Hope Schofield

Trapped in an overlapping, ever-looping void of pubs, politics, and pink I use the otherwise dematerialised practice of film to present and expose the material foundations of modern day capitalism.

I tend to position my films within a universe not dissimilar to our own in terms of political and societal structure, but one in which glaring hypocrisies and injustice are brightly visible, existing seemingly undisturbed, but assessed on a critical and rather slimey level.

Sometimes in factories sometimes in bars the constant turning cogs of patriarchy and consumerism catch and clamp your fingers, paralysing you ready for me to jump out and talk you half to death about Marx.