The highest-ranking editor of a publication may also be titled editor, managing editor, or executive editor, but where these titles are held while someone else is editor-in-chief, the editor-in-chief outranks the others.[clarification needed]
Editor In Chief
The editor-in-chief heads all departments of the organization and is held accountable for delegating tasks to staff members and managing them. The term is often used at newspapers, magazines, yearbooks, and television news programs. The editor-in-chief is commonly the link between the publisher or proprietor and the editorial staff.
The term is also applied to academic journals, where the editor-in-chief gives the ultimate decision whether a submitted manuscript will be published. This decision is made by the editor-in-chief after seeking input from reviewers selected on the basis of relevant expertise. For larger journals, the decision is often upon the recommendation of one of several associate editors who each have responsibility for a fraction of the submitted manuscripts.
Finally, a shrewd, strategic editor in chief can ensure that every piece of content on the site lines up with your strategy. In other words, they give each piece of content the best chance at reaching your goals for it.
The titles "editor in chief" and "managing editor" are sometimes used interchangeably by people who do not understand the difference in their roles. They are truly two distinct jobs. A comparison might be that the editor in chief is similar to the chief executive officer of a company, while the managing editor is more like the chief operating officer. Larger publications often have both positions, while smaller publications may not have a managing editor.
The editor in chief is the top editor at a newspaper or magazine. Sometimes her title is executive editor, but the role is the same. The editor in chief is ultimately responsible for the final product the company produces. She sets the tone, editorial direction and policies for the publication and makes sure every issue is consistent on these measures. She is involved in budgeting and strategic planning. She also represents the publication at many social and business events. For example, a city or community editor in chief may attend fundraising events or serve on a charity's advisory board. A magazine's editor in chief may attend functions that matter to its readers. Although the editor in chief may write an occasional column or editorial piece expressing the company's viewpoint, for the most part, she neither writes nor edits individual articles.
The editor in chief and the managing editor work together to make sure the publication reports on topics of interest to its readers, covers a wide range of subjects and reports on all sides of a topic. Typically, both are actively involved in the community or industry, and both may sometimes attend events to demonstrate the publication's interest and to keep on top of news and opinions. Either may be called upon to speak to a group about the publication or the industry in general.
Today, National Geographic Media, the worldwide digital, social and print publisher that elevates innovative storytelling about people, places and projects that shape our world, has announced its new editor in chief, Nathan Lump. Lump brings over 25 years of experience spanning such notable publications as Travel + Leisure, Condà Nast Traveler, The New York Times, and most recently serving as vice president, global head of Editorial and Entertainment at Expedia Group. Effective June 6, 2022, Lump will report to Executive Vice President & General Manager of Nat Geo Media David Miller.
An editor in chief oversees the production of content for publications. Editors in chief are responsible for reviewing content, such as articles and photographs, developing strategies and style guidelines.
We are looking for an editor in chief to be responsible for managing the production of all content for the publication. The responsibilities of an editor in chief include reviewing articles and photographs, contributing to editorial pieces, and managing day-to-day operations.
To be successful as an editor in chief, you should demonstrate accurate writing skills, possess good judgment, and great attention to detail. Ultimately, a top-notch editor in chief should have good business acumen, creativity, and be able to work well with a team.
"I am delighted that Michael has accepted this position and the Board's vote was unanimous," said 2017 APS President Laura Greene. "I know the challenges, especially in this rapidly changing publishing landscape, having personally spent more than a decade as editor in chief of Reports on Progress in Physics," she said. "Michael has had a great deal of experience in this area, and in working with professional publishers."
I am pleased to announce that Emma Tucker has been named the next editor in chief of The Wall Street Journal and Dow Jones Newswires, succeeding Matt Murray, who will take on new projects in a senior role at News Corp, reporting to Chief Executive Robert Thomson.
