Hey, Baby Girl, I was just sitting here thinking about how much I love you. I love you so much that if I tried to really write how much I love you, I would be constantly writing for the rest of my life.
You bring out so much in me that I'm just beginning to see. It's like when we are together, the rest of the world disappears, and nothing else matters but us. I hope I feel this way forever. I want to spend the rest of my life loving you with everything I have to give. Sometimes I feel like I don't deserve someone as loving as you are. Do you know how long I have waited to have someone like you in my life?
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It wasn't luck that brought us together. You are a blessing to me and I wouldn't trade the way I feel about you for anything in this world. You are the reason why I smile. You are the first thing on my mind when I wake up every morning, and you are the last thing I think about every night before I close my eyes, but our time together doesn't end there because you are the only thing I dream about. I really do want to spend the rest of my life with you if you will allow me to. Nothing is too much to give you. I feel that if you're not happy, then the world needs to stop until you are!
Baby, I just want to thank you for loving me like you do, and I am forever in your debt, just for you being good to me. You know, it is strange how I had to go through so many bad situations before you came into my life. I guess it really is true when they say good things come to those who wait because I've waited for someone like you all my life, and you really are the best thing that has ever happened to me.
You have been elusive to me in so many ways but, because none of my objects of infatuation turned out to be you, I feel as if life sometimes may have fooled me, yet I know you are out there. I mean, how could I have seen your face and still overlooked you? Or how could I have heard your voice utter words and not have found anyone that sounded like you? Are you in the stars every time I look up? Of course you are. You are the clouds in the skies, the songs the bird sing every morning. You are everywhere, really. I know you are real. I just constantly wonder why I have not found you yet.
Why haven't I been able to say all that I want, show you all that I am, and give you all I have now? Why is time making us wait so long? We don't know, because this is a factor beyond our control. I will always love you, Darling, and when we finally find each other, it will be God's greatest reward.
So, wherever you are, know that I love you and you will be the one that lurked passionately in my dreams. Know that I am always longing for you and your presence. Know that you will always be everything to me. Even though I have not yet met you yet, I love you, my spirit lover.
Too many days go by without my saying how incredibly fortunate I feel to be with you--but it's true. When we're together, my life takes on new meaning and new freshness. Each morning, each night, and each moment beside you contains all the beauty and vibrancy I could ever hope for.
Thank you for filling my days with love, and for making my toes squirm and my heart flutter. Thank you for always listening to me, for sharing your thoughts with me, for supporting me, and for giving me the chance to support you. Thank you for enriching every aspect of my life, and for continually inspiring me to do better and to be a better person.
When I try to describe your beauty, your smile, your kind heart, I find that my words only begin to scratch the surface of my love for you. You are too amazing, too much of a wonder for language to describe. When we are together, and with each gesture you make, and each word that you utter, I realize, more and more, how special and caring you are, and how lucky I am to be with you. When we are not together, the very thought of you brings me more fully to life.
How can I express my feelings when those feelings take my breath away? How can I measure my love for you when that love compares to nothing else, and when that love exceeds all categories and all expectations? No words can express these realities. No words can express my love for you because you are indescribable, and my love for you is immeasurable.
Simply looking into your eyes sends me through a whirlwind of intense emotions. Just one brief smile from you fills my life with radiance and joy. Until the day I met you, I had never before felt so full of hope and passion. I want you to know, I am forever grateful to be with you. You have given me a heart full of love and days full of laughter, and I will give myself to you always.
I want to start by saying the first single from 'Hell-On' that we've been playing on The Current "Bad Luck" is my favorite song right now. I love the production, I love the lyrics, and of course, I love the layered vocals. Case's voice sounds fantastic. I read an interview that Neko Case did with NPR, where she talked about how she had to cut the vocal for "Bad Luck" the morning she found out that her house burned down. Wow, talk about bad luck. So, that song wasn't written in reaction to her home burning to the ground, it was written and ready long before the fire, but the impact of the fire is forever a part of her vocal performance on the song.
