Beautiful colours, and it seemed to keep going on. It was a great morning. There were great photos to be had all around the different sides. It is always good to look at where the sun is coming up, but also look in other directions, as you can get some great colours all around.

It is a great place to go and take photos, but also a great place to just sit and look. I like going up there and I am thinking of going again. Just be prepared, it does get busy, especially around sunset and if you want a good spot to watch it, then I suggest you get there early. You do have to take your photos through the glass, so pick clean areas and get your camera as close to the glass as you can. There is an outside area, but it can get very windy, and they have a wire mesh which makes it very hard to photograph through unless you have a small lens. I wish they had something like the barrier they had at the Empire State Building where you could still fit your camera through it.


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The main problem is that the reflection off the glass is so considerable that it seriously obscures the view and makes photography very difficult. This is especially the case on the sunny northern (city) side. Furthermore, much of the glass has a blue or gold tint through it to further destroy any photographic opportunities.

By the time one has found a non-tinted window and aligned their camera at a subject such that their body, the LED signs, other patrons or even their own camera are not reflected in the double-glazing, one begins to wonder if it is even worth the effort in trying to take a photo? Patience and an eye for detail are the tricks to decent happy snaps here. Otherwise just buy an over-priced postcard from the gift shop and be done with it.

The outside deck has a south-east orientation, thus preventing a view of the docklands or the city. Furthermore, the area is enclosed with fine mesh so only those with small point-and-shoot cameras could possibly hope to get an uninterrupted photo from this space. The question of why a mesh was incorporated here, and not steel bars (like at the Rialto), is as puzzling as the use of super-reflective glass in the indoor observation area.

I agree completely Adam, I went at around twilight in the hope that I could get some nice photos of Melbourne lighting up but all I got was crazy reflections in the glass, at one point the reflections were so bad that I would have been grateful just to be able to see out the window never mind take a photo.

The mesh on the outside viewing area is also a nightmare, its hard to get a shot through it and even if you manage it all you get is one that is straight on from the mesh, there was a great opportunity for a nice photo but it was at 45 degrees to the mesh so no chance.

When we went to pay for photo it was so horribly bleary and they would not take another or discount it. Very pathetic snap shots considering the money they make from tourist you would think they would have a top of the range camera.

Sizes and PricesCanvas Un-stretchedPrint OnlyLicensingArtist Print20" x 13"$295Studio Print30" x 20"$355Gallery Print40" x 27"$555Master Print50" x 30"$675Small Print10" x 15"$90Artist Print12" x 16"$115Studio Print17" x 23"$195Gallery Print20" x 32"$295Master Print24" x 36"$395This image belongs to the travel and nature stock photo library. This stock photo of Melbourne City at Night from Eureka Tower is available for licensing for commercial and editorial uses including websites, blogs, books, magazines, brochures and advertising. Restrictions may apply for images which contain third party copyrighted material or sensitive subjects. Photos of artwork are for editorial use only.

All my stock images come as high resolution print files, supplied in Adobe RGB colour space @ 250dpi. Should you need other specifications please contact my to discuss.

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All prices are in Australian Dollars $Credit Card payments can be made through the PayPal system on the website. Ilya Genkin Photography is a verified PayPal Business member and Paypal provides you with 100% security. Through PayPal, you can pay with any major credit card or debit card or your PayPal account. The payment is done securely and in realtime.I also offer Direct Bank Deposit for Australian customers.Please use xe.com website to convert prices to your local currency.Printing and Shipping

All Printing is done in Australia by a professional photographic print lab.After printing, your photographic print is personally inspected by myself to guarantee your chosen print is beautifully prepared and presented. After close inspection I hand sign every print.It's then covered, rolled and packed into a hard cylinder tube to guarantee safe delivery.All shipping costs within Australia are included in the price of the print.Shipping within Australia is sent via Express Post Registered Mail with full insurance.All international postage is handled via FedEx with tracking information and full insurance.For International Orders your country may add an import tax at time of arrival in your country. You may need to enquiry about your specific country import taxes if they apply at all.At present prints are sent as print only so you may source the frame that suits your home or office locally.Quoted sizes for canvas will include the gallery wrap so allow a size reduction of approx. 5cm X 5cm (2" X 2").All canvas prints can be stretched around a 5cm (2") frame at any good quality local framer.Please allow up to 14 working days for delivery of your chosen print and 21 days for canvas prints.

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Any of the photos in my extensive collection can be made into black and white works of art. Please check the black and white landscape photography page how to get black and white prints from me.

Floor to ceiling steel chain-link fencing prevents you falling. The openings are just big enough to put a few fingers through. But not quite big enough to get your camera lens through. So your photos taken from the Eureka Terrace will have the fencing in the foreground.

Data collected when you create an account with us, purchase our products, or use our Services may include data about yourself, those traveling with you, and your emergency contacts. By providing us with the personal data of any third party, you confirm that you have the authority to do so on their behalf and have provided them with the information set forth in this Privacy Policy.

We operate closed circuit television ("CCTV") cameras on our ships, including at all access points and throughout public areas. These CCTV cameras record continually and images of you may appear in these recordings.

Please be aware that we have photographers on board taking photographs for guests to purchase. If you would not like to be photographed, please let our photographers know and they would be happy to take reasonable steps to comply with your request. Please note that we are unable to guarantee that you will not be included in photographs on an incidental basis.

On participating ships and with your consent, we may use facial comparison technology to facilitate and expedite your embarkation and/or disembarkation by taking your photograph and matching it against the photograph we collected from you during embarkation. When there is a match, you will be able to board the ship or be checked out of your cruise.

If we are made aware that an individual is exhibiting symptoms of COVID-19, we may evaluate our transaction data and photographs taken during your cruise and may run facial recognition technology on our CCTV footage to notify the persons who were in close proximity with the affected individual and take appropriate action to mitigate the spread of COVID-19. Such steps may include medical examinations, testing, containment, and/or disembarkation of the affected persons. 2351a5e196

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