Reaching number three on the Billboard 200, the album stayed inside the top ten for 22 weeks, becoming the tenth best-selling album of 1991.[108] The album also became Houston's second number one album on the Top R&B Albums chart, staying there for eight consecutive weeks. The album launched six singles, three of which - "I'm Your Baby Tonight", "All the Man That I Need" and "Miracle", made the top ten, with the former two topping the Billboard Hot 100. That feat helped Houston become the first female solo artist to have multiple number one singles off three or more albums.[109][c] The fourth single, "My Name Is Not Susan", peaked inside the top 20, while the latter two - "I Belong to You" and "We Didn't Know", a duet with Wonder, was only issued to R&B stations. It became Houston's third album to yield five or more top ten singles on the R&B chart. The album would be certified four times platinum in the US for sales of four million copies, while shipping 10 million copies worldwide.[50][110] The album would eventually win Houston eight Billboard awards, including four trophies at the actual Billboard Music Awards in December 1991, including Top R&B Artist. Three of the songs, including "I'm Your Baby Tonight" and "All the Man That I Need", received Grammy nominations. The remix to "My Name Is Not Susan", with British rapper Monie Love, marked one of the first instances of a remix of a pop song to feature a rapper.[111] A bonus track from the album's Japanese edition, "Higher Love", was remixed by Norwegian DJ and record producer Kygo and released posthumously in 2019 to commercial success. It topped the US Dance Club Songs chart and peaked at number two in the UK, becoming Houston's highest-charting single in the country since 1999.[112]

The film's soundtrack also enjoyed success. Houston executive produced the soundtrack along with Davis and recorded six songs for the album.[137][138] Rolling Stone described it as "nothing more than pleasant, tasteful and urbane".[139] The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version was highly acclaimed by critics, regarding it as her "signature song" or "iconic performance". Rolling Stone and USA Today called her rendition a tour-de-force.[140][141] The single peaked at number one on the Billboard Hot 100 and Hot R&B Singles charts for fourteen and eleven weeks respectively, record-setting numbers at the time, while also topping the Adult Contemporary chart for five weeks, resulting in her fourth record-setting "triple-crown" number one single.[142][e] The single was later certified diamond by the RIAA for sales of ten million copies, becoming Houston's first diamond single. She posthumously joined singers Taylor Swift and Mariah Carey as only the third female artist to earn both a diamond single and album.[143] In January 1993, the song became the first single by a solo artist in US history to sell four million copies, later being certified 4x platinum by the RIAA and becoming the bestselling single in US history, a feat later surpassed by Elton John's "Candle in the Wind '97". It remains the bestselling US physical single in history by a female recording artist.[144][145][146][147]


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By 1998, Houston hadn't recorded a full-length studio album in eight years. During discussion over a possible greatest hits album with Clive Davis, however, it was agreed that Houston should return to the studio for a brand new album instead. Recorded and mixed in a six-week period - fastest for any Houston recording - Houston released the album, My Love Is Your Love, on November 17, 1998. The album featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. Led by the Academy Award-winning duet, "When You Believe",[202] with singer Mariah Carey off the Prince of Egypt soundtrack in a week full of star-studded releases, the album debuted and peaked at number thirteen on the Billboard 200, while later topping the European Top 100 Albums chart for six weeks, starting in August 1999.[203][204] The album gave Houston some of her strongest reviews ever. Rolling Stone said Houston was singing "with a bite in her voice"[205] and The Village Voice called it "Whitney's sharpest and most satisfying so far".[206] Billboard magazine noted the album had a "funkier and edgier sound than past releases" and saw Houston "handling urban dance, hip hop, mid-tempo R&B, reggae, torch songs and ballads all with great dexterity."[207]

In May 2000, Whitney: The Greatest Hits was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom.[219] In addition, the album reached the Top 10 in many other countries.[220] While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael) and "Fine" and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star-Spangled Banner" and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 Precious Moments album.[221] Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on The Merv Griffin Show and interviews.[222] The set was later certified five times platinum in the US for sales of five million copies, while worldwide sales reached 11 million.[50][223]

