"Halo" is a song recorded by American singer Beyonc for her third studio album, I Am... Sasha Fierce (2008). Included on the I Am... disc, it was intended to give a behind-the-scenes glimpse of Beyonc's life, stripped of her make-up and celebrity trappings. Columbia Records released the song, the album's fourth single, to mainstream radio in the United States on January 20, 2009, and to international markets from February 20. Inspired by Ray LaMontagne's 2004 song "Shelter", "Halo" was written by Ryan Tedder and Evan Bogart, with the former producing it alongside Beyonc, who handled the vocal production. It was originally conceived by Tedder and Bogart specifically for Beyonc, although there was media speculation that it had been intended for Leona Lewis.

"Halo" is a pop and R&B power ballad, the lyrics of which describe a sublime love. It features drum, piano, keyboard, string, synthesizer, and percussion instrumentation. The song faced a controversy when Kelly Clarkson claimed that Tedder had reused the musical arrangement in her own 2009 song "Already Gone". "Halo" received positive reviews from music critics, who made comparisons with Lewis's 2007 song "Bleeding Love", also written by Tedder. Its production and Beyonc's vocals also received critical praise. "Halo" was nominated for Record of the Year and won Best Female Pop Vocal Performance at the 52nd Annual Grammy Awards. It won Best Song at the 2009 MTV Europe Music Awards.


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"Halo" topped the singles charts of Brazil, Norway, and Slovakia, and reached the top five on the singles chart of Australia, Germany, Ireland, Italy, New Zealand, Switzerland, the United Kingdom, and the United States. The song has received numerous certifications, including a twelvefold-platinum certification from Australia, making it one of the highest-certified songs in the country, ninefold-platinum certifications from Canada and the US, a quadruple-platinum certification from the United Kingdom, a triple-platinum certifications from Italy, and a double-platinum award from Spain.

Philip Andelman directed "Halo"'s accompanying music video, which features American actor Michael Ealy. It portrays a romantic relationship between Beyonc's and Ealy's characters. Critics complimented Beyonc's looks in the clip. An alternative music video, which shows Ealy's character being chased by police officers through a forest at night, was posted on the Internet in May 2010. The lyrics to "Halo" were changed for three of Beyonc's special live performances: a tribute to Michael Jackson following his death, a tribute to the victims of the 2010 Haiti earthquake, and for Kobe and Gianna Bryant's memorial in 2020. The song has been covered by many artists, including Florence and the Machine, Harper Blynn, LP, and Westlife. It was also performed on the television show Glee, and was added to the soundtrack of the Brazilian telenovela Caminho das ndias.

"Halo" was initially composed by Ryan Tedder, lead vocalist of OneRepublic, together with Evan "Kidd" Bogart.[1] In an interview for HitQuarters, Kidd narrated the events that led to writing the song. OneRepublic canceled their tour after Tedder had broken his Achilles tendon and had undergone surgery. The following day, the band sent Tedder to Los Angeles. There, he and Kidd were socializing when Tedder expressed his desire to write a song. At first, Kidd was opposed to the idea because Tedder was supposed to be recuperating, but the pair went to Tedder's studio. During the writing sessions, singer Ray LaMontagne was the primary inspiration for "Halo". Kidd suggested they create a song in the style of LaMontagne's "Shelter" for Beyonc and her husband Jay-Z, and proposed the title "Halo" after hearing Tedder play "angelic" chords. They wrote the song in three hours.[2][3] In 2009, the original demo leaked on the Internet, and its production was similar to the published recording, for which Beyonc received a writing credit. Tedder explained that she edited vocally the bridge of the song and consequently earned the credit.[4]

According to Simon Cowell, owner of the music production company Syco Entertainment, Bogart and Tedder intended "Halo" for his client, singer Leona Lewis, who could not record the song because of her tight schedule.[2] Cowell was upset that Beyonc chose to record the song.[2] David Balls, editor of the British media website Digital Spy, asked Tedder during an interview whether "Halo" had initially been written for Lewis.[5] Tedder answered that he had only tentatively offered the track to Lewis after Beyonc waited a long time before recording it.[5] He commented:

There was this huge scandal that originally "Halo" was meant to go to Leona. That was never the case ... That song was written for Beyonc. What happened was that Beyonc waited long enough to record that song ... I thought this would be a brilliant first single for Leona, which it would have ... What I did was foolishly say to Leona's camp, "I have it on hold for another A-list artist and I'm pretty sure they'll take it, but if they don't, I just want to know if you like it enough to consider it". I sent it to them and they flipped on it. They loved it and instantly said they wanted to do it. I was like, "Wait, wait, wait, no, it's not free yet!"[5]

