((BETTER)) Download Warm Bodies Subtitles

Everything about how he re-invents the R & J love story is interesting. I recently got to talk to Mr. Marion and we did a Q&A for my scent blog about his masterful use of scent in his books. He's the real deal!

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VIDEO and AUDIOIt's not surprising that a 2013 film sports a good Blu-ray transfer. Still, Warm Bodies' clean, sharp, nice-looking 2.40:1 presentation satisfies. The grunted zombie dialogue is sometimes hard to make out, but that is the only bad thing you could say about the lively, enveloping 7.1 DTS-HD master audio mix. Gladly, English, English SDH, and Spanish subtitles will help most viewers fill in any blanks. BONUS FEATURES, MENUS, PACKAGING and DESIGNWarm Bodies' Blu-ray feels like a throwback to the Golden Age of DVD, both because it is loaded with extras in a way few new films are these days and because it even manages to land lead cast members on an audio commentary.First up is that audio commentary by screenwriter/director Jonathan Levine and stars Nicholas Hoult and Teresa Palmer. It's a fun and easygoing conversation which discusses licensed music that didn't work out, getting a PG-13 rating, body movement training, resisting blinking, Jack Black, and working with John Malkovich. While it may not be as enlightening or serious as the usual commentary, it's also not as dry and boring as the usual commentary. (Speaking of dry, the trio claims to start drinking halfway in.)On the video side, where everything is presented in HD, things begin with "Boy Meets, Er, Doesn't Eat Girl" (9:49), a featurette that explains the project's origins, how Isaac Marion's short story became a novel and how that was tapped for film treatment by Jonathan Levine. "R & J: Nick and Teresa" (16:21) celebrates the film's romance, considering both the lead actors and their characters to slight excess. "A Little Less Dead: The Acting Ensemble" (16:41) pays notice to the supporting actors, including Rob Corddry, John Malkovich, Dave Franco, Analeigh Tipton, the parts they play and the moments they share with the leads. As its subtitle suggests, "Extreme Zombie Make-Over! Make-Up Effects" (10:11) examines the film's make-up effects with behind-the-scenes looks at actors and extras getting transformed into zombies. "A Wreck in Progress: Production Design and Montreal" (14:59) discusses filming in the long-abandoned Mirabel Airport that lends so well to the movie's setting. It also has Palmer give us a tour of some outdoor locations around the Canadian city."Bustin' Caps: Weapons/Stunts" (10:09) focuses on the film's action demands, with Palmer still going on about I Am Number Four. "Beware the Boneys: Visual Effects" (7:04) looks at the film's CG characters and their on-set stand-ins."Whimsical Sweetness: Teresa Palmer's Warm Bodies Home Movies" (12:38) gives us some of the actress' spontaneous, jerky production videos as she chats with crew members, wanders around sets, and shows us her trailer on Halloween 2011. "Zombie Acting Tips with Rob Corddry" (4:43) is a sort of amusing short from the YouTube account Screen Junkies

that interviews the actor and his co-stars and showcases "behind-the-scenes footage."Nine deleted scenes (11:11) are presented with optional Levine commentary. There's nothing too momentous among this lot; R tries to blend in more, is questioned by citizens, and there is a more touchy-feely alternate ending.The gag reel "Shrug & Groan" (5:07) shares with us takes blown by laughter, goofs, technical stumbles, and playful character breaks, all of which prove to be reliably entertaining.Warm Bodies' theatrical trailer (2:32) is nicely preserved.Finally, "Also from Lionsgate" repeats the same three trailers with which the disc opens, advertising The Twilight Saga: Breaking Dawn, Part 2, The Hunger Games, and The Perks of Being a Wallflower.The nifty menu moves character cut-outs among white splats and a paper heart adapted from the theatrical print campaign. The Blu-ray supports bookmarks and it resumes playback of the unfinished film or commentary.Topped by an embossed and subtly holographic slipcover, Warm Bodies' eco-friendly keepcase holds a single-sided insert supplying your code for both the iTunes digital copy download and UltraViolet.CLOSING THOUGHTSA zombie apocalypse seems to be just the thing to elevate a film from the usual romantic comedy doldrums into an uncommonly funny, entertaining ride. It worked for Shaun of the Dead and it works perhaps to an even greater degree for Warm Bodies, surprisingly one of the year's best films so far.Summit's Blu-ray is loaded with extras (over two hours not even counting the commentary!) and though they are a bit heavy on talking heads, there's plenty of value to complement the fine feature presentation. All in all, this is one of the easiest new film releases to recommend in a while.Support this site when you buy Warm Bodies from Amazon.com:

Blu-ray + Digital Copy + UltraViolet / DVD + Digital Copy + UltraViolet / Instant Video

Download Warm Bodies Subtitles

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AN AMERICAN RHAPSODY (PG-13, 106 MINUTES) -- Although hampered by predictable sentiment, first-time filmmaker Eva Gardos's heart is in the right place with this autobiographical story about a young girl named Suzanne (Kelly Endresz-Banlaki), left behind the Iron Curtain for five years when her Hungarian parents (Nastassja Kinski and Tony Goldwyn) flee Communism. After being snatched at the age of six from the rustic couple whom she calls Mommy and Daddy, Suzanne is finally reunited with her real parents in Southern California, where she grows up to become yet another sullen 15-year-old. Scarlett Johansson ("Ghost World") is wonderful as the adolescent Suzanne, but unfortunately the only insight Gardos can mine from her admittedly moving life story is this bromide: "We are who we are because of our past." Contains themes of teenage rebellion and communist repression and one naughty word. In English and Hungarian with subtitles. At the Cineplex Odeon Outer Circle.