In late 2003, Houston released her first Christmas album One Wish: The Holiday Album, with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart and the album was certified gold in the US.[251]

According to representatives from Houston record label, Houston sold 3.7 million albums and 4.3 million singles worldwide in the first ten months of the year she died.[346] With just 24 hours passing between news of Houston's death and Nielsen SoundScan tabulating the weekly album charts, Whitney: The Greatest Hits climbed into the Top 10 with 64,000 copies sold; it was a 10,419 percent gain compared to the previous week.[347] 43 of the top 100 most-downloaded tracks on iTunes were Houston songs, including "I Will Always Love You" from The Bodyguard at number one. Two other Houston classics, "I Wanna Dance With Somebody (Who Loves Me)" and "Greatest Love of All", were in the top 10.[348] As fans of Houston rushed to rediscover the singer's music, single digital track sales of the artist's music rose to more than 887,000 paid song downloads in 24 hours in the US alone.[349]

The single "I Will Always Love You" returned to the Billboard Hot 100 after almost twenty years, peaking at number three and becoming a posthumous top-ten single for Houston, the first one since 2001. Two other Houston songs also jumped back on the Hot 100: "I Wanna Dance With Somebody (Who Loves Me)" at 25 and "Greatest Love of All" at 36.[350] Her death on February 11 ignited an incredible drive to her YouTube and Vevo pages. She went from 868,000 views in the week prior to her death to 40,200,000 views in the week following her death, a 45-fold increase.[351]

On December 16, 2022, RCA released the soundtrack album to Houston's featured film biopic, titled, I Wanna Dance with Somebody (The Movie: Whitney New, Classic and Reimagined), to every digital download platform all over the world.[380] The soundtrack includes reimagined remixes of some of Houston's classics and several newly discovered songs such as Houston's cover of CeCe Winans' "Don't Cry" (labeled as "Don't Cry for Me" on Houston's soundtrack) at the Commitment to Life AIDS benefit concert in Los Angeles in January 1994, remixed by house producer Sam Feldt.[380]

Jon Caramanica of The New York Times commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [ ... ] Hers was a voice of triumph and achievement and it made for any number of stunning, time-stopping vocal performances."[3] Mariah Carey stated, "She [Whitney] has a really rich, strong mid-belt that very few people have. She sounds really good, really strong."[391] While in her review of I Look to You, music critic Ann Powers of the Los Angeles Times writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano."[392]

Houston released her second studio album, Whitney, on June 2, 1987.[4] The album became the first by a female artist to debut atop the US Billboard 200 album chart, a position it held for 11 weeks.[2][5] "I Wanna Dance with Somebody (Who Loves Me)" was released as the lead single. The dance-pop song was written by George Merrill and Shannon Rubicam.[6][7] It was ranked at number 88 on Slant Magazine's list of the 100 Greatest Dance Songs in 2006.[6] "I Wanna Dance With Somebody (Who Loves Me)", along with the following three singles to be released from Whitney, ("Didn't We Almost Have It All", "So Emotional" and "Where Do Broken Hearts Go"), all peaked at number one on the US Billboard Hot 100 singles chart. Houston holds for the record for the most consecutive number one singles on the chart, with seven.[2] Her third studio album, I'm Your Baby Tonight, was released on November 6, 1990.[8] It was decided by her record label executive, Clive Davis at Arista Records, that Houston should grow as an artist and develop her music further by making an R&B album instead of another pop music album. Davis enlisted L.A. Reid and Babyface to compose more R&B driven songs.[9] The title track was released as the lead single from the album, and it was written by Reid and Babyface.[10] It topped the US Hot R&B/Hip-Hop Songs chart.[9] The second single, "All the Man That I Need", is an "expression of sexual hero worship" according to Stephen Holden writing for The New York Times.[11] 2351a5e196

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