Download Song Moments

"Moments" is a song written by Sam Tate, Annie Tate and Dave Berg, and recorded by Canadian country music band Emerson Drive. It was released in November 2006 as the third single from the album Countrified. The song was a Top Five hit on the Canadian country music charts. It also reached Number One on the Billboard U.S. Hot Country Songs charts, becoming the first Number One single not only for the band, but also for their label, Midas Records Nashville. "Moments" was the most played country music song of 2007 in Canada.[2] The song was nominated for Grammy Award for Best Country Performance by a Duo or Group with Vocal at the 50th Annual Grammy Awards.

The song is a ballad in which the narrator, a young man, plans to commit suicide by jumping off a bridge. While on the bridge, he notices an older, homeless man, to whom he gives money, figuring that he "wouldn't need it anyway". Upon receiving the money, the old homeless man tells of his past, saying that he "hasn't always been this way", and that he has had his "Moments, days in the sun / Moments [he] was second to none". Upon hearing the story, the young man then ponders his own life, wondering if anyone will miss him, should he decide to take his own life. He remembers his own "Moments, days in the sun." The young man then walks away from the bridge, imagining the older man telling his friends about his moments, including "that cool night on the East Street bridge / When a young man almost ended it / I was right there, wasn't scared a bit / And I helped to pull him through".

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The song originated when songwriter Annie Tate and her husband, Sam, were working with their friend and songwriting partner Dave Berg to construct a song about people having their moments. Sam came up with the idea of basing the song around a homeless man. After the song was written, he stated, "I've always wanted to write a song about redemption and how everyone has the ability to redeem themselves somehow".[3]

I made this using help of another guide, but I also wanted a version with greater specificity because some of the directions were super vague or straight up lead me the wrong way, along with other errors and missing songs I wanted to correct. If I missed any, or you were able to trigger a song on a different route, do let me know and I will investigate on my next playthrough!

Song: Low Roar - I'm Leaving

Where: Down the grassy slope south of Weather Station. You may want to go a bit west of where the Safe House is built for Order 29. The song doesn't begin until a good way's down.

Song: Low Roar - Gosia

Where: After completing order 28, on the right bank of the river that feeds the waterfall, approximately 500m south of the Distro Centre.Note: You are given the song data after completing Order 38.

Song: Low Roar - Without You

Where: When dropping off the special parcel at the lake, be sure to do so on the eastern shore as marked on the map. Then walk counterclockwise along to shore to trigger the song. If you dropped the package off too far west, the song will not trigger.

Song: Low Roar - Breathe In

Where: Skirt around the perimetre of the MULE camp south of Craftsman. Climb the foothill northwest of the camp. Stay on the foothills, the BT zone in the lowlands will end the song.

Song: Low Roar - The Machine

Where: Ascend the mountains near Weather Station and the song should begin as you reach the snow line. In this case, I climbed the mountains a bit south of Weather Station.

Song: Low Roar - Rolling Over

Where: Head southwest and take a roughly direct route to the destination. The song will begin approx 320m away from Mountaineer. Continue south-southwest to the river and follow it west. Cross the river it feeds to and take the long route around the small mountain range to avoid the BT zone cancelling the song.

Song: Low Roar - Patience

Where: Take a direct route between departure and destination. The song will begin shortly after leaving a BT zone.

Note: If you are doing Order 58 concurrently, you will likely have to backtrack through the BT zone and proceed as if you had gone directly to get the song to trigger.

Song: Silent Poets - Almost Nothing feat. Okay Kaya

Where: From Evo-Devo, go south through the Terrorist Camp or skirt the edge of the camp to go down a valley to the west of it. The song will begin as you approach the coast of the tar belt.

Note: This trio of songs assume a route of going to Heartman's Lab to Mountain Knot City then taking the road to Lake Knot City. However, Order 66 will take you off this route and cause you to miss a song unless you backtrack. Order 66 is optional but highly recommended before you approach Lake Knot City.