The Infectious Diseases Society of America is pleased to announce that Roger J. Bedimo, MD, FIDSA, has been selected as the next editor-in-chief of Open Forum Infectious Diseases. Dr. Bedimo will succeed interim co-editors-in-chief John Baddley, MD, MSPH, and Andrej Spec, MD, MSCI, FIDSA, who have led OFID throughout the search and transition process.
When your smartphone can access any song, movie or book ever created, and you can use it to do anything from ordering food to finding dates to getting rides, companies are realizing they need a new weapon in the war for attention: an editor in chief.
Previous locations for JCI and its editor-in-chief have included Johns Hopkins University, Duke University, University of Pennsylvania, Columbia University, University of Michigan, University of California San Diego and San Francisco, and Harvard University. This will be the first time that Northwestern has served as the home of JCI.
To mark the occasion, Marvel Comics is putting a special Stan Lee tribute page in December's Marvel Comics releases. Stan Lee is well known as the face and voice of Marvel Comics, and that role goes back to his time as the publisher's very first editor-in-chief, during which he made it his mission to bring a kind of celebrity status and fan regard to comic book creators which was previously unheard of.
But even in the 60-plus years of strictly Marvel Comics history, there have only been 12 editors-in-chief, with most of them leaving some kind of indelible mark on the publisher and the history of the Marvel Universe.
With Stan Lee's 100th birthday marking a real-world Marvel Comics milestone this month, we're looking back at each person who has held the position of Marvel Comics editor-in-chief, and the impact they've had.
(Of course, if you count his time with Timely and Atlas, which began in 1939, Stan Lee worked for the company that eventually became Marvel Comics for 57 years, including starting as its editor-in-chief in 1945).
But Lee's biggest true contribution not just to the endurance of the Marvel Universe, but to the comic industry overall - and one that rests on the laurels of his title as 'editor,' back before Marvel started using the term 'editor-in-chief' - is his elevation of comic book creators from being nearly anonymous and often uncredited to being almost heroic names in their own right, recognizable to comic readers and able to build followings just like prose authors, actors, and other entertainers.
Oddly enough, Thomas' arguably biggest behind-the-scenes Marvel Comics success happened shortly after his tenure as editor-in-chief, when he helped secure the Star Wars comic book license for Marvel in the late '70s.
Just a few years later, in 1976, Conway was brought into the position of editor-in-chief of Marvel Comics - though his time as E-i-C only lasted a matter of months before Conway returned to his prolific writing career, and editor Archie Goodwin was named as his temporary interim replacement.
Archie Goodwin is often regarded as one of the best Marvel Comics editors ever, especially among the creators who worked with him. Goodwin's brief but unique tenure as editor-in-chief began with the understanding that he'd only be in the job temporarily as Marvel searched for a full-time candidate.
But in the short window of just over a year, Goodwin cemented a legacy as the editor-in-chief who (with former E-i-C Roy Thomas' aforementioned behind-the-scenes help) secured the Star Wars comic book license for Marvel, bringing renewed attention and financial success to the struggling publisher.
One of the most polarizing leaders Marvel Comics has ever had, Shooter made it his mission to implement a stylistic standard across the publisher's entire line, while also pushing the boundaries of new ideas. Shooter's adherence to a particular personal standard coupled with his penchant for out-with-the-old-in-with-the-new stories made him a controversial editor-in-chief for fans and creators alike, with his name sure to elicit some strong reaction from anyone who was there.
But along with being the fourth longest-serving person in the role behind Stan Lee, Joe Quesada, and Jim Shooter, DeFalco is also the editor-in-chief who oversaw the launch of ultra-successful titles such as Todd McFarlane's Spider-Man #1 in 1990 and Jim Lee and Chris Claremont's X-Men #1 in 1991, two of the publisher's biggest selling comics ever (and one of the biggest selling comics overall, in the case of X-Men #1).
When Tom DeFalco stepped down as editor-in-chief, Marvel Comics made an executive shift that involved having no single, central editor-in-chief with each of five different sections of Marvel getting its own E-i-C equivalent overseer.
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