Initially, the film was to retain the short story's title of "High Jump", which referenced Ishaan's inability to achieve the high jump in gym class. This subplot, which was filmed but later cut, would have tied into the original ending for the movie. In this planned ending, a "ghost image" separates from Ishaan after the art competition and runs to the sports field; the film would end on a freeze frame of Ishaan's "ghost image" successfully making the leap. Aamir Khan disliked this proposed ending and convinced Gupte to rewrite it.

Taare Zameen Par is a film about children and it is a film which celebrates the abilities of children. Taare Zameen Par is a title which denotes that aspect. It is a title with a very positive feel to it. All the kids are special and wonderful. They are like stars on earth. This particular aspect gave birth to the title.[17]


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Real schoolchildren participated throughout the movie's filming. Khan credited them with the film's success, and was reportedly very popular with them.[15] Furthermore, Khan placed a high priority on the day-to-day needs of his child actors, and went to great lengths to attend to them.[17] The production staff made sure that the students were never idle, and always kept them occupied outside of filming.[31] New Era Faculty Coordinator Douglas Lee thought the experience not only helped the children to learn patience and co-operation, but also gave them a better understanding of how they should behave towards children like Ishaan who have problems in school.[32] Because filming at New Era High School occurred during the winter holiday, those portraying Ishaan's classmates gave up their vacation to participate.[33] To fill in the campus background, students from nearby schools were also brought in.[34] A total of 1,500 children were used for wide-shots of the film's art-fair climax; medium shots only required 400 students.[35]

In writing the song "Taare Zameen Par," lyricist Prasoon Joshi followed the theme of "however much you talk about children, it's not enough." Every line throughout the song describes children, and only one repeats: "Kho Naa Jaaye Yeh / Taare Zameen Par" ("Let us not lose these / Little stars on earth").[57] The song is mostly set to the annual day performance by the developmentally disabled children of Tulips School. Actual students from Tulips School and Saraswati Mandir participated, and were filmed over a period of five days.[58] The sequence originally featured numerous dance performances, but was trimmed down when test audiences found it too long.[59] A song accompanying the scene in which Ishaan's mother is watching home videos of her son was also cut, and replaced with background music after test audiences expressed their opposition to yet another song.[60]

Taare Zameen Par received widespread critical acclaim upon release. On the review aggregator website Rotten Tomatoes, 93% of 14 critics' reviews are positive, with an average rating of 7.4/10.[90] Subhash K. Jha suggests that the film is "a work of art, a water painting where the colors drip into our hearts, which could easily have fallen into the motions of over-sentimentality. Aamir Khan holds back where he could easily resort to an extravagant display of drama and emotions."[91] Rajeev Masand of CNN-IBN argued that the true power of the film lies in its "remarkable, rooted, rock-solid script which provides the landscape for such an emotionally engaging, heart-warming experience."[92] Manish Gajjar from the BBC stated that the film "touches your heart and moves you deeply with its sterling performances. [It is] a film full of substance!"[93] Jaspreet Pandohar, also of BBC, posited that Taare Zameen Par is a "far cry from the formulaic masala flicks churned out by the Bollywood machine," and is "an inspirational story that is as emotive as it is entertaining; this is a little twinkling star of a movie."[94] Furthermore, Aprajita Anil of Screen gave the film four stars and stated, "Taare Zameen Par cannot be missed. Because it is different. Because it is delightful. Because it would make everyone think. Because it would help everyone grow. Because very rarely do performances get so gripping. And of course because the 'perfectionist' actor has shaped into a 'perfectionist' director."[95] In addition, filmmaker Anurag Kashyap stated that, "Taare Zameen Par took me back to my hostel days. If you take away the dyslexia, it seems like my story. The film affected me so deeply that I was almost left speechless. After watching the film, I was asked how I liked Taare Zameen Par. I could not talk as I was deeply overwhelmed."[96]

