Download Trap Songs Mixtape

Back in 2012/2013, a highschool friend of mine showed me a mixtape I believe was called Trapaholics - Back to the Trap possibly with a volume number. The cover art was typical Trapaholics, pot on a stove, money, bullets etc. I think maybe a chick with a big ass lol. I hadn't seen or heard anything like that at the time and it definitely influenced my tastes a lot.

I've looked pretty extensively for this but I think due to the age of the tape as well as the sheer volume of Trapaholics Mixtapes I haven't even been able to find evidence of it existing. If anyone knows where I can buy or otherwise legally obtain this mixtape, i would be stoked. I would also just be happy if someone else remembers it

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hi! i'm completely new to making mixtapes and that is going to be my first one! it's about 1 hour long, does contain 21 track from multiple genres: trap, hyperpop, emo, edm. the thing is - i don't know how to mix volume. it's been about 2 weeks and i listen to it almost every day, but i ALWAYS find some too quiet or too loud tracks that stick out from overall volume. then i change it and some chain reaction occurs - other tracks become too loud or too quiet.

hello! i'm completely new to making mixtapes and that is going to be my first one! it's about 1 hour long, does contain 21 track from multiple genres: trap, hyperpop, emo, edm. the thing is - i don't know how to mix volume. it's been about 2 weeks and i listen to it almost every day, but i ALWAYS find some too quiet or too loud tracks that stick out from overall volume. then i change it and some chain reaction occurs - other tracks become too loud or too quiet.

Because his albums are intended to be so poignant, both lyrically and thematically, Logic may feel the need to forge a different creative path for his mixtapes. Convention does not dictate that mixtapes released by established artists are supposed to send a message or be perfect.

The fact that critics have disparaged this latest one is a testament to the standard that Logic has set for himself. Without a defined theme, he frees himself to explore different genres while providing a trap experience for those fans who want party music.

On a late-summer morning, Rice and a fellow Minneapolis College of Art and Design faculty member met with Bellshop senior manager Mark Skeba and Hamburger Helper representative Amber Benson for coffee at a local caf. Skeba and Benson explained that they were planning a nationwide contest where anyone could submit a song to potentially be featured on the mixtape.

Those who decided to participate were paired up and given contracts to sign; it slowly dawned on them that this was a serious opportunity. By December, they were ready to pitch rough cuts of their songs to the Hamburger Helper team.

Iggy Azalea, the freshest female voice in hip-hop just dropped her full length mixtape "Trap Gold". We sampled this hot release with the very catchy video for Bac 2 Tha Future (My Time). Iggy brings us with dope hip-hop mix-tapes completely infused with some of the hottest electronic productions around thanks to the whole project being executively produced by Diplo and 1st Down of FKI. The project incorporates the straight hood vibe of old school trap music wit that newer electronic twist. It's a relatively short mix-tape with lots of solid tracks like "Demons", "Quicktime" a feature from trap icon Juicy J on "Flexin' & Finessin'" produced by FKi Fki & Flosstradamus, and even she even goes in on a trapped out version of Flux Pavillion's popular remix to "Gold Dust". I recommend grabbing the whole project, it's only 11 tracks with intro and outro. This is definitely the real start of something strong for Iggy. A great listen for hip-hop and electronic fans. Enjoy!

UK drill stars, Headie One and K-Trap have announced that their joint mixtape will be released on September 22, marking one of the most highly-anticipated collaborative projects to come out of the UK in recent times.

The two rappers took to social media last year to tease their joint project, however, on September 1, the pair announced the release date for the mixtape before making the project available for pre-order last night.

Based on popular demands by lovers of foreign music, one of Nigeria`s young most sought after Disc Jockey, DJ OP Dot has released trap inclined mixtape titled Gangsta Trap Mix.

In the early 2000s, DJ Drama's mixtapes launched artists' careers and defined a new sound. But when mixtapes became a scapegoat for the music industry's collapse, Drama took the fall. Richard Ecclestone / Redferns hide caption

But early mixtapes, like sampling, used copyrighted material without permission. And while copyright law was created to give artists a financial incentive to create, it actually stifles hip-hop producers who rely on sampling and recontextualizing.

