations, we have Neill Blomkamp and Sharlto Copley teaming up once again to tell us a great story that includes the usual beats we get from the director. Chappie is a film set in the not-so-distant future, where mechanized police are used to keep the peace in many places worldwide. However, these androids don't treat humans as such, which sparks a rebellion.
Made on a budget of $15 million, the film grossed $36 million worldwide and received largely positive reviews. While Gleeson and Isaac were reliably superb, it was Vikander's performance that garnered the most acclaim. And wouldn't you know it: She's the one playing an android. Where the film also succeeded, besides the obvious award-winning visual effects, was in its unique twists and turns that make it a film for the ages. 0852c4b9a8
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