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So im at war with sturgia, this has been going on for months now, going back and forth, finally after many fights and thousands of deaths, I get the upper hand in the war after months of battling, i've managed to gather around +25 vassals of sturgia to my dungeons.

So it seems like its practically impossible to keep them in my jail for long periods of time, atleast 1-3 escaping every week, and when they do escape, they will have an army of +100 men within a week, ready to do it all over again.

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I've been travelling down a dungeon up until I started getting corruption just by walking around. I am trying to get back out again but I am having trouble doing so. Is there something I am missing?

This is a roleplaying game for four players and no GM. Each room of this dungeon is different and has its own rules. Each of us crawling this dungeon is different and has our own rules. This is a kaleidoscopic game of an increasingly complicated dungeon from which there is no escape, and what happens to us as we die within its walls.

We are bone and feathers and we will never escape and we want to escape. We want to fly. The treasure at the end of the dungeon is an escape from this dungeon. We will never escape from this dungeon. We are bones and feathers and hope and magic and we will never escape from this dungeon. We want to fly out of here on our busted wings and feel the air on our faces turned up towards the sun, but each room of the dungeon is the same and each room of the dungeon brings something new and we will never escape from this dungeon.

Each room of this dungeon unlocks more of this dungeon. There are five rooms in this dungeon, and there are many rooms more than five in this dungeon. We have each died in one of the rooms in this dungeon, and we will each die many times more in each of the rooms of this dungeon. Each room of this dungeon is different but each room of this dungeon is the same, only growing larger with each time we enter each room of this dungeon. As we crawl we repeat, the cycle is always the same and we have different faces, the guardians are different beasts, the traps are different traps, the deaths are different deaths, and the treasure is always the same. The treasure at the end of this dungeon is an escape from this dungeon and we will never escape from this dungeon.

We are bone and feathers and we will never escape and we want to escape. We've been through this before. The treasure at the end of this dungeon is an escape from this dungeon and we will never escape from this dungeon. This is not new information.

The Treasure At The End Of This Dungeon is a lyric game about roguelike dungeon crawls. Don't go in expecting something extremely concrete and runnable. But do go in expecting some spectacular writing, and the execution of a concept that hits harder than any other dungeon crawl I've ever seen.

For core mechanics, Treasure At The End is pretty direct. You follow the rules for your character class, and you follow the rules for the dungeon room you are in. Anyone who breaks the rules dies. Anyone who opens the door to two dungeon rooms dies.

Overall, if you like lyric games and metafiction and seeing the dungeon crawler formula picked apart into fractals, I'd strongly recommend checking this out. It's playable, but more than that it's a fascinating read.

This procedure tells you how to escape the dungeon at the beginning of the game. I am providing the fastest way out but you can choose to explore the entire dungeon. I strongly recommend exploring everything, both for the extra experience points and in order to get the full gaming experience.

When the previous quest concludes, you'll find yourself chained up within a dungeon. Vernon Roche has given you the key that you need to escape, but there are guards just outside your cell and they can hardly be expected to react favorably if you unlock your shackles and try to walk past them. First, you should provoke the guards so that they enter the cell to deal a beating.

Once the guard you provoked does enter the cell, you'll automatically remove your shackles and will engage in a fist fight. At that point, you have to watch carefully for on-screen prompts. Indicators will appear to let you know what button you can press to deal damage to your foe. You must do so before he harms you. Defeat the first guard and a second will arrive. He's more dangerous. When you defeat him, you can search his body to find a key. Use the key on the nearby door and you'll emerge into the cell a free man. Sort of. Now you need to escape the area.

Begin by checking the nearby treasure chest. Inside the chest, you'll find the Steel Sword that you were carrying and also an assortment of potions. Grab the gear, then head up the steps and through the nearby archway. Ahead of you, there's a door. You'll mumble something about being unable to sneak out of the dungeon with torches lighting the corridors. This is a tip so that we know we can use stealth to work through the area that immediately follows.