{sstar}APOCALYPSE NOW REDUX (R, 173 minutes) -- In this director's-cut rerelease of Francis Ford Coppola's 1979 movie, Capt. Benjamin Willard (Martin Sheen), a burnout case, is sent by the top military brass to track down and kill the renegade Col. Walter E. Kurtz (Marlon Brando) in Cambodia. There is extra footage within existing scenes, here and there. But the most obvious additions are two new scenes: a dreamlike visit to a plantation run by mystical French colonists, and a darker scene featuring a group of Playboy Bunnies who have to barter their bodies for chopper fuel. You owe it to yourself to see (or see again) its undeniably great things, including Robert Duvall's stand-out performance as Lt. Col. Kilgore, a man who loves his surfing, and one of the great movie beginnings: a doomsday scene of silhouetted helicopters, carpet-bombing and the Doors song "The End." Contains bloodshed, drug use, obscenity, sexual scenes and nudity. Cineplex Odeon Wisconsin Ave.

{sstar}THE CLOSET (R, 85 minutes) -- Writer-director Francis Veber is at the top of his form, in this French comedy about a dull factory worker named Francois Pignon (Daniel Auteil), who pretends he's gay to stop his company from firing him. While the firm, afraid of a lawsuit, walks on eggshells to protect Pignon, the heat is on burly employee Felix Santini (Gerard Depardieu) to change his homophobic attitude. While Auteuil underplays, Depardieu counterpoints with an almost ursine, over-the-top portrayal. The performances work very well together: the faceless employee who has become the center of attention and the bearish homophobe trying his best to be sensitive. A very funny combination. Contains sexual scenes and language. In French with subtitles. Area Theaters.

{sstar}GREENFINGERS (R, 91 minutes) -- When five prisoners in a minimum-security prison learn their governor likes flowers, they start a garden, hoping for parole. Things get exciting when they attract the attention of Georgina Woodhouse (Helen Mirren), a gardening celebrity. American writer-director Joel Hershman is definitely scripting this British production by the well-established book, already written by "The Full Monty" and "Billy Elliot." But this is a charmer anyway. And big guys pruning roses is funny. The performances are warm, particularly from Clive Owen and David Kelly, two of the sweetest jailbirds you could ever hope to meet. And the other convicts, played by Danny Dyer, Adam Fogerty and Paterson Joseph, are also affecting. Contains a brief sexual scene and some choice language. Cinema Arts, Cineplex Odeon Outer Circle and Shirlington.

{sstar}HIMALAYA (Unrated, 104 minutes) -- Like the spectacular mountains that surround them, the Nepalese characters in this arty western are scenic attractions unto themselves. The story, set in a village in the Himalayas, is about a confrontation between an aging leader, Tinle (Thinlen Lhondup) and a younger yak herder, Karma (Gurgon Kyap), over who will lead a caravan of yaks across the mountains to barter salt for grain. What follows next is almost a "Red River" scenario, if you exchange Howard Hawks's cattle train for these yaks, and the bad blood between John Wayne and Montgomery Clift for a similar rivalry between Tinle and Karma. Director Eric Valli, a photographer and author turned filmmaker who used actual Nepalese non-actors for his characters, imbues "Himalaya" with deep respect for the culture. And visually, it's wonderful. Contains nothing objectionable. In Nepalese with subtitles. Cineplex Odeon Foundry and Cinema Arts Theatre.

{sstar}LUMUMBA (Unrated, 115 minutes) -- Writer-director Raoul Peck has boiled down the complex story of the Congo's painful first steps as an independent nation into a taut, well-drawn story. And there's a powerful performance from Eriq Ebouaney as Patrice Emery Lumumba, the self-taught visionary whose leadership of the Congo (as it was called then) lasted only months. Peck, who co-wrote with Pascal Bonitez, runs us at a brisk pace through Lumumba's short-lived career, including behind-the-scenes machinations of western powers and run-ins with rivals Joseph Kasa Vubu (Maka Kotto) and reporter-turned-soldier Joseph Mobuto (Alex Descas). The movie's visually stirring. And the locations, in Zimbabwe and Mozambique, imbue the story with eerie authenticity. In French and English with English subtitles. Contains disturbing violence. Visions Cinema/ Bistro/Lounge. 006ab0faaa