Download High Quality Trap Instrumental

Starting out as an underground hip-hop subgenre in the southern US, trap has become the dominating form of hip-hop worldwide, with practitioners including Drake, Nicki Minaj and Bad Bunny. Trap has a militant, synthetic feel that gives it a vibe all of its own, so what are trap beats, and how can you make them yourself?

The common elements of a trap beat include a half-time drum pattern, a deep 808 bass, hi-hat rolls and triplets, and tempos ranging from 130 to 200 BPM. Musically, trap features minimal accompaniment to the drums and bass with one or two melodies providing the musical backbone. The fewer elements on the track, the louder each element will sound in the mix. Aside from vocals, the musical elements in trap music tend to be synthetic and melodic with a vibe that sounds chill, aggressive, or psychedelic.

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The trap beat genre tends to feature relatively sparse accompaniment to the drums and bass. The relative scarcity of elements and elegance of programming helps trap sound big and punchy on everything from phone speakers to club systems.

The main instruments common in all trap music are the 808 drum kit and bass. For chords and melody, producers typically use pads, piano, and synths but also experiment with sounds from other genres like the electric guitar, winded instruments, and more.

As a final touch on your percussion, hi-hat production is key to trap beats. You can craft your own hi-hat patterns with multiple sounds and fills, or use a loop where this has already been done. The characteristics of a trap hi-hat are fast, dynamic & clicky. Many hi-hat loops will combine a handful of hi-hat samples mixed together in 16th, 32nd, or 64th note patterns to create a glitchy sounding, futuristic sound.

Trap is a subgenre of hip hop music that originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999.[1][3] The genre gets its name from the Atlanta slang term "trap house", a house used exclusively to sell drugs.[4] Trap music uses synthesized drums and is characterized by complex hi-hat patterns, tuned kick drums with a long decay (originally from the Roland TR-808 drum machine), and lyrical content that often focuses on drug use and urban violence.[5][6][7][8] It utilizes very few instruments and focuses almost exclusively on snare drums and double- or triple-timed hi-hats.[9][10]

Pioneers of the genre include producers Kurtis Mantronik, Mannie Fresh, Shawty Redd, Fatboi, Zaytoven, DJ Screw, and Toomp, along with rappers Young Jeezy, Gucci Mane and T.I.. The modern trap sound first appeared in 1999 with East Point's Greatest Hit Cool Breeze.[1] The style was popularized by producer Lex Luger, who produced the influential Waka Flocka Flame album Flockaveli in 2010, and cofounded the prolific hip-hop production team 808 Mafia.[4]

In trap music, lyrical themes must revolve around the general life and culture in the "trap" or in the actual southern trap house where controlled substances are being sold. The term "trap" refers to places where drug deals take place. Other topics also include street life, acquiring wealth, violence, American vehicles, and life experiences that artists have faced in their southern American surroundings.[19]

Trap music employs multilayered thin- or thick-textured monophonic drones with sometimes a melodic accompaniment expressed with synthesizers; crisp, grimy, and rhythmic snares, deep 808 kick drums, double-time, triple-time, and similarly divided hi-hats, and a cinematic and symphonic use of synthesized string, brass, woodwind, and keyboard instruments to create an energetic, hard-hitting, deep, and variant atmosphere.[7][8][20][21] These primary characteristics, the signature sound of trap music, originated from producer Shawty Redd. Trap may use a range of tempos, from 50 BPM (programmed at 100 BPM to achieve finer hi-hat subdivision) to 88 (176) BPM, but the tempo of a typical trap beat is around 70 (140) BPM.[22]

As rap grew, it created many forms such as gangsta rap, which shined more of a light on the dangerous lifestyle of those in American neighborhoods in poverty, and on political issues. As rap mutated into 'gangsta' rap, 'gangsta' rap would then transform to trap, a new form of music, that followed a different thought process and different tones.[23] Early producers creating trap music included Lil Jon from Atlanta, Georgia, where the term originated as a reference to places where drug deals are made, who along with Mannie Fresh from New Orleans and DJ Paul from Memphis, Tennessee worked with local acts in Atlanta including Dungeon Family, Outkast, Goodie Mob, Three 6 Mafia, Tommy Wright III and Ghetto Mafia.[24] In 1992, one of the earliest records to release was UGK's "Cocaine In The Back of the Ride" from their debut EP, "The Southern Way". Later in 1992, they released the popular "Pocket Full of Stones" from their major-label debut album Too Hard to Swallow. It was also featured in the 1993 film Menace II Society. In 1996, Master P released his single "Mr. Ice Cream Man" from his fifth studio album Ice Cream Man. Fans and critics started to refer to rappers whose primary lyrical topic was drug dealing as "trap rappers".[7] T.I.'s 2001 song "Dope Boyz", from his debut album I'm Serious, includes the lyrics "the dope boyz in the trap nigga / the thug nigga, drug dealer where you at".[25] David Drake of Complex wrote that "the trap in the early 2000s wasn't a genre, it was a real place", and the term was later adopted to describe the "music made about that place".[26]