Pass through the doorway and start down the next corridor. Quickly duck into a cell located just to the left, then wait for the guard to approach. When he passes, sneak up behind him while he stares at the door. You can press the button indicated on-screen to overpower him. Then you can proceed along the corridor safely. Start up some stairs and ahead of you, there's a door. The passage forms a 'T' here where you can go left or right. Your journey through the dungeon from this point onward will depend on two factors: whether you head left or right and whether or not you killed Aryan or spared him when you encountered him previously in the At the Fore quest.

Note that if you had instead killed Aryan earlier in the game, then the person being harassed in the cell at this stage in the game is Louise La Valette. You can free her in the same way that you would have freed Aryan, but in this case the ambassador will come along and help you to reach the door that leads out of the dungeon. It's a different means to the same end.

If you did not allow Aryan to live earlier in the game, you will instead see the baroness escorted out of the cell that would otherwise house Aryan. You'll have to follow the miniature procession and kill any guards that get in your way. Then a meeting follows and the ambassador will help you to engineer an escape. With his welcome assistance, you'll find your way safely to the dungeon's exit.

Regardless of how the preceding few moments play out, you'll eventually leave the dungeon through the same door and find yourself at the edge of the docks. If you saved Newboy by giving him good advice near the start of the game, you'll run into him now. Answer him however you like and you will be given the locket that he carries. Your progress through the Melitele's Heart side quest is updated.

Tactics: One wolf targets Pren. If reduced to 15 hp, he falls from the catwalk (taking damage if appropriate), involuntarily transforms into a werewolf during the next round, and attacks the nearest creature thereafter. If no living targets are on the ground, the raging werewolf disappears into Area 11 and beyond, forcing the PCs into a tense predator/prey hunt scenario once they recuperate.

In this original version of the adventure, there is no key to this elevator. The only way to use it to escape is to stuff something under it while it lowers. This has two effects. First, it prevents the tall elevator cage door from opening and releasing the wolves, and second it allows the PCs to crowbar it open, climb in, and then up and out while it's "between floors." In the published version of the adventure, the elevator does function with the key. AUC.register('auc_MessageboardPostRowDisplay'); AjaxBusy.register('masked', 'busy', 'auc_MessageboardPostRowDisplay', null, null) MrFish Apr 7, 2008, 11:50 am Actually I don't think that element is too bad, but I would say that it would considerably change the atmosphere of the prison situation. But interesting to see your ideas for the awake prisoner. Maybe I might find a use for it in some other adventure.

THE DUNGEONBGMEternal Dungeon

:Sw_dungeon.oggTHE DUNGEON is a location within SWEETHEART'S CASTLE in OMORI. It is a large dungeon where SWEETHEART locks up any of her prisoners for her own amusement.

From there, the party must find an escape route while exploring the place but they must beware of two new enemies (HAROLDS and MARSHAS) roaming around. Both of them can make for dangerous encounters, so the party must be prepared in terms of stats and weaponry to defeat them.

While attending SWEETHEART's show, HERO, KEL, AUBREY, and OMORI are transported here from SPROUT MOLE VILLAGE. ROSA will come laugh at the party for falling for her trap and leaves. Despite this, the group can exit by interacting with their cell door to open it. However, spike squares will prevent the party from exiting the dungeon. Therefore, the player must explore the dungeon to find an escape route to progress.

Pressing various heart shaped buttons will allow the party to access an area below the dungeon, where MARI's picnic is. Pressing more heart shaped buttons here will eventually lower the spikes to the exit, allowing the group to exit THE DUNGEON and enter SWEETHEART'S CASTLE.

The DUNGEON CELLS are used to keep any of SWEETHEART's prisoners locked up. Some of them contain various items and hidden entrances to different areas of the location. The first dungeon cell is the one where the party is thrown into after HERO rejects SWEETHEART's proposal to marry her. It will later be filled with multiple PINK? MOLES after completing THE ROYAL LIBRARY.

The second dungeon cell (located next to the party's dungeon cell) consists of a toilet holding RAMEN, as well as a hidden entrance to the UNDERGROUND DUNGEON. The top center corner reveals the ROYAL BATH, one of the areas where CAPT. SPACEBOY and SWEETHEART spent time together before their breakup. It is also mentioned that the pool must be filled regularly by MRS. FLAMINGO. e24fc04721