This study examines the modes of framing mental illness in the Yoruba genre of Nigerian movies. All Yoruba films on display in a convenient sample of movie rental shops in Ibadan (Nigeria) were sampled for content. Of the 103 films studied, 27 (26.2%) contained scenes depicting mental illness. Psychotic symptoms were the most commonly depicted, while effective treatments were mostly depicted as taking place in unorthodox settings. The most commonly depicted aetiology of mental illness was sorcery and enchantment by witches and wizards, as well as other supernatural forces. Scenes of mental illness are common in Nigerian movies and these depictions-though reflecting the popular explanatory models of Yoruba-speaking Nigerians about mental illness- may impede utilization of mental health care services and ongoing efforts to reduce psychiatry stigma in this region. Efforts to reduce stigma and improve service utilization should engage the film industry.

After the decline of the Golden era, Nigerian film industry experienced a second major boom in the 1990s, supposedly marked by the release of the direct-to-video film Living in Bondage (1992); the industry peaked in the mid-2000s to become the second largest film industry in the world in terms of the number of annual film productions, placing it ahead of the United States and behind only India.[20] It started dominating screens across the African continent, and by extension the Caribbean and the wider diaspora,[21] with the movies significantly influencing cultures[22] and the film actors becoming household names across the continent. The boom also led to backlash against Nigerian films in several countries, bordering on theories such as the "Nigerialization of Africa".[23][24]


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Since the mid-2000s, during the decline of the video-film era, the Nigerian cinema has undergone some restructuring to promote quality in output and professionalism in the industry, with The Figurine (2009) widely regarded as marking the major turnaround of contemporary Nigerian cinema. There has since been a resurgence in cinema establishments, and a steady return of the cinema culture in Nigeria.[9][25] As of 2013, Nigerian cinema is rated as the third most valuable film industry in the world based on its worth and revenues generated.[26] with the movies significantly influencing cultures.

As of 2004, at least four to five films were produced every day in Nigeria. Nigerian movies had also already dominated television screens across the African continent and by extension, the diaspora.[21] The film actors also became household names across the continent, and the movies significantly influenced cultures in many African nations; from ways of dressing to speech and usage of Nigerian slangs.[22] This was attributed to the fact that Nigerian films told "relatable" stories, which made foreign films to "gather dust" on the shelves of video stores, even though they cost much less.[40]

The increased collaboration between Nigeria and Ghana from the mid-2000s led to the resurgence of Ghana's film industry. However, many Ghanaian productions are copyrighted to Nollywood and distributed by Nigerian marketers due to Nigeria's bigger market. Nigerian filmmakers usually feature Ghanaian actors in Nigerian movies as well and that has led to the popularity of Ghanaian actors almost like their Nigerian counterparts. Nigerian actors have also starred in some Ghanaian productions, in order for the film to capture wider audience.[73][74][75] Van Vicker, a popular Ghanaian actor, has starred in many Nigerian movies. As a result of these collaborations, Western viewers often confuse Ghanaian movies with Nigerian films and count their sales as one; however, they are two independent industries that sometimes share the colloquial "Nollywood".

The overwhelming popularity of Nollywood productions has also led to backlash against Nigerian films in several countries. For instance, there have been reported cases of shops selling Nigerian films being raided by the police in Ghana; according to them, "they are struggling not to be colonized by Nigerian movies".[22][23] Several other governments have also introduced protectionist measures, some of which include introducing spurious taxes for production houses who want to shoot films in their countries. In July 2010, Ghana started demanding US$1,000 from visiting Nigerian actors and US$5,000 from producers and directors.[21][24] The Democratic Republic of Congo had also tried to ban Nigerian films. Jean Rouch, a champion of indigenous art in Niger, compared Nollywood to AIDS. He stated that there seems to be a "Nigerianization" of Africa, worrying that the whole continent has come to "snap its fingers the Nigerian way".[21]

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You may have lost hope in the Nigerian movie industry but the Nollywood industry has changed, and they are producing the best movies you can ever watch. These movies are an upgrade of the ones we watched in the 2000s and 2010s. We have better equipment and actors that bring good stories to life.

In this article, I will give you the list of the top 15 Nigerian movies to watch that will draw you closer to thinking widely about life, our choices, tackling background limitations, societal values, political manipulation, friendship and sacrifices, and even thoughts on adulting. You know, being an adult is no joke.

In the quest to make it into the music industry, an event took their lives unjustly. How did they fall victim to jungle justice? Dark October is one of the movies to watch to get a clearer view of what human lies, darkness, and heartlessness portray.

This is one of the movies to watch if you want to discover how Gen-Z survive through background limitations, career impossibility, and struggles. Financial struggles led a teen to manoeuvre his way into making a career break for himself, paving the way for success.

Palava is one of the lovable movies to watch in 2023. It tells the story of a high-life musician who lives between family, love for women, musical career, and scandals. Osage Idehen (Richard Mofe Damijo), revolves around a resurgence in his musical career after a fall. In the middle of the resurgence, his life and his family are turned upside down when a scandal is revealed on the eve of his 60th birthday party and signing a huge deal.

The society we live in has a place for women, their lives and what they become, but as it is, women are standing up to become more and breaking the limitations placed on them. This movie is one of the movies to watch as it portrays the lives of four women getting to navigate their lives (professional and personal) through their flaws yet becoming unbreakable as their friendship gave way to selflessness, family bond, sisterhood and making sacrifices.

Crime and Justice Lagos is one of the movies to watch and discover so much about the professional space, effectiveness and carelessness encountered by law enforcement officers, getting justice for the citizens and eradicating corruption. Each episode of this series picks a particular societal challenge and builds up a tactical solution.

This movie series showcases love and betrayal, trust and betrayal, sacrifice and human selfishness whilst building a career, changing the political selfishness and corruption played in our politics and society. This Nigerian series is one of the movies to watch as it takes you through what family and the bond they share means, breaking all odds to do the right thing and, at the same time, tackling greed and, sabotage, political manipulation from people we trust.

It is election season in Nigeria, and movies are a great way to understand history, the polity, and the politicking that goes on to a certain extent, considering the stories highlight the nitty-gritty of the underground and surface-level activities in the political sphere.

The industry, which is worth over $55bn and one of the major exports in the country, has employed more than 10 million Nigerians. Daily Trust takes a look at some of the most popular movies in the history of the industry. 2351a5e196

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