Dear visitor, welcome to the ‚‘Mice in mine, make my mind like a maze-like mine‘‘ exhibition, artificial mine exposition. Situated underneath the museum which holds me wandering in this endless shaft. I am wondering, what keeps me going back and forth, in mind, in words, in every step I took to see what‘s behind all this*. It‘s coal my dear, coal and fear, fear that tells me that I am not alone here, surrounded by a vast amount of past that froze in time. So am I.
25.6.19 — 30.6.19 Anna-Marie Berdychová, Alexander Martsynuk, Creative Currency, Jakub Hájek and František Hanousek, Julius Reichel, Kateřina Holá, Marius Engh, Matyáš Maláč, Namor Y., Viktor Timofeev
Curated by PGS at National Technical Museum in Prague
1. Initial Contact (Heel Strike): 23.2.19 — 13.3.19 ‘The Hills Have Eyes’ a Group Exhibition Curated by A.M.180/Nik Timková and Jakub Hošek at Hot Dock Project Space in Bratislava
Epic ID 1st. Swarm: 1. Raidboss curator; 2. BSps; VP**; 3. Doctor ID; 4. Axman Walex; 5. 💫Oilmaster and 6. Kuba
1. Initial Contact (Heel Strike): 23.2.19 — 13.3.19 ‘The Hills Have Eyes’ a Group Exhibition Curated by A.M.180/Nik Timková and Jakub Hošek at Hot Dock Project Space in Bratislava
She slowly opens her eyes and looks around, disoriented by the morning light. She then stands up, looking down into the expansive rock canyon. After a moment of hesitation, she takes her bike back up the hill.
I’m here to save you.
(beat)
The world is coming to an end
Do you believe that the world is coming to an end?
(long beat)
No.
(beat)
That’s stupid.
Scene 22
Setting
In the faculty lounge. Every one is drinking water. The usual coffee
isn’t brewing. The custodian is bringing in dozens of large water
dispensers. The cabinets once filled with files are now filled with
hundreds of bottles of water.
In the empty school hallway… a gigantic tidal wave forms in the distance and comes crashing towards us between the lockers.
To avoid fainting.
Keep repeating.
It’s only a movie.
Only a movie
Only a movie
Only a movie
Only a movie
Only a movie
23.2.19 — 13.3.19 . Adrian Altman, Tomáš Bryscejn, Ondřej Doskočil, Sarah Dubná, Kristýna Fingerland, Jakub Hájek & František Hanousek, Jakub Choma, Valentýna Janů, Kateřina Miturová, Olbram Pavlíček, Adam Rada, Antonie Stanová . Curated by Jakub Hošek, Nik Timková at Hot Dock Project Space in Bratislava
Preliminaries to Epic ID's:
whipshot licence medium (identifying key object)
Passive Dynamic Object Locomotion by František Hanousek and Jakub Hájek
reincarnation of an object of 20,000y.o.apophenia (stance phase)
"A Gemini I am. Run over majorities with my Honda Civic 1002 I must."
morning...
He opened his eyes to find himself in another world. For some odd reason, He ended up as a particular ID labeled creature with legs akimbo. Before his eyes he saw two insignia of witches, the goat's horn and the besom in a rock and wondered "what demon it was who had put them... just there and in my way on this particular morning." A building then looked like an oven and he thought of Dante's Inferno. He sees sticks on the ground and sees them as forming Greek letters which he interprets to be the abbreviation of a man's name and feels he now knows that this man is the one who is persecuting him. He sees sticks on the bottom of a chest and is sure they form a pentagram. He sees tiny hands in prayer when he looks at a walnut under a microscope and it "filled me with horror."His crumpled pillow looks like a marble head in the style of Michelangelo. These occurrences could not be regarded as accidental, for on some days the pillow presented the appearance of horrible monsters, of gothic gargoyles, of dragons, and one night ... "I was greeted by the Evil One himself...."