The legendary A-Range equalizer holds a unique place in audio history, with a stunningly musical sound that resulted from its all-discrete transistor circuitry and the use of inductors in the upper and lower mid bands. The A-Range is a faithful re-creation of the original four band Trident A-Range equalizer in a 500 module format, that will add the unique Trident signature to any programme material.
The legendary A-Range equaliser holds a unique place in audio history, with a stunningly musical sound that resulted from its all-discrete transistor circuitry and the use of inductors in the upper and lower mid bands. The A-Range s a faithful re-creation of the original four band Trident A-Range equaliser in a 500 module format, that will add the unique Trident signature to any programme material.
Download Trident A Range
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The following outlines the warranty periods for all Trident Analogue electronics. All warranty service requires Proof of Purchase. Proof of purchase is the original Bill of Sale or Sales Invoice from an authorized dealer.
Trident Audio Developments electronics are covered by a limited warranty against defects in materials and workmanship (parts and labor) for a period of One (1) Year from the date the unit is sold to the Dealer or original purchaser only.
Any dispute, controversy or claim arising out of or relating to this Agreement shall be decided by arbitration in Los Angeles, California, in accordance with the rules of the American Arbitration Association (the Association) then in effect. Any award rendered by the Association shall be final, binding and not subject to appeal, and may be enforced by any court of competent jurisdiction.
A color-coded (red) knob provides controls for loudness compensation within the range of -6 to +6 (cut/boost intensity level). Click the knob and drag up to increase the value and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (black) knob provides controls for tilt equalization within the range of -6 to +6 (cut/boost intensity level). Click the knob and drag up to increase the value (favoring high frequencies) and drag down to decrease (favoring low frequencies). Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (green) rotary knob sets the high pass filter slope in dB per octave, within the range of 0 dB/Off (Off=default) to 18 dB. Click the knob and drag up to increase the value and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (green) rotary knob sets the high pass corner frequency within the range of 100 Hz to 400 Hz. Click the knob and drag up to increase the frequency and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (green) rotary knob sets the low pass filter slope in dB per octave, within the range of 0 dB/Off (Off=default) to 18 dB. Click the knob and drag up to increase the value and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (green) rotary knob sets the low pass filter corner frequency within 4 kHz to 15 kHz. Click the knob and drag up to increase the frequency and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (black) rotary knob sets the saturation enhancement level within the range of 0 (MIN) and 100 (MAX). Click the knob and drag up to increase the value and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
A color-coded (red) rotary knob sets the output gain level within the range of -16 dB to +16 dB. Click the knob and drag up to increase the value and drag down to decrease. Alternatively, double-click on the rotary knob to manually enter a value.
Use the -8.0 or -18.0 radio buttons above the VU meter to toggle between a 0 VU calibration level of -8.0 dBFS or -18 dBFS respectively. NOTE: Calibration applies to the VU meter only; the PPM meter range is mapped directly to peak values between -20 and +3 dBFS.
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Another of the legendary studios to use the A-Range consoles was Chreeokee Recoding Studios in Hollywood. Cherokee studios owned at one time 4 A-Range consoles. Many bands and artisits have recorded on A-Range consoles at Chreeokee over the years including the following;
While living in one of the West Hollywood apartment complexes directly behind Cherokee Studios, Bonnie Raitt would pick up backup singing recording gigs with music producers Bruce Robb and Steve Cropper.
While he was recording Stop and Smell the Roses at Cherokee Studios in 1980, Ringo Starr invited George Harrison, Paul McCartney and Linda McCartney to guest on the album; Paul McCartney and Harrison also produced some of the tracks. Starr had approached John Lennon to help out as well, had received two demos of songs which eventually wound up on the posthumous Lennon album Milk and Honey, and reportedly, Lennon had agreed to come to Los Angeles in January 1981 and take part in the recording; the album then would have been a modest Beatles reunion. The assassination of Lennon prevented those plans from coming to fruition. Ronnie Wood of the Rolling Stones also collaborated with Starr on the album at Cherokee, adding guitar, bass, saxophone, keyboards, and back-up vocals.
The Trident missile is a submarine-launched ballistic missile (SLBM) equipped with multiple independently targetable reentry vehicles (MIRV). Originally developed by Lockheed Missiles and Space Corporation, the missile is armed with thermonuclear warheads and is launched from nuclear-powered ballistic missile submarines (SSBNs). Trident missiles are carried by twelve [1] United States Navy Ohio-class submarines, with American warheads, as well as four Royal Navy Vanguard-class submarines, with British warheads. The missile is named after the mythological trident of Neptune.[2] 152ee80cbc
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