Song: Low Roar - Please Don't Stop (Chapter 1)

Where: Near Auto-Paver UC Route 45-5, north of North Waystation. It will not be cancelled by the BT zone at the Ruined Roadside Factory.

Note: If you are doing Order 66, you must trigger this song before arriving at your destination. It is possible to hike from the pick up to North Waystation and get on the road, but the safest option is to backtrack to Mountain Knot and get on the road there. The song will not play if you approach the paver from the east.

This piece was written in Krakow on October 2, 1940. Mordecai Gebirtig wrote this song to raise the spirits of the persecuted Jewish community in Krakow. The poet's reference to "Haman" alludes to the ancient Persian enemy of the Jewish people.

I\u2019m so glad you found your way here. I\u2019m JJ, and I love Jesus, my husband, my two beautiful girls, dark chocolate and writing songs that remind you that YOU ARE LOVED. For over 14 years I\u2019ve worked side-by-side with my husband and creative partner, Dave. This year we\u2019re working together to create something beautiful and then release it into the world on the first Friday of each month.

Over the past several years my music made its way onto TV shows, international ads and radio stations around the world, but more importantly it\u2019s kept listeners like you company in hospital rooms and war zones, in the middle of plane flights and sleepless nights, during weddings and car rides. I\u2019m thrilled that the music I work so hard to create gets to be the soundtrack to major (and not-so-major) moments in your lives!

As most (if not all) of you know, I have two little girls, Lucy (8) and Nora (5). For the past eight years or so, Dave and I have been writing songs for and about them. Four of my top ten songs on iTunes were written for them! I never set out to be the lady who writes tons of lullabies, but because I tend to write about things that are closest to my heart, I keep coming back to the topic of parenthood. Paving the Runway fits squarely in the parenting category.

Out of the second act, this is definitely my favorite 'lesson-teaching' song. The metaphor here is so deep and profound, and is so rich in substance, that I can only hope to capture the accuracy of its delivered lessons on this post.

In the song right before this, "Any Moment", the Prince decides to have a fling with the Baker's Wife. After all, as we have learned by now, he's only looking for self-pleasure and satisfaction. He will take any opportunity to achieve that before he dies ("any moment we could be crushed"). He seduces the Baker's Wife, using his princely charm - pretty much like the Wolf 'seduced' Little Red Riding Hood into exploring other paths in the woods. As much as she tries to resist, the temptation is too much. Here is the opportunity - to have at least a glimpse of her fantasies become a reality. The Prince, going after his own goal, delivers the convincing arguments: "seize the moment, skies may fall any moment; best to take the moment present as a present for the moment". Then, when he is done: "I must leave you." He has no more use for her. And using the same charm, he says goodbye. "Leave the moment - just be glad for the moment that we had." Without the romantic language and presentation, this in reality means "I just took what I needed, and I don't need to see you again. Think of how lucky YOU are by being noticed for a few minutes by a Prince."

"That's what woods are for - for those moments in the woods." She realizes now that, in order to make life enjoyable, she has to break up routine with fun. She can't remain shackled within the routine - or the boredom of it will kill part of her and make it numb. That fun, in this instance, came disguised as a Prince - but she doesn't have to frolic around with a Prince to break up that routine. She can do it within the confines of her morality - she just needs to be creative with it.

For example, in her situation, her summary translates as follows. "Oh, if life were made of moments" equates to "Oh, how I wish I had that Prince whenever I wanted him, forever, instead of the baker. Even if I have a bad moment with the Prince, I still have the Prince for all those good moments." And then the rationale. "but if life were only moments, then you'd never know you had one." Translated, this means: if I was always with the Prince, then my moment with the Prince would've been moot - and I would've never enjoyed it as much as I did." Mind = blown. If our life is not varied, always the same, then we won't recognize those good moments when they come around. So we need to learn to take the good with the bad. e24fc04721