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MOMENTS AFTER HE shattered Billy Joe Saunders' orbital bone in a TKO victory in May 2021, Canelo Alvarez sat in front of a microphone answering questions from media members. Out of nowhere, another boxing champion entered the room. Demetrius Andrade, wearing a shirt that read "Canelo & Billy Joe are scared to fight Boo Boo," chose this moment to approach Alvarez. But just as he had dismissed Saunders in the ring, Alvarez dismissed Andrade.

"He's another fighter that's being railroaded by politics in the sport of boxing that never was given his opportunity to show how great he is and hopefully he can do it come fight night with David Benavidez," pound-for-pound king Terence Crawford told ESPN last week in Las Vegas. "But that's a big task to tackle given the fact that everybody [is] already matching Benavidez and Canelo against each other, and if it's a close fight, it's more money in Benavidez-Canelo than Andrade and Canelo. So, I feel like he's going to have to win in tremendous fashion."

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Against a pressure fighter in Benavidez who gets stronger as the fight tolls on, that will be key. Caleb Plant was able to outbox Benavidez for much of the first half of their March bout, but Benavidez eventually wore him down. Conte said Benavidez and Plant used a 22-foot ring, but Benavidez's team insisted on a 20-foot ring for this bout.

ANDRADE HAS BEEN fighting for nearly 30 years, and for much of that time, he was recognized as a singular talent, an accomplished amateur who went on to win titles at 154 and 160 pounds as a professional. He's headlined countless times, including in his hometown of Providence. But he's never been on a stage like this -- a PPV headliner in Las Vegas -- with the stakes this high. And despite all those rounds under his belt, between the amateurs, sparring sessions and the pros, Andrade insists that age has taken nothing away from him. There's merit to that belief.

When Saunders was denied a boxing license for his scheduled fight vs. Andrade, fringe contender Walter Kautondokwa stepped in and was floored four times by Andrade in the first four rounds. Despite that, Andrade settled for a near shutout victory on the cards. Two fights later in 2019, Andrade dropped Maciej Sulecki in the opening round and then cruised to a shutout decision win, but failed to finish him. Against 20-1 underdog Nicholson (his most-recent outing), Andrade scored knockdowns in the final two rounds.

"In boxing, the objective is bodily harm. It's damage," Conte said. "So, it's much more important to have drug testing in boxing than it is any other sport for that exact reason. So, if I can help in that regard, you know, BooBoo's like my son that I never had. I'm looking out for him. The best way to look out for him is figure out what the other guy's doing and preventing him from doing any bad stuff that can prevent damage to my fighter."

For the NBA's preeminent athletes, there's a lot of money on the table, when it comes to endorsement deals. In the 2022-2023 season, James made $80 million on endorsements, for instance, while Curry, Durant, and Giannis Antetokounmpo all made more than $40 million apiece, according to data from Statista.

In 95% of cases, value creation will be the central element. Ultimately, this is nothing else than profit generation over a specific time frame. You then draw a driver tree for profitability in order to isolate the numerical drivers for your solution. And then, only after you have drawn out the driver tree, you can map out the relevant qualitative "framework elements" to the sub branches. This approach, visualized by means of a rigorous driver tree, is much much clearer then any framework you will find in any case book. And, contrary to such frameworks, which are hanging in the air and do not logically relate back to the specific question, this is a bullet proof approach when done rigorously.

The best approach would then depend on two factors: how much time you have before the interview and your opportunity cost for the time you would spend practicing with the free approach, which you could actually spend on something else instead.

Because so much policy is made by the government. So by having everybody at the table, we begin to design solutions together. We begin to make commitments together, hence the idea of a collaborative. So this way, we are saying, look, let's all commit to decarbonization, with the goal of 50% reduction of total carbon emission by 2030 and net zero by 2050. How can we do this together? Let's measure together. Let's start learning from each other. Let's create what we call "journey map," which allows you to say, if I want to enter this journey, where do I start? Well, step 1, step 2, step 3. We want to measure where do I start. So we are pulling everybody together to row in the same direction. That's the idea of a collaborative.

Unger: Well, that sounds very exciting. Dr. Dzau, thank you so much for joining us and giving us that perspective. And it's great to learn more about the collaborative. In the episode description, we'll include a link where people can learn more about the action collaborative and how to join it.

