I did, however, realize there was cinema beyond Meena Kumari. Before I turned ten, I started to take a greater interest in all the big stars of the era. In Jab Pyar Kisi Se Hota Hai it was a delight to watch Dev Anand on top of a moving train, singing, 'Jiya o . . . jiya o jiya kuch bole do . . .' to an Asha Parekh wearing a checked kameez, showing jhootha-jhootha gussa. 'YAAAAAHOOOOOO' roared Mastana's tweeters when Junglee first came to the streets of Amritsar, mounted on a rickshaw. All the kids ran after it, gyrating like crazy to Mohammed Rafi 's 'Chahe koi mujhe junglee kahe!' When Saira Banu sang 'Kashmir ki kali hoon main mujhse na rootho, Babuji' it was the first time we were seeing a girl chasing a boy. Wow! The song, 'Ja ja ja mere bachpan . . .' was so relatable as we were still kids but dying to grow up really fast. The euphoria of Junglee died quickly when Kabuliwala was released in the winter of 1961 at Inder Palace Theatre, the area where Mama would go and distribute knitting needles to the girls at the Pingalwada. Pitaji, being a Tagore enthusiast, was particularly eager to show us the film, as it was based on one of his classic stories. Balraj Sahni, whom I'd earlier seen in Chhoti Bahen left a deep impression on my young mind. I'd sit real close to the radio each time I heard the song 'Eh mere pyaare watan . . .' In Kabuliwala, Mini seemed to be me. Mini was nine and I was nine, and I loved Kabuliwala, he made me cry.

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