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I can only urge Maxon/ Pixologic to keep the perpetual license ( And free upgrades ) in place. While I could live with a not too expensive upgrade fee, I will not use software with a monthly or yearly license. As artist and craftsman I take pride in the ownership of my tools, no matter wether it a set of chisels or a piece of software . After more than 20 years I dropped Photoshop for that reason, even though it used to be one my most important tools. Pixologic used to be a wonderful company regarding their products , pricing policy and community and I dearly hope it will stay that course.
@DrunkShaman I guess there are a number of people who just use zBrush. I'm interested in getting a character up and running in a game engine, and all the stuff in between. I like using zB in the process, but its only one component. A 3D app gives me the opportunity to UV, texture, rig, animate and export to a real time engine. After 18 years of free zB upgrades I'm not about to complain. All I'm saying is the Maxon takeover isn't the end of the world and other sculpting alternatives have become available, which is just fine. I'm pretty sure I am not the only one with this opinion.
I was agreeing with you. I was just saying that this thread was for people who already invested in zbrush and mastered it, probably they currently use it in their workflows which possibly makes them stuck, unless until they learn alternatives for sculpting or make peace with the last zbrush version. It is possible that, migrating to the alternative requires them a minimal learning curve. To me the steep learning curve comes when we want to do further more in blender based on our current settings. I'll give you one example, grease pencil in blender requires you to perform an extra step to setup a grid at times, which is something to get used to if your project is based on it. When I talk about "learning curve," I am not talking about fundamentals. I am talking about the small things or work arounds that irritates those who chose to migrate to blender, but are required to sit down and spend sometime learning it.
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You're probably right. I get that that there is not much that can be done about the changes in terms. My issue is with leaving the "16 years" language up when, given the subsequent events that unfolded, Pixologic clearly knew that the ZBrush 2022 product had been sold and that the spirit of those words no longer held.
The possible claim that I was thinking about relates to a shady practice called "tying." Specifically, the possibility that Maxon acquired Pixologic with the expressed intent of engaging in the anti-competitive practice of "tying," wherein, immediately after acquiring and integrating Pixologic ZBrush 2022, it conditioned the future value of a Pixologic ZBrush 2022 perpetual license on the purchase of a Maxon ZBrush 2022 perpetual license or a Maxon ZBrush 2022 subscription--this despite the fact that the two products are substantially the same. The net effect of this apparent act of tying is to force Pixologic ZBrush 2022 perpetual license holders to pay Maxon another USD$895 for a product license they already hold or lose the accrued value in their investment in their original license. A "tying" claim might certainly have merit given that the new and key features used to sell the Pixologic ZBrush 2022 product are nearly identical to the new and key features used to sell the Maxon ZBrush 2022 product.
At the beginning of the year 2023, I was able to reinstall ZBrush without issue. I have yet to sign for the new subscription model. As a user in mid-production I have not been impacted. I created a Maxon account, was forwarded to my legacy account where I was able to access my serial key and download the last supported legacy version of ZBrush 2022.
Visualize your models using the easiest, most accurate rendering software created. KeyShot Pro (with the ZBrush to KeyShot Bridge) allows you to paint, light and view your models in real-time with the ability to send all model changes back to KeyShot for an unmatched workflow in creating concepts and product visuals. Try KeyShot Pro today.
KeyShot Pro works together with the ZBrush to KeyShot Bridge on Windows or macOS to enable real-time rendering of your model inside KeyShot. Use the BPR button to instantly send all SubTools, including Polypaint and MatCaps, to KeyShot to access hundreds of material and lighting presets, making look dev, pre-viz concepts, or creating promo art or production visuals faster than ever.How to UpgradeTo upgrade your KeyShot for ZBrush license, please contact sales with your KeyShot serial code. Have a licensing question? Please contact license@luxion.com.ZBrush to KeyShot BridgeFreeView OptionsThe ZBrush to KeyShot Bridge is free for all ZBrush users. For installations of ZBrush or ZBrushCore managed by the Maxon App, it is already functional as part of your existing license. Legacy users can get a free Bridge license through the My Licenses page.
I am trying to run a model with variancePartition, which uses BiocParallel for parallel processing, on a Windows computer. I have run this program on my MacBook pro several times without any parallel processing issues. However, every time I run it on my partner's Windows computer, I am met with warnings and the model immediately quits. I would like to be able to run this on the Windows computer as it has more cores available than my Mac. I would opt to run it without parallel processing, but this takes far too much time, as when I tried it previously the model ran for more than 36 hours before it was interrupted by an automatic Windows update. I have googled this issue and tried some of the remedies suggested (e.g., restarting R, reducing the number of cores being used), but so far nothing has worked. I have included some of the code, the error/output, and the sessionInfo() below.
The SpaceMouse line simultaneously allows artists to interact with their model while combining all these activities and keeping their cursor free, to avoid interrupting their flow and concentration and let their creativity run wild. The SpaceMouse line is the only 3D purpose-built and specialized product on the market, delivering intuitive, effortless, and high-precision 3D navigation.
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In our lab environment(s) for the music department, we have a number of software packages that are installed on the lab iMac. The real challenge is that many of these software applications are not conducive with mass deployment. Licensing, dongles, sheer size, etc. really prohibit deplying via JAMF Pro.
If the script does what I think it does, then it will be.....
You log in as an admin account and activate Live. The activation files are put in the Admin accounts Library, in Application Support.
The script will copy these activation files across to the Hard drive/Library/Application Support. And then sets permissions for them to read by all.
When a user account logs in and accesses Live, it will look into the Users Library, if empty then it looks in the HD/Library/Application Support for the activation files. If it finds activation files there it will copy them to the Users Library.
The script will pretty much be a ...
cp -Rf /Users/Administrator/Library/Application Support/Ableton /Library/Application Support/
chown -Rf 755 /Library/Application Support/Ableton
Please check this script before use, I did it from memory, I may have a path wrong or the Ableton folder is called Live or has a version number after it. Not near a mac with it installed on to check it out. 589ccfa754
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