"The Durutti Column return in streamlined form (in a sandpaper cover). One Vini Reilly is in charge, assisted by Martin 'Zero' Hannett on switchblade doctoring, funny noises, tape loop and 'free' plastic single. His new music is reflective, smooth and quiet. He bends, phases and duets ice blues into the bob and weave of chopped down cross currents; solitary melodies are picked through a sketchbook of recollections. The Return of the Durutti Column is perfectly realised, correctly ambient and inventive music; the beauty of it is that Vini Reilly offers it when he does and how he does. Maybe the punks will sneer and think it's hippy noodling, but the hippies probably won't dare to listen anyway" (NME, 01/1980)

Easily the most important composition by Vini in 1983 was A Little Mercy (aka Duet aka La Douleur), soon expanded to form the basis of an entire album, Without Mercy. A superlative instrumental for piano and violin, A Little Mercy seems first to have been recorded as Duet at Brussels studio Daylight Studio in November, when Reilly recorded an entire album called Short Stories for Pauline. On this version Vini was accompanied by Tuxedomoon violinist Blaine L. Reininger, who also guested on several other tracks, as did returning drummer Alain Lefebvre, harp player Anne Van Den Troost, and various horn players. Other stand-out tracks taped for Short Stories included Snowflakes (aka A Room in Southport) and The Sea Wall (aka College).

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