Image Generator is a service that allows you to fully customize your texts andvisualize them in various formats. This user-friendly tool enables you to adjustfont style, font size, background color, font color, and your text content.

Image Generator enables you to customize the background and font colors to makeyourtexts visually appealing. You can choose your preferred colors or utilize colorpalettes to achieve specific color harmonies. This allows you to adjust yourtextsto reflect the identity of your projects or brand.


Font Download Slate


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I just reluctantly updated to OOS11 on my 8 pro and the first thing that jumped out at me was the mank font. Is there any way to get slate back? Also, my only other big gripe with OOS11 is how the control panel and settings etc seem to be grey instead of black, which kinda defeats the purpose of an oled panel. Any way to change these without going back to OOS10 because some of the new features are great (I love the new spotify controls).

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OnePlus Slate was formerly the brand typeface of OnePlus and was an optional UI font for their Android-based OxygenOS since version 4.5.7, instead of Roboto.[3] The font has 6 weights (Thin, Light, Regular, Medium, Bold, Heavy), but no italics.

I have noticed that sometimes the custom fonts which are externally linked gets blocked in sfmc cloud pages and microsites. There is a work around to this by Base64encoding the font file into css header or css file.

You should check the license on your font to see if you're even allowed to use it in your page. While I have Base-64 encoded fonts before, it's much easier the license the font and embed the CDN version of it -- like Google Fonts.

We use a traditional V Cut method that cuts the lettering into the slate so that it looks clean and crisp and will never come off (it is not etched on the slate). All our slate signs are then polished on the edge to give them a beautiful finish.

Input

Spreadsheet URL is the address of an empty default Google sheet that could be used for the slate data. Its just for convenience and can be changed by editing the script if need. The copy button to the right of it will put it on the clipboard to then paste into your web browser.

Filtering

Use either of these 2 fields to filter each row of data from the CSV. For instance, you only want to create slates for your 1x1 socials on this pass, enter *1x1* in the Include field. Use commas to separate if you want to filter for multiple search strings, for example *1x1*, *9x16*

So, in this screenshot, you can see that i filtered the list of segments using Find Segment = slate. Then, I put in the correct path & tokens into the Filename Pattern. In the Filename column, if the path is white then the text setup exists. If it doesn exist, the filepath will be red.

Despite following the guidance in the document to use slate-plain-serializer for exporting contented as HTML, it didn't work as expected. Others faced the same issue. In the end, I resorted to retrieving the HTML code from the innerHTML attribute of the editor element.


My suggestion is that if you're aiming for a rich text editor with standard features and want to implement it effortlessly, then Quill could be the ideal choice. On the other hand, if you have the time to learn and plan to create a complex rich text editor like Medium, Google Docs, then slate might be a better option for you.

I am so glad that Schuyler is willing to experiment with their colors. While I am not sold on their orange Bibles (yet), it is this same entrepreneurial, experimental spirit has yielded fruits such as this new slate / red / silver combination. This is but one reason why I think Schuyler is the best Bible publisher in the world. Another reason is the typesettings they produce, to which we now turn our attention.

First, the Cambridge Clarion is another great hand-size edition that is available in a variety of translations (ESV, NASB, KJV, NKJV, NIV). Similarities: In the goatskin, both the Clarion and the PSQ are edge-lined, and in the calf, both are paste-off. Both feature line-matching, and to my knowledge, the paper in each is identical. Both are printed and bound at Jongbloed. Differences: The Clarion is single-column, whereas the PSQ is double. The Clarion is slightly shorter, but quite a bit thicker. The Clarion sports a slightly larger font.

The full-size Schuyler NIV Quentel is the big brother of the PSQ. It is now on its second iteration, this time with raised ribs on the spine and a thinner paper than the original (36gsm as opposed to 38gsm). Similarities: The pagination on these two Bibles is identical, and so is the typesetting (except for size). This makes these two Bibles perfect companions for those of us who appreciate being able to locate content on the page from recall. Both have raised ribs, art-gilt edges, leather linings (on the goatskin editions), and the all same materials. Differences: The PSQ is just a shrunk-down version of its big brother Quentel. While the full-size Quentel sports an 11 point Milo serif font, the PSQ is 8.5 point. While the full-size features 36gsm paper, the PSQ features 28gsm. While the full-size Q touts three ribbons, the PSQ has only two. (In the photos below, the full-size copy is in the dark green calfskin.)

Select a design that is bold & fairly thick. Don't use one with too many tiny details or fine text. The slate is an uneven surface, and so you are at greater risk of the etching cream seeping under the vinyl. Small details can get lost. I used this beautiful Family Monogram Wreath.

I then placed a box around the design that is the full size of the slate item I am using. This creates the best barrier for the entire slate surface. If your cut box is the exact size of your slate item, then it makes it much easier to use the edges of the box to apply your vinyl straight.

Place your Stencil on the slate - After weeding your design, use transfer tape to take it from the paper backing to the slate board. Be sure it is very secure to the slate. Slate is an uneven surface and may be a little tricky to get the vinyl to adhere to. After burnishing with the squeegee over the transfer tape, I remove the transfer tape. I then go over all cut edges with my finger, just to be sure the vinyl is secure. The uneven surface of the slate makes it a little harder to apply the vinyl, than it would be on a smooth surface. This is very important to be sure the cream does not seep under the vinyl. This stencil is not reusable! You can probably use the transfer tape 2-3 times, but probably not much more. There is a slate "dust" or "crumbs" that sticks to the transfer tape & makes it not sticky.

Place a thick coat of the Etchall Etching Cream. Use the mini squeegee to spread a nice, even coat over the entire weeded area. Don't worry about wasting the cream, as once it has etched - you can scrap it off & back into the jar -- and reuse it! This can be done multiple times. Don't worry if your cream has turned from a creamy white to a brown or been black color. This does not impact the etching capabilities of Etchall. Let the cream sit on the slate/design for 20 minutes or so, undisturbed. Then, scrape all excess cream back into the jar. Be careful that the cream does not touch any areas that you do not want to be etched. This is a permanent process -- there is no removing it once it has etched. This cream literally eats away the surface of what it is etching.

Go to the bathroom or kitchen sink & rinse any cream residue off. Be sure it is thoroughly rinsed before removing the vinyl stencil. Once the cream is removed, you can remove the stencil. Dry & you are done! You may not see the etching results while it is wet. Dry the item with a towel & then let it finish air-drying. As it dries, you will see the etch effect appear. You may also notice some irregularities in the slate that cause a little inconsistency in the etching - but that is just the nature of using a natural product. It adds to the uniqueness of your project. You will also notice that different slates have different finishes. The cheese board with handles has a shiny finish - while the coasters are more of a matte finish. 006ab0faaa

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