The single is produced by Dr. Dre and fellow Aftermath producer Mel-Man. Dre's verse was written by then Aftermath artists Hittman, The D.O.C. and Ms. Roq. The single's title harks back to Dre's and Snoop Dogg's smash hit "Nuthin' But a "G" Thang" from Dre's 1992 solo debut The Chronic, in which Snoop Dogg instructs listeners at the end of the chorus to "just chill till the next episode". That line refers to the song "It's My Thing" from the EPMD album Strictly Business, which in fact did not refer to this single but to its predecessor, a song from 1993 originally recorded for Doggystyle but not included in its final version.[1] Snoop, Dre, and Nate each have verses, while Kurupt shares the hook with Snoop and Dre. The song has many references to 2Pac's "California Love", which he did with Dre while at Death Row Records, and To Live & Die in LA.[2] Originally listed on the back cover of Doggystyle as "Tha Next Episode", the original version of the song was by Snoop Dogg featuring Dr. Dre, and had a much different beat and different lyrics. The original was 4:36 long, and referred to Dre's "Nuthin' but a 'G' Thang" numerous times. The background of the original was later used in Warren G's "Runnin' Wit No Breaks" on the Regulate...G Funk Era album.

Dre's verse was written by then Aftermath artists, Hittman, The D.O.C. and Ms. Roq. It is produced by Dre and fellow Aftermath producer Mel-Man. The single's title harkens back to Dr. Dre and Snoop Dogg's classic smash hit "Nuthin' But a "G" Thang" from Dre's 1992 solo debut The Chronic in which Snoop Dogg instructs listeners at the end of the chorus to, "just chill, 'til the next episode,", the line itself being a reference to the song "It's My Thing," from the EPMD album Strictly Business, which in fact did not refer to this single but its predecessor, a leftover song from 1993 originally recorded for Doggystyle, but not included in its final version. Snoop, Dre, and Nate each have verses while Kurupt shares the hook with Snoop and Dre. The song has many references to 2Pac's "California Love", which he did with Dr. Dre while at Death Row Records, and To Live & Die in LA. Originally listed on the back cover of Doggystyle as "Tha Next Episode", the original version of the song was by Snoop Dogg featuring Dr. Dre, and had a much different beat and different lyrics. The original was 4:36 long, and referred to Dr. Dre's "Nuthin' but a 'G' Thang" numerous times. The background of the original was later used in Warren G's "Runnin' Wit No Breaks" on the Regulate...G Funk Era album. This song is often incorrectly called "Smoke Weed Everyday" with Snoop Dogg as the lead artist even though Nate Dogg is the one that says that line.


Download The Next Episode Instrumental


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The song's main sample interpolates David Axelrod's and David McCallum's "The Edge", borrowing from a brief segment at the beginning of the song, repeated in the middle of the song and in the end sequence. The song was sampled by R&B trio City High for their 2001 hit "What Would You Do". It was nominated for a Grammy Award for Best Rap Performance by a Duo or Group in 2001 for Dre and Snoop. The award, however, went to Dre and Eminem for "Forgot About Dre". The edit released for radio and music channels was heavily edited and had many re-recorded lines and muted censors as well as some removing the "smoke weed everyday" part which Nate Dogg says at the very end. Barry Bonds used the instrumental section before the first vocals as his plate appearance music for a period of time during the 2000s. The Seattle Mariners' Chone Figgins has used the instrumental as his walk-up music during the 2011 season. Nate Dogg's line at the end of the song "smoke weed everyday" is used in many internet memes[4]. The song featured on the video game Grand Theft Auto V on the station West Coast Classics.

In this episode, Antonia and Andrew discuss a selection of articles from the February 2, 2022 issue of JBJS, along with an added dose of entertainment and pop culture. Listen at the gym, on your commute, or whenever your case is on hold!

The ill-posedness of the nonparametric instrumental variable (NPIV) model leads to estimators that may suffer from poor statistical performance. In this paper, we explore the possibility of imposing shape restrictions to improve the performance of the NPIV estimators. We assume that the function to be estimated is monotone and consider a sieve estimator that enforces this monotonicity constraint. We define a constrained measure of ill-posedness that is relevant for the constrained estimator and show that, under a monotone IV assumption and certain other mild regularity conditions, this measure is bounded uniformly over the dimension of the sieve space. This finding is in stark contrast to the well known result that the unconstrained sieve measure of ill-posedness that is relevant for the unconstrained estimator grows to innity with the dimension of the sieve space. Based on this result, we derive a novel non-asymptotic error bound for the constrained estimator. The bound gives a set of data-generating processes for which the monotonicity constraint has a particularly strong regularization effect and considerably improves the performance of the estimator. The form of the bound implies that the regularization effect can be strong even in large samples and even if the function to be estimated is steep, particularly so if the NPIV model is severely ill-posed. Our simulation study conrms these findings and reveals the potential for large performance gains from imposing the monotonicity constraint. 006ab0faaa

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