At their height, mixtapes were hip-hop's talking drum: bought and sold on the black market, dictated by the streets and bankrolled by the industry. But the bigger they got, they became every bit as threatening to the major labels that owned the masters in the music business.

By the mid-'90s, the music industry was raking in more money than it ever had, but the RIAA set its sights on the underground economy of mixtapes. In its 1995 year-end report, the association issued a warning about the "growing popularity of illicit DJ's mixing in CD format."

Drama would've been a high school junior at the time. Just a few years earlier, he'd bought his first mixtape, DJ S&S Old School Part 2, off a bootlegger on 125th Street in Harlem. And by 1996, he'd even dropped his own mixtape called Illadelph, featuring Philly artists like Bahamadia and Black Thought of The Roots.

His first year at Clark Atlanta, Drama was still unknown, too. But he knew how to hustle, setting his yellow boombox up on a campus trash can to sell his homemade mixtapes. Even then, it was his marketing savvy that separated him from the pack.

The mixtape model had its risks, but it also had its rewards: Drama didn't have to license any of the music or pay artists, and it cost him around $0.50 to print a CD that he'd sell for $5-10. He says there were months where he was selling 50,000-75,000 mixtapes a month. He'd gone from making $100 a week in his college mixtape-hustle days to $50,000-$60,000 a month. He remembers watching as his bank account grew into the hundreds of thousands of dollars, more money than he'd ever seen.

At the same time, CD sales were taking a nosedive; websites like Napster and Limewire made it easier than ever to download music illegally with just a few clicks. So the record industry hit back; the RIAA started filing lawsuits against random fans for illegal downloading as a scare tactic. And in 2005, the RIAA and local police raided a record store in Manhattan, arresting five employees and confiscating hundreds of mixtapes.

But Gangsta Grillz's popularity was starting to present some problems. Drama made a deal with an independent distributor that started selling his mixtapes in a major retail chain. Next thing you know, Drama says they were airing Gangsta Grillz commercials on BET. That's when he started getting a little nervous.

"The labels wouldn't know what was coming next if it wasn't for mixtapes," he says. "It's the veins of the culture. Everything in hip-hop from '95 to 2007 came from mixtapes. The blend style from Ron G, R&B vocals over hip hop beats. That's mixtape s***. That became a style of music that the labels got rich off."

"What we were doing is not wrong," he says. "Gangsta Grillz is the biggest thing, arguably, ever in the mixtapes history. This is what y'all make billions off. Don't sit here and tell me that what we're doing is wrong."

Why, then, did the labels go after Drama? NPR reached out to the RIAA, and despite several attempts, the group refused to talk on the record. At the time, Carlos Linares, who was then the Vice President of Anti-Piracy at the RIAA, told MTV News there was "no RIAA policy geared towards going out and enforcing against mixtapes." But, he said, the group did have "an ongoing policy to help identify illicit music product and bring it to the attention of law enforcement."

The charges were "dead docketed," meaning Drama and Canon wouldn't be prosecuted, but the charges could be reinstated at any time. Drama says the DJs never got their money back; according to him, law enforcement claimed they couldn't prove what was earned from legitimate mixtapes and what was from illegal bootlegs, so they kept it all.

"I felt some guilt because I'm like, yo ... I can't let the mixtape game die on my shoulders," he says. "Like, here's this culture I grew up loving and then I go to jail for it. If they can lock up Drama, nobody's safe. This s***'s done. It's over. It's a wrap."

The pushback wasn't just coming from the RIAA, either. The success of Gangsta Grillz was breeding contempt, even among artists like Lil Wayne who'd benefitted from the series most but who weren't getting paid from mixtapes directly.

"This is the same guy that also wound up saying, f***mixtape DJs," Drama recalls of Lil Wayne. "And I wound up having him call into my show to explain, and then we wound up doing Dedication 3. I never really felt personally betrayed by Wayne, even when he made them comments. My grandmother wasn't too happy about it. She definitely was pretty hurt."

As for mixtapes, Drama still makes them from time to time. But now, they're only a small percentage of the business that keeps him busy. He's an A&R, and he and Cannon run their own label, Generation Now, distributed through Atlantic and responsible for the careers of artists like Lil Uzi Vert, Jack Harlow and more. And Drama says he doesn't have any qualms about having gone back to working with the industry. e24fc04721