In "Halo", Beyonc professes her all-encompassing fondness to her lover with open-hearted emotion.[13][18][24] She said, "['Halo'] is angelic ... like you see [angels'] faces instantly when you hear it. [Its lyrics] are basically saying that I had these walls built up about love; you completely tore them down and when I look at you I see your halo, it's really beautiful".[25] Backed by a piano, claps and step stomps that set a spiritualized atmosphere,[13][16] Beyonc opens the song with the lines: "Remember those walls I built? / Well, baby, they're tumbling down".[18] She sings the introduction in a low register, and the power of her voice gradually increases as the song progresses.[10] In the pre-chorus, she chants, "Everywhere I'm looking now, I'm surrounded by your embrace / baby I can see your halo, you know you're my saving grace / you're everything I need and more, it's written all over your face".[8][17] Beyonc then echoes the word "halo" in the chorus;[10] the third and final one is preceded by a 1980s drum breakdown, and is complemented by sweeping strings and percussion.[12][26]

On February 20, 2009, "Halo" was released as a two-track digital download, including a remix of "Single Ladies (Put a Ring on It)" in Australia[34] and New Zealand.[35] In France, it was released as a stand-alone digital download on March 20, 2009.[36] On the same date, "Halo" was serviced digitally alongside the album version of "Diva" in mainland Europe,[37] including Germany,[38] where it was also made available as a CD single on April 3 and a vinyl single on April 12, 2009.[39][40] In the United Kingdom, a digital EP containing the album version and three remixes of "Halo" was released on April 13, 2009.[41][42] The following day, the song was made available on a digital EP, as a maxi single and a vinyl single in Canada.[43][44]

Soon after composing "Halo", Tedder worked with Kelly Clarkson on her fourth studio album, All I Ever Wanted (2009), for which they wrote "Already Gone" together.[45] When the song came out, critics noted a resemblance to Beyonc's "Halo".[46] Clarkson, however, initially stated that she was unaware of any similarities between the two songs.[47] She eventually realized their resemblance when she listened to both recordings closely; the similarities are most notable in the backing tracks, which in both cases feature a melancholy piano, loud drums, and handclaps.[46] Clarkson tried to prevent "Already Gone" from being included on All I Ever Wanted, but it was impossible to make last minute changes, as her album was already being printed when I Am... Sasha Fierce was released.[45] She accused Tedder of using the same arrangement on both "Already Gone" and "Halo", and complained that people would, incorrectly, assume she was stealing it from Beyonc.[45]

Clarkson was furious, and confronted Tedder on the phone.[45] In response, Tedder commented that he would never give two artists the same musical arrangement, and that her criticism was "hurtful and absurd".[48] He asserted that the concept, melodies, and lyrics of "Already Gone" and "Halo" are completely different.[48] Calling "Already Gone" one of the best songs he had ever composed, Tedder challenged people to "listen [to the two ballads] and form their own opinions".[48] Clarkson also tried to stop her label, RCA, from releasing "Already Gone" as a single because she wanted to respect Beyonc,[49] but they went against her will and released it.[45] She said, "It's one of those things I have no control over. I already made my album. At this point, the record company can do whatever they want with it."[50] Clarkson later told James Montgomery of MTV News that it was unfortunate "Already Gone" and "Halo" sound so similar, but noted that at least they have different vocal melodies.[47]

Christian Williams of Billboard magazine wrote that the pop sound of "Halo" should take it to the top of the charts.[11] He added that comparisons could be made to Lewis' "Bleeding Love" (2007), but concluded that "Halo" "hangs high on its own merits".[11] Michael Slezak of Entertainment Weekly described "Halo" as "an absolutely glorious and perfectly produced track", which had the potential to be as commercially successful as "Crazy in Love" (2003) and "Irreplaceable" (2007).[12] Joey Guerra of the Houston Chronicle wrote that it was an immediate standout on I Am... Sasha Fierce.[18] Praising the "big and wide" melodies of "Halo", Matos Michaelangelo of The A.V. Club commented that Beyonc has "a real flair for grandeur".[51] Jennifer Cady of E! Online wrote that the song could be included on a romantic mixtape,[52] and James Montgomery of MTV News noted that the "tear-jerking power" of "Halo" reveals "sides of Beyonc we never knew existed".[53] Ryan Dombal of Pitchfork wrote that Beyonc's vocal delivery was "strident and exposed", reminiscent of Cline Dion's style.[24] 006ab0faaa

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