₣ⱠØCK

Flock investigates his own work, in a conscious search of what can now be called NFT.

Ciborgues stands out: blocks of flesh and ink designed over photos, videos and animations.

Humans before, now something else, maybe even more human than humanity itself: unveiled through an analog-digital structure that Flock calls WIRE.

The wire can trap the human.
The wire can reveal the human.

Wireframe connects humans.

In this series, the wire that gives life to the cyborg works as a common thread between two worlds:
the analog and the digital.

Analog is all that is figurative.
Digital is everything that is not visible.

The wire is in between.
Cyborgs are not just avatars.

They are the link.

Digitizing the analog world.
The materialization of the digital world.

Cyborgs are in the photographs.

In the videos.

In animations.

In scenes with flat backgrounds, created without the help of what has once been considered reality.

A portal-entity between worlds that no longer collide, because they are now indistinguishable in wired NFTs.

Flock investigates his own work, in a conscious search of what can now be called NFT.

Plantas stands out: graphic experiments that mimic the geometric patterns found in the wild.

Depth is defined not by the volume of objects, but by the parallelism between colors. The absence of depth defines and fills the depth itself.

In this series, the digital collage makes possible a hybrid flora, formed by sharp, obtuse geometric fields, angles of that could be found in nature but may never existed. In that place, any shape can be “plant”.

In this botanical collection, a cube can be born green, a leaf can be born asphalt.

Stains appear along the way and also become part of the ecosystem – a conditioned randomness.

A factory in the flora, a flora in the factory.

Sharp pieces next to each other, one on top of the other: deep 2Ds cataloging the similarities of not always opposite worlds. Forests of NFTs.

Flock investigates his own work, in a conscious search of what can now be called NFT.

"Printing error solved" stands out: misprints collected

for over 20 years. Flock has always felt aesthetically instigated by them. But he was never sure he would use them as artwork. That's one of the beauties of NFT. It helps to reframe the artist's own work. In the case of "Printing error solved", Flock proposes the anachronistic dialogue of random printed forms with generative art. Revisiting at the right time. There is always "work and time".

This is the "Printing error solved" time.

Failed impressions that make sense today. They are created by a non-human binary intelligence, perhaps less algorithmic, therefore more physical, but as random as any lack of choice: a consented fortune.

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