Fauna Rasmussen (She/Her) is a Minnesota based stop-motion animator. She currently attends the Minneapolis College of Art and Design, majoring in animation. The bulk of her work deals with ecology and rewilding, often specifically covering the enormous loss of mega/macrofaunal biodiversity during the two latest mass extinctions. Her most recent project, Dear Fauna is a stop-motion short film animated using needle felted puppets, and taking place in the late Pleistocene to early Holocene eras. The film and puppets were exhibited in the Paleo Art Show (Minneapolis) Otherworldly Arts Gallery, and will be featured in the Robbin Art Gallery (Robbinsdale) this upcoming August. She can be seen driving around Minneapolis in her art-car, named Flora.
'Dear Fauna' is an independent film, and passion project which has taken over a year to produce. All 32 sets, 85 animal puppets, and stop-motion animation were done by Fauna Rasmussen, along with the accompanying poem! Ben Grim composed the music. Many more people were involved. Please see credits for details!
Animation has been one of my main mediums for quite a while now. While they're not the work I'm most proud of, they're a lot better than what I started with. Click the button to see the ancestors of my modern animation.
When I first really started taking art seriously I made a number of clay models. I'm really not too proud of them now but it's important to see how far I've come. Click the button to see some more of those.
As my work has changed over time I've shifted from a general interest in zoology, and especially prehistoric zoology to a focus on recent prehistory and the zoology therein. I hope that my work can help to inspire future generations to take interest in restoring our fantastically diverse world that is rapidly disappearing piece by piece. I've come to accept also that my work does not have to perfectly reflect the reality of nature, but rather I can stylize and simplify it to make it easier to digest for the general public. I'm making art after all, and I've found that my best work was that which embraced its impressionism and accepted that it was in fact art. If you like what you see and want to encourage me to continue to evolve and improve my work, I encourage you to follow my social medias and tell me what you like and what you don't! Reading how my work affects people is incredibly inspiring and keeps me motivated. Thanks for all your support over the last few years!
Collaborator credits:
Erica Spitzer Rasmussen, (she/her) my mom, has been a huge supporter of my art for as long as I've been making it. She's also worked with me and contributed her artistic abilities many times. Her photography is featured repeatedly on this site. find her other bizzare and provocative work at https://ericaspitzerrasmussen.com/.
Valen is a hugely talented Minneapolis based photographer and student at MCAD. They provided the logo for this website. Please see their other work at https://www.instagram.com/valenscope/.
Eli (they/them) is a fellow artist who has an interest in cave art and the natural world. They provided priceless research on cave art.
Ursula Beitz (any pronouns) is a visual artist who joined me in the MCAD PCSP and created the backgrounds for Gigantoraptor Kiss. Find their work at https://www.instagram.com/guiltycontagion/ and https://www.tumblr.com/guiltycontagion
Ben Grim (they/them) is a close friend attending University of Northern Iowa. They appear in The Megaloceros, and multiple scenes in Can't Wait to See You Again, Fauna. You can find them at https://www.instagram.com/blp.grim/.
Kraig Thayer Rasmussen, (he/him) my dad, is an incredibly talented painter. His work focuses primarily on nature, being particularly interested in water and landscapes. He taught me much of what I know about taxidermy and 2D art and has been greatly inspirational in my work and passion for the natural world. He painted the backgrounds in The Megaloceras taught me to taxidermy and much more. Find his work at https://www.instagram.com/kraig_thayer_rasmussen/.
Jan Elftmann has been a family friend for many years and helped so many times to inspire me to pursue art and science. She taught me much of what I know about art cars and was a reference in the construction of Flora! (See below.)