Neko Case was out of the country when a fire took her home, in fact, she was in Sweden to make 'Hell-On'. And if there's any kind of theme to this record, outside of the subject matter of the lyrics, it's collaboration. She enlisted the co-producing help of musician/producer Bjorn Yttling of the indie group Peter, Bjorn and John. And there are guest appearances from several of her musician friends, to write or lend vocals. To name a few: bandmate A.C. Newman of The New Pornographers, Case/Lang/Veirs collaborator Laura Veirs, Eric Bachmann of Crooked Fingers (to cover a Crooked Fingers track), Seattle grunge/alt rock staple Mark Lanegan, Beth Ditto, and others.
Neko Case has such a strong and distinct singing voice, and her voice as a songwriter and producer has made for another strong album. The production is gorgeous; filled with such a warm fullness and richness. The layering of vocals with backup vocals is mixed with the musical arrangements in such a complimentary way. 'Hell-On' is out now and Neko Case is on tour to promote it and we look forward her Twin Cities stop at The Palace Theatre on September 6th.
While metrically analyzing this piece, readers can find the syllable count 8-8-7-7-5 in each stanza. The metrical scheme depends mostly on the iambic meter. The overall poem is composed of iambic tetrameter, iambic trimeter, and iambic dimeter (only the refrain is in this meter) alternatively.
When she utters a word or two, it sounds as if a voice chaster than a nun uttering sermons to a religious gathering. It is a reference to her truthfulness as well as her virginity. Besides, her chastity is not a physical one but a divine one. The speaker wants to break through this spiritual chastity of singularity.
For this reason, when the chime-bell rings in the evening, she devotedly prays to her soul. In this way, Keats glorifies the lady. He invests a spiritual entity inside her. Like a deeply religious being, he implores her to love him truly as if a Christian is praying to God to bestow divine love to him.
There is another layer in this simile. The reference to September sunrise again depicts a pacifying image of the lady. She is indeed inexpressive. But, her inexpressive smile has an embalming quality. It soothes the soul of the lover.
The speaker, in this section, is extremely sad. His love does not touch like the way he wants or he does. When he squeezes her hands, she never responds to her physical call. It makes him sad as well as dejected. He knows she loves him, but her attitude does not reflect it.
In the next two lines, Keats creates a contrast. Firstly, the speaker says her hands feel like that of a statue. When she lays her hands on his, it feels like he is touching the hands of a dead statue. This imagery depicts the inexpressive hands of the lady. It also expresses her coyness and passivity.
While in the following line, he says his hands are full of life. The passion in his heart of the lady even burns them. Whenever he touches her hands, the excitement keeps bubbling in his heart. But, after getting a cold response, it seems as if he is holding the hands of a lifeless statue. For this reason, he implores her to love him and express her emotions truthfully.
Thus the theme of carpe diem comes into play. It sits at the driving seat and revolves around physicality. On top of that, through close reading and analyzing each word of this section, readers can say here the poet talks about spiritual consummation rather than eroticism.
Moreover, the speaker asks the lady to squeeze his hands like the way he did. Previously, her hands failed to respond to his physical call. But, now after understanding his state of mind, she must hold hands passionately. Like the lovers intimately squeezing their hands, she has to act accordingly. The implicit innuendos present here somehow deviates the readers from the real topic. But the following line is going to make everything clear.
He tells the lady to give resort to his soul in hers. Thus it can eventuate the spiritual consummation the speaker badly wants to happen. Through physical proximity and truthful emotions, they can be one and make themselves complete. To make it happen, the beloved has to shed off her coyness and love the speaker with all her heart, truly and passionately.
Poetry+ PDF Guides are designed to be the ultimate PDF Guides for poetry. The PDF Guide consists of a front cover, table of contents, with the full analysis, including the Poetry+ Review Corner and numerically referenced literary terms, plus much more.
After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall.She was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall. Because of personal struggles and an altered voice, her final recordings were met with mixed reaction but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of heart failure on July 17, 1959, at age 44. 152ee80cbc
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