For all the banalities, there was much magic. And humour. I was in splits through much of the film. And the last scene, with the three young men smiling away with the sheer joy of actually still being alive, it left me glad to have witnessed that moment, and all that led up to it.

I have a very very soft corner for the bag scenes- loved them totally. My handbag has almost been named ?

so you hated it! hmm! That was a surprise! Well I liked it. It was fun. It did not bother me that the story lines were vaguely familiar. And I was not too affected if the lines were in English or it felt English. Just like I am sick of striped drawer peeping from a up-lifted dhothi, I am sick of seeing movies that I cannot relate to. This was urban and probably will be a box office disaster, coz India lives in her villages :-). Loved her previous movie and am going with a feel good thumbs up for this one.


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Oh and by the way, your new form of bullet-point reporting is extremely disappointing. Apart from your insightful approach to art and unique sensibility one always came to your reviews for the delectably well-worded prose you managed to weave your thoughts in. Yet never seeming poetic (well sometimes yes :)) or flashy or overdone. The bullet-point reports seem like a transcript of the notes you maybe taking down while watching the film. Not fair to us, is it? ?

And I agree with Fatema, that you need to go back to your lengthy reviews. There are barely any good critics for Indian movies, and to have one of them revert to 2 minute Maggi instead of a 3 course meal is not fair on us readers!

It is interesting to see how movies have changed in the last few years. I wonder how the public in, say, Ranchi is going to reach to this firstworldproblem carpe the diem nonsense. One then wonders why Hindi remains a language of choice for movies like these. If anything, making these type of movies in english opens them up to the non-Hindi metro demographic.

I liked the soundtrack on its own. Within the film, it did not have half the impact. Indie songs need Indie treatment, which was lacking in the picturization of Khwabon ke Parindey. I think the movie captures the languor of the country and its vacation perfectly, however, the zing and highs of Spanish travel did not translate to both Ik Junoon and Senorita. Senorita is such a lovely track that it was always going to be a problem filming it, but they could have moved the camera away from the trio and focused on the locals to get the feel of the joie-de-vivre.

i have not read the above comments, maybe this was discussed.

I simply loved the film as i did with Luck By Chance and i think your points against the film are no points at all, it seems that the characters should react in a way in which you feel is right for them;if not they are considered banal or unrealistic.

Not all cinematic movements need to be poignant and perfect, sir you are movie reviewer and not a quality control officer.

I had been expecting a good, if not brilliant film, after Luck By Chance. But it seems to me ZNMD falls short of expectations. I wonder if I should give it a go for those instances of magic that you talked of.

But then, there is a scene in the sequence where kabir is taking pictures of the bridal party. Kalki is in the shot laughing with some other guy. Kabir looks away and busies himself with his camera. Is that regret? Are they somehow now good friends and he realizes he made a mistake? Is there going to be a Zindagi Kash milegi dobara? (I apologize for my rough translation)

The basic premise, that Arjun would agree for an extended road trip with Imran as a part of the trio, was itself implausible. As a part of a bigger group, might have been possible, (though maybe still not probable) since interaction could then have been kept to a minimum. 152ee80cbc

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