Alan Parker's "Shoot the Moon" is a film that sometimes keeps its painful secrets even from itself. It opens with a shot of a man in agony. In another room, his wife, surrounded by four noisy daughters, dresses for a dinner that evening at which the man will be honored. The man has to pull himself together. His voice is choking with tears, he telephones the woman he loves and tells her how hard it will be to get through the evening without her. Then he puts on his rumpled tuxedo and marches out to do battle. As we watch this scene, we assume that the movie will answer several of the questions it raises, such as: What went wrong in the marriage? Why is the man in such agony? What is the nature of his love for the other woman? One of the surprises in "Shoot the Moon" is that none of these questions is ever quite answered, and we are asked to fill in the gaps ourselves.

That is not necessarily a flaw in the film. "Shoot the Moon" is not the historical record of this marriage, but the emotional history. It starts with what should be a happy marriage. A writer of books (Albert Finney) lives with his beautiful, funky wife (Diane Keaton) and their four rambunctious daughters in a converted farmhouse somewhere in Marin County, California. Their house is one of those warm battle zones filled with books, miscellaneous furniture, and the paraphernalia for vast projects half-completed. We learn that the marriage has gone disastrously wrong. That the man is determined to stalk out and be with his new woman. That the wife, after a period of anger and mourning, is prepared to react to this decision by almost deliberately having an affair with the loutish but well-meaning young man who comes to build a tennis court. That the husband and wife still harbor fugitive feelings of love and passion for another.


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We never really learn how the marriage went wrong. There is the usual talk about how one partner was not given the room to grow, or the other did not have enough "space" -- concepts that love would render meaningless, but that divorce makes into savagely defended positions. We also learn just a tantalizing little about the two new lovers. Albert Finney's new woman (Karen Allen) is so cynical about their relationship in one scene that we wonder if their affair will soon end (we never learn). Diane Keaton's new man (Peter Weller) is so emotionally stiff, closed-off, that we don't know for a long time whether Keaton really likes him, or simply desires him sexually and wants to use him to spite her husband.

The film is a family-based romantic comedy revolving around the themes of love marriage and arranged marriage. It is set in rural India where boy and the girl obediently follow the instructions of the parents and what happens when such a marriage actually takes place.

"These same youngsters will experience the same dilemma between love marriage and arranged marriage few years down the line, and looking at their amazing reactions, I feel they definitely connected to the emotions depicted in our trailer,"

"'Love Story' had created a sensation in 1981. It had also set a trend in the society of love marriage. Our film's character Prem watches the film in 1981, and after that, his mind changes and he doesn't want to do an arranged marriage," Amit told IANS.

"1982 - A Love Marriage" is a breezy love story with comic elements created due to the conflict between a love marriage and arranged marriage. Directed by Prashant M. Gorey, the film is produced by ShivKumar Sharma and is releasing on March 11.

Enduring Love

But despite what for most people would have been an intolerable situation, Clara and Alfred were genuinely in love, and their marriage endured until the latter's death in 1956. Long outliving her husband, Clara died in 1982 at the age of eighty-four.

The real-life Jerry Buss and his wife JoAnn Mueller got a divorce in 1972 after twenty years of marriage and four children. He then married Veronica Hoff in the same year, who would later find out that Jerry was still married to Mueller. Jerry's next major love interest became Karen Demel, who would later give birth to two of Jerry's children, Joey and Jesse, during the 1980s. The timing of Jerry and Honey's fictional rekindled flame in Winning Time aligns with his factual relationship and eventual marriage to Demel, which only lasted a few years.

The creators of Winning Time seem to have combined several details of Jerry's real-life lovers to create the fictional Honey. The real Jerry Buss was rumored to have a longstanding on-and-off relationship with a woman nicknamed 'Puppi' Buss. Puppi, whose real name is Marsha Lee Osborne, claimed that she and Buss were together for fifteen years in a husband-and-wife relationship that involved sharing finances and making plans for marriage. be457b7860

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