Download Sanford Reverb

Leslie Sanford has released an updated version of the old Sanford Reverb effect. This versatile reverb effect is now freeware and available as a 32-bit and 64-bit VST plugin for Windows based host applications.

The CPU usage is surprisingly low for a reverb plugin. During our test on a single core Intel processor in MuLab 6, the CPU hit never exceeded 3% for a single instance of Sanford Reverb. The plugin strikes a nice balance between a quality reverb sound and low resource consumption, which are the two main qualities of a good reverb effect for everyday use in mixing situations.

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The Sanford Reverb is a true stereo reverb. It is capable of simulating everything from small rooms to giant cavernous spaces. Its sound is dense, clean, and crisp making it perfect for most situations.

Left and right input channels each have a set of 3 early reflections that can be independently set. The filter section lets you shape the tone of the reverb's output, and damping is provided to simulate wall absorption. Together these features let you shape the reverb sound to simulate almost any room.

In particular its comprehensive early reflections section makes it indispensable for when early reflections really count. ER settings are important to tweak to your particular input source content, and the one-size-fits-all approach of most conventional reverbs make their early reflections almost useless. I've even used only its early reflections with the reverb all the way down to combine a different reverb with good early reflections, for when I want to use a different reverb.

This thing is just great, really great. I had been demoing the Softube Tsar-1 reverb which is fabulous and I would say the Sanford Reverb is easily as good. Adjustable early reflections, mix for ER and LR, output gain, filters... yep, this thing has everything I need. Not only is it $269 cheaper than Tsar-1, it uses about a quarter of the CPU. This is one of those plugins when you wonder why you would want to pay for something that, quite frankly, is no better. Highly recommended, and comes in both Windows x32 and x64 versions too.

This is my go-to reverb from now on. It is quite probably the best free reverb that you can go crazy with without drowning the dry signal unintentionally. It has complete control over the early reflections, late reflections, a filter, an LFO and even control over the 6 bands of early reflection! It is incredibly easy to get the reverb you want (I normally change only the dry, output, er, lr and time knobs and ignore the modulation, filter and 6 reflections) and both the dry and wet sounds will sound amazing. 10/10, best reverb ever.

At the right side of the big picture showing the GUI of the reverb at the top of this present KVR page you have a link "Product Sanford Reverb". Click the link. It leads you to a page where you have four plugins. The plugin Reverb is there... with its link to download it.

Early attempts at reverb processors might not sound quite like a real room, but they have a character all their own which has endured to modern times. OldSkoolVerb aims to get you the sound of classic reverbs in your DAW, thanks to its simple algorithms that emulate the way early stereo reverb processors used to work.

With Room Size, PreDelay, Stereo Width and EQ controls, TAL-Reverb2 nets you a good few controls to customise your free reverb sound, but most of the interesting work happen under the hood. This one is great for long, ambient delays that transport you to world of soundscapes.

This PC/Mac reverb plugin was originally created as an experiment by developer u-he to gather feedback on what makes a reverb algorithm sound great. The idea was that you randomize the Model and Delays algorithms until you find something good and unique, and you send the code that represents them to u-he to give your feedback.

Sound quality is not the only factor to take into account when choosing a reverb for orchestral music. Different reverbs use different stereo processing techniques which will make a significant difference in believability. Not even the smoothest, lushest reverb in the world will do you much good if it messes up your instrument positioning and generally sounds like a thick mush.

A parallell stereo reverb processes the left and right channels independently, each one in mono. This is a slightly more natural-sounding technique than M2S, though not quite as good as true stereo. The farther you pan something to the side, the more attenuated the reverberations in the opposite channel will become. Beyond a certain point they will go completely silent. Meaning, if you have an instrument panned way off to the left, you will only hear the reverb in the left channel. Obviously this is not how a real space behaves. Even if a player is positioned far off to your left, you will always hear sound waves being reflected off of the wall to your right.