May 10, 2006 at 06:59 AM A fair price depends on a lot of things. How nice the particular example is and the condition. I have tried some V. Fetique but find them to stiff for my taste. Before you buy I recommend you to try a Jules Fetique. They are much better bows (some say constently better than Sartory) but harder to find.

12K-14K sounds like a good ball park, but again a lot depends on the condition, provenance if any, if it is gold mounted and or an exhibition bow etc. I have seen some exhibition bows (of his) that are exquisite, and ofcourse more money....

Jules Fetique, was also an excellent maker whose early work resembles very much the work of Sartory. No surprise, since he left his apprenticeship with C.N.Bazin in 1902 to work for Sartory in Paris.

In 1930's after having worked for CARESSA & FRANCAIS shop, he set up his own shop in Paris. It was in this period that he was inspired very much by the Peccatte school. He made some very fine copies of the great Master's work (D. Peccatte). These examples from the mid 1930's onwards (he died in 1951), mark the beginnings of the new Parisian school of the 1950's ('the square head').

I'm doing very well... Thank you for asking! I've been a little busy in the shop and with some "extra-curricular" activities (a couple short articles that were/are being published & and working with a web designer to update my site) that I haven't had much time for the web lately. Summer looks like it may be a little more relaxed. :-)

July 16, 2007 at 11:04 AM I am new to this site. Have just bought a bow on ebay for little money which is stamped Vtor Fetique a Paris. It is old looking and stamp is upside down on one side in relation to other. The bow looks original as the stamp is even quite faded especially on the side where the thumb goes down. It is also different from my current bow in that it has very little space after the frog only about 3mm. The other bow has considerably more. But this does not seem to affect the balance which despite the bow needing a rehair is equisite. I have heard that Germans faked this bow at around the same time as the real ones were being produced in Paris (this is from the info. on this site written previously). How can you tell whether this bow is the real maccoy or a German fake?

It drew an exquisite sound of of my violin especially the E string. I gave it to a friend to try and she said it played better than her $24,000 Lamy. Couldn't quite scare up the money in time and someone else grabbed it.

Lustig was born in Hostinn, Bohemia, Austria-Hungary. He learned easily throughout his youth, becoming a quick-study, which also proved to be a source of trouble. At the age of 19, while taking a break from his studies in Paris, Lustig took to gambling. During this time he also sustained a defining scar on the left side of his face from the jealous boyfriend of a woman he consorted with.[3] Upon leaving school, Lustig applied both his quick wit and sizing up of a situation and his fluency in several languages to embark on a life of crime, eventually focusing on conducting a variety of scams and cons that provided him with property and money, and which transformed him into a professional con man.[4]

Many of Lustig's initial cons were committed on ocean liners sailing between the Atlantic ports of France and New York City;[4] amongst the schemes he pulled on rich travellers included one in which he posed as a musical producer who sought investment in a non-existent Broadway production. When the services of Trans-Atlantic liners were suspended in the wake of World War I, Lustig found himself in search of new territory to make an income from, and opted to travel to the United States. By this time, he began to earn a level of infamy amongst various law enforcement agencies for the scams he committed, including one he conducted in 1922 in which he conned a bank into giving him money for a portion of bonds he was offering for a repossessed property, only to use sleight of hand to escape with both the money and the bonds.[3]

Once he was ready, Lustig invited a small group of scrap metal dealers to a confidential meeting at an expensive hotel, whereupon he identified himself to them as the Deputy Director-General of the Ministre de Postes et Tlgraphes (Ministry of Posts and Telegraphs).[3] In the meeting, he convinced the men that the upkeep of the Eiffel Tower was becoming too much for Paris and that the French government wished to sell it for scrap, but that because such a deal would be controversial and likely spark public outcry, nothing could be disclosed until all the details were thought out. Lustig revealed that he was in charge of selecting the dealer who would receive ownership of the structure, claiming that the group had been selected carefully because of their reputations as "honest businessmen". His speech included genuine insight about the monument's place in the city and how it did not fit in with the city's other great monuments like the Gothic cathedrals or the Arc de Triomphe.[5] 17dc91bb1f