It didn't really matter whether I liked "Can't Fight This Feeling" or not; I listened to it over and over and over, much as people do now with their very favorite songs. Top 40 was relentless (and, you'll notice, rather white), so if that was the direction you went, as it was for me, you heard what you heard and you didn't customize the experience. And, for the record, radio was more genuinely local; this was before the entire structure changed in the 1990s.

I wonder sometimes what the current version of this kind of nostalgia is. Obviously, people who are now the age that I was then will have these pangs about something, but it can be hard to know what. It's not as if it's always Top 40 songs for me. The other week, I was singing to myself a jingle from the Van Scoy jewelry stores. It dates back to at least the early '80s, and it starts, "I'm a lucky girl, hooray, oh boy!" Because, of course, she has a diamond from Van Scoy. I always found this music extremely annoying, but now, if you sing it, I will fully belt along. (And I am not alone. I had no idea, but this delighted me.)

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Perhaps that's the appeal of 80s Chillpill. Perhaps because I was rarely hearing these songs by choice, they are stapled indifferently to the widest variety of memories: being sad, happy, bored, frantic, lonely, with friends, in the car, in my room, studying, reading, hanging out. Doing things that were meaningless, but doing them in good company.

Regarding filters, I'm currently listening to my liked songs playlist which has over 1500 tunes... currently listening to it on my desktop.. was about to try and drag it over to my phone so i can go upstairs but... the other problem I'm having is that its not letting me use my device to control it the way it used to... when I open the app on my phone it shows me that its playing on my computer but when I click on it to change which device its playing on it just goes away and leaves nothing on the the phone doesnt even show me what is currently playing.. back to the filters... so i decided to open up the app on my phone and apply the filter to my liked tunes again so that i could find where i was in the list and continue listening on my phone.. when I click on one of the filters on my phone the screen just goes black and it gives an error message that says " "Filters are hiding some results" it doesnt show even one tune from the 'filter' i didnt even know what a filter is in this respect till i just came on here trying to work out whats going on.. the help function on the app is pretty **bleep** its a bit naff paying all this money for a subscription each month and not even being able to get help from a proper customer service team instead having to rely on al the other users that are also paying for their subscription..

it just gets worse.. i was just btrying to mess with the liked songs on my phone trying to work out what i need to do to get it to work... I changed how it displasys my songs from recently added to alphabetically.. when i looked up at my computer its now removed the filters from my desktop app as well and to add insult to injury i rebooted my phone hoping to at least resolve the device linking problem .. I tried again to pull across the currently playing list (filtered) from my desktop to my phone... it didnt play on my phone or display properly.. i screenshotted it.. so next i tried to pull the list back to my desktop at which point it sacked the filtered list i was in the middle of listening too and just went to the beginning of my liked songs list with no filters... GRRR this stuff really pisses me off.. it shouldnt be so hard to listen to my music..

I think sometimes you try to add so many features that you just over-complicate everything.. there should be simpler ways of listening to music than all the overcomplication... bring back the old spotify where i could like individual songs and curate my own lists easily ... stuff all the AI nonsense!

I was seeing the "you have filters set which may hide some results" error message every time I tried to filter my liked songs. After following the suggested steps to potentially fix the issue, (clearing cache, logging out, uninstalling, etc.) I no longer have the filters at all.

I am also having this problem. Did some trouble shooting, logged out, logged back in, turned off the phone, rebooted the app multiple times. I have an up to date iPhone 11. It was working perfectly fine, and then yesterday it started saying that I had filters on keeping me from viewing my songs.

The Song of Songs is considered one of the five megillot (scrolls), which are read on major festivals. It is traditionally chanted in the synagogue during Passover, due to its thematic connection with springtime. Following the mystical tradition, some Sephardic and Hasidic Jews have a custom to recite it each week on Shabbat evening, as Shabbat serves as a renewal of loving vows between God and the Jewish People. While the tradition ascribes the its authorship to King Solomon (Song of Songs Rabbah 1:1), who lived in the 10th century BCE, modern scholars note the many literary parallels with other love poetry and wedding songs from both Babylonia and Egypt and suggest a later date of composition, perhaps around the fourth through sixth centuries BCE.