A true stereo reverb works kind of like a PS reverb, the difference being that it processes each input channel in stereo. You could think of it as two PS reverbs running in parallell. With a TS reverb you can pan a signal all the way from left to right and hear the reverberations realistically follow the movement. As you probably have guessed, a true stereo reverb is highly preferable when working on orchestral music. It just sounds so much more spacious and natural than the other techniques that once you try a good TS reverb and hear the difference, you will never want to go back to using a M2S or PS reverb.

Convology XT is an impulse response convolution reverb. Impulse Record have emulated over 126 pieces of vintage studio outboard gear, making 2,965 presets! The free plugin version provides you with 70 presets to try out. (You can buy more impulse responses if you wish). Convology comes with a stereo modulator chorus that emulates an early DSP reverb effect. This can also be used as a chorus/ flanger. One of the best convolution freeware plugins. Check out the video below for more info.

Tal reverb 4 is an emulation of the old vintage reverb units. It combines fast build up times with long reverb tails to recreate the classic vintage modulated reverb sound. It provides you with a low and hi filter cut and two signal mix knobs (Wet & Dry). This last feature really adds to the flexibility of the unit for those that like to automate their reverbs. Mixing the wet & dry signals can create some really interesting blends of reverb and distance to add character to your mixes. Tal reverb 4 only works with stereo channels. This is a really popular free reverb vst plugin.

Gigaverb by Elements is a simple reverb based on the open source Gverb code (get that here). The code has been modified to create extremely long decay times. You may struggle to use this as your default reverb as some of the decay times are so long (minutes long tails!). I think Gigaverb is more suitedas a special effect for expansive spaces or creating immersive sound design. A port of the original Gverb is also available for free on the Elements site. I have also included a link to a Gigaverb/Sadeharju by Juhana Sadeharju for Max For Live.

Do not be daunted! Lisc Verb is worth exploring for its ability to bring space and texture to your productions. Lisc Verb is actually a reverb and delay plugin, so you get even more control over your signal. Combine that with customizable routing and filters and you are able create more complex spatial effects. The plugin is feature packed, check out the video & sound examples below:

Deep in the depths of Belgium lives the brain behind MuTools. MuTools have provided the music production community with the Mu Lab and MUX modular plugins (also free plugins). MuVerb is part of the MUX world, but can be downloaded separately. It is a simple yet great reverb sound. Check out the demo below:

As well as the normal reverb types it features a gating section and hold functionality if you want to experiment. One of the more advanced controls is the variation button, this creates a variant of the same room allowing you to subtly test different reverberation modes if a particular frequency is problematic. Smart Electronix easily beats some commercial reverb plugins out there.

OrilRiver by Denis Tihanov provides a great sounding free algorithmic stereo reverb with low CPU usage. This plugin focuses on doing quality reverb well, no experimental extras. It provides you all the expected room sizes, 3-band EQ, damping control and decay time of early reflections. A straight forward, solid offering with great sound quality. Often thought of as one of the best free reverb plugins out there.

Reverb Solo is a collaboration between the music retail site and Acon Digital. A simple one knob design makes it a quick and easy addition to get reverb sounds on any dry signal. The plugins effects ranges from small, bright and short to dark, long, deep and spacey.

Dragonfly Reverb is based on the Freeverb 3 Hibiki stereo reverb algorithm which sounds absolutely gorgeous. Features include Small, Medium and Large Halls, Studio and Room reverb modes. Predelay, EQ, Size and width as well as a diffuse section with Spin and Wander functionality.

There are several different kinds of reverb plugins, some that specialize in certain types of reverb sounds, like plate reverb, spring, room reverb, and digital reverb. Some are convolution reverbs that use impulse response files to replicate the sound of real rooms and other spaces. Most are algorithmic reverbs that use advanced algorithms to simulate different room sizes and dynamics.

The free Reverb Solo plugin is a very simple plugin with a single knob to adjust the reverb size and a wet/dry slider to control the amount of reverb. The plugin is very easy to use, especially for beginners, and it sounds surprisingly good.

Two additional free reverb and some other plugins are available from TAL as well. The TAL-Reverb-3 is a stereo plate reverb plugin and TAL-Reverb-2 is their most popular reverb plugin, still a favorite among some users. ff782bc1db