However, there were some criticisms. Jha's only objection to the film was Nikumbh's "sanctimonious lecture" to Ishaan's "rather theatrically-played" father. Jha found this a jarring "deviation from the delectable delicacy" of the film's tone.[91] Although she applauded the film overall and recommended "a mandatory viewing for all schools and all parents", Nikhat Kazmi of The Times of India believed the second half was "a bit repetitive," the script needed "taut editing," and Ishaan's trauma "[seemed] a shade too prolonged and the treatment simplistic."[97] Despite commending the "great performances" and excellent directing, Gautaman Bhaskaran of The Hollywood Reporter, too, suggested that the movie "suffers from a weak script."[98] Likewise, Derek Kelly of Variety criticized it for what he described as its "touchy-feely-ness" attention to "a special needs kid's plight." Kelly also disliked the film for being "so resolutely caring ... and devoid of real drama and interesting characters" that "it should have 'approved by the Dyslexia Assn.' stamped on the posters."[99]

Likewise, in their article "Wake up call from 'Stars on the Ground'" for the Indian Journal of Psychiatry, T. S. Sathyanarayana Rao and V. S. T. Krishna wrote that the film "deserves to be vastly appreciated as an earnest endeavor to portray with sensitivity and empathetically diagnose a malady in human life". They also felt it blended "modern professional knowledge" with a "humane approach" in working with a dyslexic child. However, the authors believed the film expands beyond disabilities and explores the "present age where everyone is in a restless hurry". The pair wrote, "This film raises serious questions on mental health perspectives. We seem to be heading to a state of mass scale mindlessness even as children are being pushed to 'perform'. Are we seriously getting engrossed in the race of 'achievement' and blissfully becoming numb to the crux of life i.e., experiencing meaningful living in a broader frame rather than merely existing?" The film depicts how "threats and coercion are not capable of unearthing rich human potentialities deeply embedded in children", and that teachers should instead map their strengths and weakness. With this in mind, the author felt that Khan "dexterously drives home the precise point that our first priority ought to be getting to know the child before making any efforts to fill them with knowledge and abilities". Overall, the pair found a "naive oversimplification" in the film. With India "only recently waking to recognizing the reality and tragedy of learning disability", however, they "easily [forgave the film's fault] under artistic license".[18]

Joginder Tuteja of Bollywood Hungama praised the variety of genres present in the soundtrack and the lack of remixes. He gave it an overall rating of 3.5 out of 5 stars, calling it a "zero compromise album" that "stays true to the film's spirit".[124] Planet Bollywood's Atta Khan rated it 9 out of 10, noting that the soundtrack "unquestionably lives up to all expectations". He felt that it maintained an "all round polished nature" and "is destined to become a classic". Although he, too, enjoyed the musical variety, he believed the composers overused the guitar and synthesizers.[125] Sukanya Verma of Rediff.com gave the soundtrack a score of 3 out of 5, commenting, "Taare Zameen Par isn't your regular soundtrack about fluttering hearts and sleepless nights. What makes these delicate and whimsical creations special is their underlying innocence."[126] According to the Indian trade website Box Office India, with around 1,100,000 units sold, this film's soundtrack album was the year's thirteenth highest-selling.[127]

Parents need to know that Like Stars on Earth (aka Taare Zameen Par) is a poignant Indian drama with plenty of positive messages around compassion, communication, empathy, and perseverance. Ishaan (Darsheel Safary) is an eight-year-old boy who struggles in school due to his undiagnosed dyslexia. Thinking he's deliberately disobedient, his father sends him to a boarding school where he meets art teacher Ram Shankar Nikumbh (Aamir Khan), who seems to be the only one capable of understanding him. There are numerous physical fights between children; some bloody cuts and gashes are visible. Children are also slapped, smacked, scolded, and hit with rulers. In one scene, a child is seen leaning over a railing, briefly contemplating suicide. Language includes "idiot," "shut up," "God," "dammit," etc., and Ishaan is called "mentally retarded." There is a brief mention of tripping on cannabis. The film is in Hindi with English subtitles. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.

Our galaxy holds at least an estimated 300 million of these potentially habitable worlds, based on even the most conservative interpretation of the results in a study released today and to be published in The Astronomical Journal. Some of these exoplanets could even be our interstellar neighbors, with at least four potentially within 30 light-years of our Sun and the closest likely to be at most about 20 light-years from us. These are the minimum numbers of such planets based on the most conservative estimate that 7% of Sun-like stars host such worlds. However, at the average expected rate of 50%, there could be many more. 2351a5e196

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