Do you like listening to songs in English? Singing songs is a great way to get better at speaking English and we have lots of great songs for you to enjoy. Listen to songs, print activities and post comments!

When you first open GarageBand, a new, empty song is created automatically. You can create new songs to record and arrange your music in. In the My Songs browser you can duplicate, name, save, and delete songs. You can also create folders, and add or remove songs from folders.

The Fortunoff Archive asked musician-in-residence, Zisl Slepovitch, to locate these songs, conduct research about the origins of each song, and then arrange and record versions with his ensemble, featuring Sasha Lurje.

In addition to private occasions on which Jews played music, sang and even danced, music was performed publicly in some ghettos. Street singers performed in d, Warsaw, and Krakw. Professional musical performance was censored and controlled by the authorities, but theater revue shows took place and concerts of classical music were performed in several ghettos. In Warsaw, Adam Furmanski (1883-1943) organized small orchestras in cafs and soup kitchens. A symphonic orchestra played in the ghetto until April 1942, when the Nazi authorities closed it down for performing works by German composers. In d, the head of the Jewish Council, Chayim Rumkowski, oversaw musical activities. The culture center was especially adapted for musical and theatrical performances by a revue theater, a symphony orchestra, and the Zamir choral society. In the Krakw ghetto, chamber and liturgical musical selections were performed. The Vilna ghetto had an extensive program of musical activities, with a symphony orchestra, several choirs, and a conservatory with 100 students. A revue theater presented many popular songs about ghetto life.

For this album 13 songs were selected for a new musical arrangement and performance. The songs were sung by survivors in three languages: Yiddish, Polish and French. The singers sang the songs during their interview with a smile on their face. Some of the songs are humorous, some realistic, and some are pre-war songs that received new meanings as a few songs are parodies (contrafact) i.e., new lyrics to known melodies are created to express the circumstances and emotions of that time.

In traditional cultures around the world, work is often accompanied by song. Americans have developed work songs for many occupations, from agricultural jobs like picking cotton, to industrial ones, like driving railroad spikes. Iconic American figures such as cowboys had their work songs, as did sailors, whose songs kept work going smoothly on tall ships throughout the age of sail.

Work songs are typically sung for two reasons: to coordinate the labor of a group of people working together, which improves the efficiency of the work, and to relieve the boredom of a tedious job, which improves the lives of the workers.

A good example of the kind of song needed to coordinate labor is the railroad work song. When hammering in spikes to hold down the rails and ties, workers swing ten-pound hammers in a full circle, hitting the spike squarely, one after the other, without faltering or missing. The most efficient way to do this is to get the workers into a rhythm, which is traditionally provided by chants or songs, such as "Steel Driving Song," collected from Henry Truvillion by John and Ruby Lomax in Louisiana in 1939. In the same way, realigning whole sections of railroad that have been shifted by trains - rails, ties, and all - requires a crew to tap on the rails with hammers or pull on them with crowbars. If one man taps the rail alone, or five men tap it at different times, it won't move at all, but if five men tap it at exactly the same time, they can move it. Songs like "Track Callin'" provide the rhythm to get them all tapping or pulling at the same time.

Most field recordings of work songs were not made while the singers were actually working. The remoteness of the typical work locations was inconvenient to the collectors, while the presence of the recording equipment was inconvenient to the workers. In the prison environment, however, the presence of the collector was an interesting novelty to the prisoners, who in any case had no choice but to obey their wardens, and work tasks, such as chopping down trees or hoeing fields, could be undertaken for the purpose of getting a recording. Field recordings made under such conditions, which include "Early in the Mornin'" and "Makes a Long Time Man Feel Bad," are useful for getting a sense of how the work went together with the song. 0852c4b9a8

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