I work from my garden studio in rural Northamptonshire. My inspiration comes largely from my garden and the countryside around me. Living in the countryside, I am blessed with the bleating of lambs or the cheeky inquisitive faces of calves over my garden wall.
I occasionally leave the studio and get out into the countryside or abroad to paint plein-air which I absolutely love, especially if painting with artist buddies. I also hold workshops twice a year. As a former teacher, I still love to connect with people and watch them grow as painters.
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We learned that the tambourine shell material has a direct and fundamental impact on the sound characteristics of the instrument. It turns out that the same solid hardwood shell and high-quality jingles that we use for our world-renowned concert tambourines is every bit as suitable for a headless model. Not only is this instrument ideal for studio recording, but it has the cut, articulation, and distinctive full-bodied sound for live performances as well.
german has been awarded the 2015 Louis Comfort Tiffany Foundation Grant, the 2017 Jacob Lawrence Award from the American Academy of Arts and Letters, the 2018 United States Artist Grant and, most recently, the 2018 Don Tyson Prize from Crystal Bridges Museum of American Art.
interesting photo. Helmet and cuffs say he is infantry. Jacket says probably before late 1915. What specifiv unit cannot be determined as the flaps are not visible. He seems to have been in a Reserve-Infanterie-Regiment (R on helmet) what makes it interesting is the missing number on the helmet. Strange. Is there a name of a studio on the reverse or any other information?
In 2014 Miloco launched one of the leading Germany recording studios on their website, opening a German branch of recording and mix facilities for the very first time. HOME Studios is a great Hamburg recording studio, and the creative base of German Producer Franz Plasa.
HOME has been one of the most sought after recording studios in Germany for some time. It has been the place where countless German records have been made, by the likes of Rammstein, Selig, Echt, Bap, Udo Lindenberg, Nena and more, however it has forged an international appeal as well with a list of clients that includes stars such as Lauryn Hill, Santana, 50 Cent, Eminem, Mayer Hawthorne and Mariah Carey to name a few. Away from these global stars, Franz's passion for nurturing new and emerging talent means that this top-end studio has become an integral place for new bands and artists, too.
Bieger Sound has been designed to accomplish all these requirements in a single workspace dedicated to sonic beauty. As a mixing room, Bieger Sound offers true mastering grade sonics throughout the entire signal path. As a production studio, Bieger Sound offers a great environment for writing tracks, recording overdubs or refining arrangements.
Bauer Studios is a very presitigious facility, being the oldeat privately-run studio in all of Germany. It's a large studio with over half a century of experience recording and producing music from every posible genre. It specialises in large scale recording, and even mobile recording for site-specific live performances to be captured.
In Hamburg is the stunning Clouds Hill Recordings residential recording studio. Complete with a Neve Room, API Room and two large live rooms it is the perfect space for artists to focus on their projects, then walk downstairs to unwind in the beautifully designed artist apartment.
Producer and Engineer Patrik Majer's studios, Freudenhaus Studio, is located in the centre of Berlin and has a main control room and programming suite. Patrik's clients have included Rosenstolz, No Angels, Lemonbanies, Philip Boa and Nick Cave and the Bad Seeds.
HOME is a recording studio in Hamburg's thriving city center. The complex consists of two world class SSL recording studios: a Roger Quested designed control room with SSL 9080J Series Console; and a slightly smaller mixing/recording/writing studio with an SSL Duality SE desk. Both the studios have their own live spaces with exceptional acoustic quality, and with Studio 1's additional isolation booths larger ensembles are catered for on tracking sessions. An awesome selection of microphones and backline equipment is shared between both recording studios. The mic collection includes countless AKG, Beyerdynamic, Neumann, Schoeps, Sennheiser, Shiure, Telefunken and other leading manufacturers; and the range of instruments includes all sorts of classic vintage and modern keyboards, amplifiers, electric guitars and bass guitars, acoustic guitars and effects pedals. To view a full equipment spec at HOME recording studios Hamburg, please click here for Studio 1, here for Studio 2, and here for shared microphones and backline. Hamburg is the second largest city in Germany and always ranks amongst the most liveable cities in the world thanks to its high standard of living, rich cultural history and fantastic nightlife and music culture. This is the ideal city for a great recording studio to be, and as a major transport hub it is well connected with the UK and other cities around Europe. With HOME Studios situated in the heart of Hamburh, it could be the perfect creative getaway for bands, artists, producers and songwriters wanting a different environment to be inspired by, however one with a world-famous buzz and great nightlife to boot. To find out more on HOME Studios Hamburg, please visit -studios/.
Equipped with a superb-sounding 32-channel Neumann console and five recording rooms, Jazzanova Recording Studio is an extremely versatile Germany recording studio in the heart of Berlin.
Schweiger Studio, the latest German studio to be added to our roster, has a stunning custom made desk packed full of 500-series modules, along with incredible live spaces and high spec communal areas.
If you have any questions about any of these studios or would like to make a booking enquiry please call our bookings team on +44 (0) 207 232 0008, or email bookings@miloco.co.uk.
Frankfurt may be most widely known as a European finance center, but there are many more dimensions to the mid-German city where old meets new to create synergy. This is certainly also true when it comes to producer, Roman Flgel, who we met for a chat about music, technology and creativity in his Frankfurt-based studio.
Today I combine everything in the studio. I use software for recording MIDI and then bounce it back into the computer as WAV files. I still use a 16-step sequencer to trigger analog gear, but the whole process has become much more comfortable these days.
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On 18 October 1951 a meeting was held at the then Nordwestdeutscher Rundfunk in connection with a tape-recorded late-night programme about electronic music broadcast on the evening of the same day. Informed via a report on this meeting, the Intendant (General Manager) of the radio station, Hanns Hartmann, gave the green light for establishment of the studio. In this way, this date may be regarded as the founding day of the Studio fr elektronische Musik.[1]
Participants in the meeting, amongst others, were Werner Meyer-Eppler, Robert Beyer [de], Fritz Enkel and Herbert Eimert.[2] Robert Beyer had been speaking of timbre-oriented music since as early as the 1920s. He thought the time was ripe to bring this idea to fruition. Fritz Enkel was the technician who conceptualized the first establishment of the studio. Herbert Eimert was a composer, musicologist, and journalist. In the 1920s he had published a book on the theory of atonal music, which had gotten him expelled from Franz Blsche [de]'s composition class at the Hochschule fr Musik und Tanz Kln.[3] Ever since his youth, he had stood on the side of radical musical progress and organized concerts with noise instruments. Eimert was the first director of the Studio fr elektronische Musik. Werner Meyer-Eppler was a docent (lecturer) at the Institute for Phonetics and Communication Research of Bonn University. He had first employed the term electronic music in 1949, in the subtitle of one of his books, Elektrische Klangerzeugung. Elektronische Musik und synthetische Sprache. After the inventory he made in this book of electronic musical instruments developed up to that point in time, Meyer-Eppler experimentally developed in his Bonn Institute one of the basic processes of electronic music, namely the compositional creation of music directly on magnetic tape. 0852c4b9a8
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