During the early- to mid-2000s, trap music began to emerge as a recognized genre after the mainstream success of a number of albums and singles with lyrics that covered life in "the trap", drug dealing and the struggle for success.[8] Several Southern rappers with drug dealer personas such as T.I., Young Jeezy, Gucci Mane, Boosie Badazz, Young Dolph, Lil Wayne, and Rick Ross produced crossover hits and helped expand the popularity of the genre, with trap records beginning to appear more heavily on mixtapes and radio stations outside of the South.[10] Though trap artists were somewhat diverse in their production styles, the signature and quintessential trap sound (typically based around synth, orchestra, and string swells with tight, bass-heavy 808 kick drums) that would come to be associated with the genre developed in Atlanta during trap's mid-2000s breakthrough. Some of the notable trap producers during the mid to late 2000s include DJ Toomp, Fatboi, Drumma Boy, Shawty Redd, D. Rich, and Zaytoven. The first wave of the trap sound was influenced by earlier Southern producers such as Lil Jon, Mannie Fresh, and DJ Paul.

With the exception of Outkast, let me think, Goodie Mob... with the exception of that, before I came in the game, it was Lil Jon, Outkast, Goodie Mob, okay so you had crunk music and you had Organized Noize. There was no such thing as trap music, I created that, I created that. I coined the term, it was my second album, Trap Muzik it dropped in 2003. After that, there was an entire new genre of music created. An open lane for each of you to do what you do, and live your lives, on T.V., and be accepted by the masses. The masses have accepted you 'cause I opened the door and you walked through it. Don't forget who opened that door, cuz.

By the end of the decade, a second wave of trap artists gained momentum and frequently topped the Billboard hip hop charts.[10] Trap producer Lex Luger gained huge popularity, and produced more than 200 songs in 2010 and 2011, including a number of singles for mainstream rap artists such as Rick Ross' "B.M.F. (Blowin' Money Fast)". Since Luger's rise, his signature trap sound has been the heavy use of 808s, crisp snares, fast hihats, synth keys, and orchestration of brass, strings, woodwind, and keyboards.[21] Many of his sounds have been adopted by other hip hop producers trying to replicate his success. As such, Luger is often credited with popularizing the modern trap sound.[28] Since the 2010s, an array of modern trap producers have gained industry popularity, most notably 808 Mafia's Southside and TM88, Sonny Digital, Young Chop, DJ Spinz, Tay Keith and Metro Boomin. Some producers expanded their range to other genres, such as contemporary R&B (Mike WiLL Made It) and electronic music (AraabMuzik).[5]

Throughout 2011 and 2012, trap music maintained a strong presence on the mainstream Billboard music charts with a number of records released by rappers such as Young Jeezy, Chief Keef and Future.[10] Jeezy's single "Ballin" reached number 57 on the Billboard charts and was considered one of Jeezy's best tracks in some time.[29] Future's single, "Turn On the Lights", was certified gold and entered at number 50 on the Billboard Hot 100 and Keef's "I Don't Like" and "Love Sosa" generated over 30 million views on YouTube, spawning a new subgenre within trap called drill, or later called Chicago drill following the rise of the less-trap oriented, grime-influenced UK drill.[30] Music critics called drill production style the "sonic cousin to skittish footwork, southern-fried hip-hop and the 808 trigger-finger of trap". Young Chop is frequently identified by critics as the genre's most characteristic producer.[31][32][33] The sound of trap producer Lex Luger's music is a major influence on drill,[32][34] and Young Chop identified Shawty Redd, Drumma Boy and Zaytoven as important precursors to the drill movement.[33] "I Don't Like" inspired fellow Chicago native, notable hip hop producer and rapper Kanye West to create a remix of the song, which was included on his label GOOD Music's compilation album Cruel Summer. Stelios Phili of GQ called trap music "the sound of hip hop in 2012".[9]

Since maintaining a strong presence on the mainstream music charts, trap music has been influential to non-hip hop artists. R&B singer Beyonc's songs "Drunk in Love", "Flawless" and "7/11", all from her 2013 album Beyonc, also contained trap influences. American dance-pop singer Lady Gaga recorded a trap-inspired song titled "Jewels 'n Drugs" for her 2013 album Artpop, featuring rappers T.I., Too Short and Twista. The combination of pop and trap music was met with mixed responses from critics.[35][36] In September 2013, American pop singer Katy Perry released a song titled "Dark Horse" featuring rapper Juicy J, from her 2013 album Prism, that incorporated trap elements.[37][38] The song reached number one on the Billboard Hot 100 by the end of January 2014.[39] e24fc04721