"First Contact" is a fictionalized account of an encounter with aliens. It is interleaved with actual interviews with scientists and factual accounts that took place in the past. The fictionalized part is kind of a joke. I say that because the level of evidence presented for this fictional alien encounter is a level of evidence we have already seen in reality. And in reality, the reaction from media and public are nothing like what was fictionalized. The level of evidence found in the 2017 encounter with the 1/2 mile long cylinder under some form of propulsion, and then the UAP report in 2021 actually exceed the level of evidence fictionalized in "First Contact". In real life, scientists do not come to any conclusion. In real life, these stories barely rise above the noise in media. In "First Contact", scientists conclude what they are observing are aliens. In "First Contact", the media and public go bonkers over this event. I'm not sure there was a need to do a fictionalized part to this show. Just showing what we have so far as evidence would be more interesting.

Oh I love 'Mr Vampire (1985)', so how could I not fall for 'Spooky Encounters' in what people call the prototype of the Hong Kong sub-genre; horror, comedy and martial arts rolled into one. It's genius. Inspired. And non-stop fun. Really the tripped-out blend would be hard to pull off, but star/writer/director Sammo Hung does an adeptly magnificent job combining them in a satisfying manner. No doubts, that this film has some influences' on other horror films. Sam Raimi's 'Evil Dead' Trilogy? I can see it. The comically bumbling, but gallant protagonist (amusingly acted by Hung) sticks out with its familiarities to Ash. The confrontations with the supernatural are exaggeratedly humorous with its free-flowing slapstick and psychical gags. The scenes of possessed rotting corpses and jumping Chinese vampires in combat and that of our protagonist's arm having a mind of its own are highly enjoyable in their spectacularly crafted set-pieces. Kung-fu choreography is that of high level with its timing, pacing and overall rhythm. Never skips a beat, as the outstanding camera-work characteristically frames every shot in a prolific and kinetic fashion. The story tells of poor worker Bold Cheung as he encounters many unusual, spooky situations when he gets caught up in a bet to stay a night in a haunted temple, but along the way he's getting close to discovering that his wife is having an with affair with his boss. The material is a jumble, but creative storm of hybrid ideas. Adventurous, cheeky and ghastly. Scripting holds up well, as it compels with its charm and fruitful quips. The witchcraft side isn't particularly horrifying, not even eerie because the humour mostly takes centre stage, but it's definitely pleasurably offbeat. But what stands out, and leaves an impression is the way they go about ending it. POW! Hung's high octane direction is thick on atmosphere, uncanny sound FX, playful score, vivid art-direction and splendidly wonderful looking (yep even though macabre corpses) make-up and special effects. Brightly animated performances by Ha Wong, Dick Wei, Ching-Ying Lam, Fat Chung, Lung Chan and Suet-Moi Leung lend well too. Growing up watching the magically crazy 70's Japanese TV series 'Monkey Magic' was where it all started for me, and I don't see myself ever falling out of interest. If you're getting bored with the recent same-old clutter coming out of modern Asian horror cinema, all you have to do is go back and delve into these early Eastern fixtures for some blistering thrills and tasty laughs.

Encounter YIFY